Penney Raines > Penney's Quotes

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  • #1
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #2
    Sylvia Plath
    “If you expect nothing from somebody you are never disappointed.”
    Sylvia Plath, The Bell Jar

  • #3
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #4
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #5
    Sylvia Plath
    “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #6
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #7
    Sylvia Plath
    “Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.”
    sylvia plath

  • #8
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    Sylvia Plath

  • #9
    John Grisham
    “Don't compromise yourself - you're all you have.”
    John Grisham, The Rainmaker

  • #10
    John Grisham
    “In life, finding a voice is speaking and living the truth. Each of you is an original. Each of you has a distinctive voice. When you find it, your story will be told. You will be heard.”
    John Grisham

  • #11
    John Grisham
    “You live your life today,
    Not tomorrow,
    and certainly not yesterday.”
    John Grisham

  • #12
    John Grisham
    “Some people have more guts than brains.”
    John Grisham, The Rainmaker

  • #13
    John Grisham
    “If you're gonna be stupid you gotta be tough.”
    John Grisham, The Testament

  • #14
    John Grisham
    “I'm alone and outgunned, scared and inexperienced, but I'm right.”
    John Grisham, The Rainmaker

  • #15
    “I don't "lol". I tried it once but it just didn't agree with me.”
    R.D. Ronald

  • #16
    “After a week he was moved to a different wing and into a shared six-by-eight with a grizzled old con called Alf. He had faded tattoos that stained most of the visible skin on his hands, arms and neck a dull blue, sharp eyes and a thick beard that made his mouth look like an axe wound on a bear.”
    R.D. Ronald, The Zombie Room

  • #17
    “Today I plan to smile a lot, only so people who know me will be freaked the fuck out.”
    R.D. Ronald

  • #18
    “Decker smiled and shrugged off their laughter. The humour was only barbed if you sat on the outside, and now he was one of them.”
    R.D. Ronald, The Zombie Room

  • #19
    “The guard looked down at the scarlet bloodstains blooming on his chest. He appeared to think of something that he needed to say, but as his lips began to form the words, his knees gave up the strain of supporting his ruined bulk. He collapsed to the floor, his throat issuing a final sound like a bubbling casserole.”
    R.D. Ronald, The Zombie Room

  • #20
    “Jack laughed behind him, a mirthless sound from a man who had been on the wrong end of life's ironies too many times.”
    R.D. Ronald, The Elephant Tree

  • #21
    “Ferret took out a folded scrap of paper and passed it to him.
    'My guy Ben doesn't know where the other club is, but the girls are being shipped in from here, a rehab centre in Newtonville.'
    'What's this other place called?' Tazeem asked as he slipped the scrap of paper into his pocket.
    'The place is just known as The Club. But the behind-the-scenes bit that only the real big spenders get to see, there's no official name, 'cause officially it doesn't exist, that's know as The Zombie Room.”
    R.D. Ronald, The Zombie Room

  • #22
    “Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.”
    R.D. Ronald, The Zombie Room

  • #23
    “Fair enough, that's what most people look for to begin with, but money can be a sliding scale, the more you have, the more you want, the more you need,' McBlane said as he sharpened the ash on the tip of his cigar into a point against the rim of the ashtray. It gave him the appearance of wielding a dagger as he gestured with his cigar holding hand.”
    R.D. Ronald, The Elephant Tree

  • #24
    “It is here where education is championed and gratefully pursued as the human right which many in our world classify it to be. For although regarded as a human right, many entitled to education often dismiss its equal standing to other rights of a similar plane: water, food, shelter. Without water, many perish; with education, many complain.”
    Colin Phelan, The Local School

  • #25
    “As I sat dumbfounded, seemingly paralyzed in my corner, resorting to my old, reliable strategy of scribbling when unsure of how to respond to Sanjit, Sanjit appended his counsel with a dose of silence – one reminiscent to that of a few days prior. The students looked upward and downward, fans to notes to pens to toes, outward and inward, peers to souls, and of course, toward the direction of the perceived elephant in the room, Sanjit’s books. Simultaneously, Sanjit confidently and patiently searched among the students before finding my eyes; once connected, the lesson moved forward.”
    Colin Phelan, The Local School

  • #26
    “Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.”
    Colin Phelan, The Local School

  • #27
    “Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.”
    Colin Phelan, The Local School

  • #28
    “Everyone is recharged for the second half, no bell, no forced learning, no principal’s office for tardiness or absenteeism; instead, a voluntary return to our collective pane of learning. Final conversations simmer down and the attention is refocused.”
    Colin Phelan, The Local School

  • #29
    “Despite the business and auto-rickshaws and bantering Bengalis just beyond his brown front door, Sanjit cultivates a distinct learning environment and energy, one created and galvanized above the tile floors, within the thin walls, below the imperative ceiling fans, and embraced by books.”
    Colin Phelan, The Local School

  • #30
    “To reiterate: not all things need to be finished, and free reading is a prime example of this. Writing – or the composition of words which are intended to be read – just like painting, sculpting, or composing music, is a form of art. Typically, not all art is able to resonate with each and every viewer – or, in this case, reader. If we walk through a museum and see a boring painting, or listen to an album we don’t enjoy, we won’t keep staring at said painting, nor will we listen to the album. So, if we don’t like a book, if we aren’t learning from it, dreaming about it, enjoying its descriptions, pondering its messages, or whatever else may be redeeming about a specific book, why would we waste our time to “just finish it?” Sure, we may add another book to the list of books read, but is more always better?”
    Colin Phelan, The Local School



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