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  • #1
    Khaled Hosseini
    “She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed. ”
    Khaled Hosseini, A Thousand Splendid Suns

  • #2
    Madeline Miller
    “But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
    Madeline Miller, Circe

  • #3
    Khaled Hosseini
    “...Mariam is in Laila's own heart, where she shines with the bursting radiance of a thousand suns.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #4
    Ocean Vuong
    “Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #5
    Khaled Hosseini
    “One could not count the moons that shimmer on her roofs,
    Or the thousand splendid suns that hide behind her walls.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #6
    Khaled Hosseini
    “Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #7
    Khaled Hosseini
    “Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #8
    Khaled Hosseini
    “A man's heart is a wretched, wretched thing. It isn't like a mother's womb. It won't bleed. It won't stretch to make room for you.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #9
    Khaled Hosseini
    “and yet she was leaving the world as a woman who had love and been loved back. she was leaving it as a friend, a companion, a guardian. a mother. a person of consequence at last.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #10
    Khaled Hosseini
    “But the game involves only male names. Because, if it's a girl, Laila has already named her”
    Khaled Hosseini, A Thousand Splendid Suns

  • #11
    Khaled Hosseini
    “she is the noor of my eyes and the sultan of my heart.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #12
    Khaled Hosseini
    “You changed the subject."
    "From what?"
    "The empty-headed girls who think you're sexy."
    "You know."
    "Know what?"
    "That I only have eyes for you.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #13
    Oscar Wilde
    “There is only one thing in the world worse than being talked about, and that is not being talked about.”
    Oscar Wilde, The Picture of Dorian Gray

  • #14
    Oscar Wilde
    “Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth.”
    Oscar Wilde, The Picture of Dorian Gray

  • #15
    Oscar Wilde
    “Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came--oh, my beautiful love!--and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You had made me understand what love really is. My love! My love! Prince Charming! Prince of life! I have grown sick of shadows. You are more to me than all art can ever be.”
    Oscar Wilde, The Picture of Dorian Gray

  • #16
    Toni Morrison
    “Misery colored by the greens and blues in my mother's voice took away all the grief out of the words and left me with a conviction that pain was not only endurable, it was sweet.”
    Toni Morrison, The Bluest Eye

  • #17
    Margaret Atwood
    “You fit into me
    like a hook into an eye
    a fish hook
    an open eye”
    Margaret Atwood

  • #19
    Seamus Heaney
    “Late August, given heavy rain and sun
    For a full week, the blackberries would ripen.
    At first, just one, a glossy purple clot
    Among others, red, green, hard as a knot.
    You ate that first one and its flesh was sweet
    Like thickened wine: summer's blood was in it
    Leaving stains upon the tongue and lust for
    Picking. Then red ones inked up and that hunger
    Sent us out with milk cans, pea tins, jam-pots
    Where briars scratched and wet grass bleached our boots.
    Round hayfields, cornfields and potato-drills
    We trekked and picked until the cans were full,
    Until the tinkling bottom had been covered
    With green ones, and on top big dark blobs burned
    Like a plate of eyes. Our hands were peppered
    With thorn pricks, our palms sticky as Bluebeard's.

    We hoarded the fresh berries in the byre.
    But when the bath was filled we found a fur,
    A rat-grey fungus, glutting on our cache.
    The juice was stinking too. Once off the bush
    The fruit fermented, the sweet flesh would turn sour.
    I always felt like crying. It wasn't fair
    That all the lovely canfuls smelt of rot.
    Each year I hoped they'd keep, knew they would not.”
    Seamus Heaney, Opened Ground

  • #20
    Salma Deera
    “In front of my mother and my sisters, I pretend love is cheap and vulgar. I act like it’s a sin–I pretend that love is for women on a dark path. But at night I dream of a love so heavy it makes my spine throb. I dream up a lover who makes love like he is separating salt from water.”
    Salma Deera

  • #21
    Wendy Cope
    “At lunchtime I bought a huge orange
    The size of it made us all laugh.
    I peeled it and shared it with Robert and Dave—
    They got quarters and I had a half.

    And that orange it made me so happy,
    As ordinary things often do
    Just lately. The shopping. A walk in the park
    This is peace and contentment. It's new.

    The rest of the day was quite easy.
    I did all my jobs on my list
    And enjoyed them and had some time over.
    I love you. I'm glad I exist.”
    Wendy Cope, Serious Concerns
    tags: love

  • #22
    “sometimes I wonder
    if Mary breastfed Jesus.
    if she cried out when he bit her
    or if she sobbed when he would not latch.

    and sometimes I wonder
    if this is all too vulgar
    to ask in a church
    full of men
    without milk stains on their shirts
    or coconut oil on their breasts
    preaching from pulpits off limits to the Mother of God.

    but then I think of feeding Jesus,
    birthing Jesus,
    the expulsion of blood
    and smell of sweat,
    the salt of a mother’s tears
    onto the soft head of the Salt of the Earth,
    feeling lonely
    and tired
    hungry
    annoyed
    overwhelmed
    loving

    and I think,
    if the vulgarity of birth is not
    honestly preached
    by men who carry power but not burden,
    who carry privilege but not labor,
    who carry authority but not submission,
    then it should not be preached at all.

    because the real scandal of the Birth of God
    lies in the cracked nipples of a
    fourteen year old
    and not in the sermons of ministers
    who say women
    are too delicate
    to lead.”
    Kaitlin Hardy Shetler
    tags: gender

  • #23
    Michelle Zauner
    “There was no one in the world that was ever as critical or could make me feel as hideous as my mother, but there was no one, not even Peter, who ever made me feel as beautiful.”
    Michelle Zauner, Crying in H Mart

  • #24
    Michelle Zauner
    “In fact, she was both my first and second words: Umma, then Mom. I called to her in two languages. Even then I must have known that no one would ever love me as much as she would.”
    Michelle Zauner, Crying in H Mart

  • #25
    Michelle Zauner
    “For the rest of my life there would be a splinter in my being, stinging from the moment my mother died until it was buried with me.”
    Michelle Zauner, Crying in H Mart

  • #26
    Ovid
    “Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?”
    Ovid, Metamorphoses



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