Idella Garbutt > Idella's Quotes

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  • #1
    “Forgiveness is an act of self-love, and you don’t even need to tell the people who have hurt you that you forgave them.”
    Arelis Calkins, Rising Above Adversity: Healing and Nurturing your Inner Child

  • #2
    “For a short time Alex had been a celebrity, and yet here he was still tugging away at the same thread, hoping something new would emerge.”
    Murray Bailey, The Mark of Eternity

  • #3
    “Remove the comma, replace the comma, remove the comma, replace the comma...”
    R.D. Ronald

  • #4
    Isham Cook
    “As the clear sun, the soft breeze, and the bright moon complement each other, so do the five spirits of intelligence, intention, temperament, energy, and soul.”
    Isham Cook, The Tao of Poison

  • #5
    S.E. Stitcher
    “The Four Horsemen ride at Dreamland.”
    S.E. Stitcher, The Doomsday Butcher

  • #6
    JoDee Neathery
    “Tomorrow. Although she knew better than to trust the word, hope like habit was difficult to break.”
    JoDee Neathery, Wings Against The Wind

  • #7
    Marcia Breece
    “The bouquet of assorted meats, onions, garlic, thyme, bay and parsley wrapped around her like a warm, familiar quilt.”
    Marcia Breece, The Last Bottle

  • #8
    Todd Burpo
    “El que se humilla como este niño... ¿Qué es la humildad infantil? No es falta de inteligencia, sino falta de maña, falta de intereses ocultos. Es esa preciosa y efímera etapa antes de haber acumulado suficiente orgullo o actitud como para que nos importe lo que piensan los demás. Es la misma honestidad genuina que hace que un niño de tres años pueda chapotear alegremente en un charco de lluvia, revolcarse en el césped como un cachorrito mientras ríe a carcajadas o decir en voz muy alta que tienes un moco colgando de la nariz, la que se necesita para entrar en el cielo. Es lo opuesto a la ignorancia.”
    Todd Burpo, Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back

  • #9
    Koushun Takami
    “No te agobies, hombre. Digamos que cada uno de nosotros mata a un estudiante. El juego es como un torneo de todos contra todos. Son cuarenta y dos... no, cuarenta estudiantes, así que si matas a cinco o seis, seguramente serás el vencedor.”
    Koushun Takami

  • #10
    Salman Rushdie
    “So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began.
    In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed.
    Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through.
    We are the humbugs now.”
    Salman Rushdie, Step Across This Line: Collected Nonfiction 1992-2002

  • #11
    Daniel Keyes
    “So this is how a person can come to despise himself-knowing he's doing the wrong thing and not being able to stop.”
    Daniel Keyes, Flowers for Algernon

  • #12
    Walter Isaacson
    “Was he smart? No, not exceptionally. Instead, he was a genius.”
    Walter Isaacson, Steve Jobs

  • #13
    Nikolas Schreck
    “If you are drawn to the left hand path, it's usually because you've had some kind of life experience that has shocked you, awakened you.”
    Nikolas Schreck



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