Rabeea Ahmad > Rabeea's Quotes

“Each time I fall in love I feel fear that the world won't let me be in the world with it, that I either have to pick the world or the love.”
― Jenny Slate, Little Weirds

“I am that mysterious stranger that I hoped to meet. I met her at a dark dance. We came here to live together until I could stay by myself. The place is here. The time is now. This is all my lifetime.”
― Jenny Slate, Little Weirds

“Look! Look at this woman who is both the emergency and the relief. Let me be both (I have no choice). Give in. Fall apart. Look at the pieces. Reassemble. This is the essential movement of my holy flux.”
― Jenny Slate, Little Weirds

“We tell ourselves stories in order to live...We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.”
― Joan Didion, The White Album

“I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of “sin"–this sense that it was possible to go "too far”, and that many people were doing it–this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.”
― Joan Didion, The White Album

“The apparent ease of California life is an illusion, and those who believe the illusion real live here in only the most temporary way. I know as well as the next person that there is considerable transcendent value in a river running wild and undammed, a river running free over granite, but I have also lived beneath such a river when it was running in flood, and gone without showers when it was running dry.”
― Joan Didion, The White Album: Essays

“Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.”
― Joan Didion, The White Album

“I was not going to Honolulu because I wanted to see life reduced to a short story. I was going to Honolulu because I wanted to see life expanded to a novel, and I still do.”
― Joan Didion, The White Album

“And once it comes, now that I am wise in its ways, I no longer fight it. I lie down and let it happen. At first every small apprehension is magnified, every anxiety a pounding terror. Then the pain comes, and I concentrate only on that. Right there is the usefulness of migraine, there in that imposed toga, the concentration on the pain. For when the pain recedes, ten or twelve hours later, everything goes with it, all the hidden resentments, all the vain anxieties. The migraine has acted as a circuit breaker, and the fuses have emerged intact. There is a pleasant convalescent euphoria. I open the windows and feel the air, eat gratefully, sleep well. I notice the particular nature of a flower in a glass on the stair landing. I count my blessings.”
― Joan Didion, The White Album

“All one's actual apprehension of what it is like to be a woman, the irreconcilable difference of it—that sense of living one's deepest life underwater, that dark involvement with blood and birth and death—could now be declared in valid, unnecessary, one never felt it at all.”
― Joan Didion, The White Album

“We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.”
― Joan Didion, The White Album

“Every true love and friendship is a story of unexpected transformation. If we are the same person before and after we loved, that means we haven't loved enough.”
― Elif Shafak, The Forty Rules of Love

“If we are the same person before and after we loved, that means we haven't loved enough.”
― Elif Şafak, The Forty Rules of Love