Gracie > Gracie's Quotes

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  • #1
    Raven Leilani
    “I think of how keenly I've been wrong. I think of all the gods I have made out of feeble men.”
    Raven Leilani, Luster

  • #2
    Raven Leilani
    “I am inclined to pray, but on principle, I don't. God is not for women. He is for the fruit. He makes you want and he makes you wicked, and while you sleep, he plants a seed in your womb that will be born to die.”
    Raven Leilani, Luster

  • #2
    Raven Leilani
    “I couldn’t tell if I liked being alone, or if I only endured it”
    Raven Leilani, Luster

  • #4
    Coco Mellors
    “But the people who did get that love, they grew up to be different from us. More secure. Maybe they’re not as shiny or successful as you and I feel we have to be. But it’s not because they’re not interesting. They just don’t feel they have to do the tap dance, you know? They don’t have to prove themselves all the time to be loved. Because they always were.”
    Coco Mellors, Cleopatra and Frankenstein

  • #5
    “There's some satisfaction in performing, reading the script, wearing the costume, after all. And on the other side of the satisfaction there is rage. The deep and exhausting rage of having fallen for a scam. Because when all is said and done, being beautiful only offers you a temporary haven. A pedestal to fall from.”
    Celine Saintclare, Sugar, Baby

  • #6
    Elsie Silver
    “You don’t tell a person you love them with the expectation they’ll say it back. You tell them because you want to. You tell them because it’s true.”
    Elsie Silver, Hopeless

  • #7
    Emily Ratajkowski
    “I was also ashamed. I hated myself for trying to impress you. It didn’t feel as if I’d hustled you to get on in life. Instead, it felt as if I’d betrayed and fetishized myself to be appealing to you. Even the way you called me “smart” stung. I hated that I’d used the things I loved to win your attention.”
    Emily Ratajkowski, My Body

  • #8
    Emily Ratajkowski
    “I so desperately craved men’s validation that I accepted it even when it came wrapped in disrespect. I was those girls in that room, waiting, trading my body and measuring my self-worth in a value system that revolves around men and their desire.”
    Emily Ratajkowski, My Body

  • #9
    Maggie Nelson
    “You pass as a guy; I, as pregnant. Our waiter cheerfully tells us about his family, expresses delight in ours. On the surface, it may have seemed as though your body was becoming more and more “male,” mine, more and more “female.” But that’s not how it felt on the inside. On the inside, we were two human animals undergoing transformations beside each other, bearing each other loose witness. In other words, we were aging.”
    Maggie Nelson, The Argonauts

  • #10
    Maggie Nelson
    “Whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.”
    Maggie Nelson, The Argonauts

  • #11
    Elisa Shua Dusapin
    “They made it illegal to speak Korean. You could be sentenced to death for speaking it. And do you know what your grandmother’s mother did to avoid being subjected to speaking Japanese at school? She sliced off part of her own tongue.”
    Elisa Shua Dusapin, The Pachinko Parlour

  • #12
    Elisa Shua Dusapin
    “When Korea was divided, we were still nationals of a unified Korea. It was called Choson. At separation, the Japanese government gave us permission to keep our Korean identity, but we had to choose between North and South. Many people chose the North, because of their family or because they considered the North more in line with our country’s traditions. There was no way of knowing how things would turn out. Your grandmother and I chose the South because we were from Seoul. That was the only reason. We knew nothing about any of the rest of it. Political questions meant nothing to us, the Cold War, Russia, the United States. Koreans who live in Japan have never known North and South Korea. We are all people of Choson. People from a country that no longer exists.”
    Elisa Shua Dusapin, The Pachinko Parlour
    tags: korea

  • #13
    Jia Tolentino
    “I’ve been thinking about five intersecting problems: first, how the internet is built to distend our sense of identity; second, how it encourages us to overvalue our opinions; third, how it maximizes our sense of opposition; fourth, how it cheapens our understanding of solidarity; and, finally, how it destroys our sense of scale.”
    Jia Tolentino, Trick Mirror

  • #14
    Fernando Pessoa
    “Literature is the most agreeable way of ignoring life.”
    Fernando Pessoa, The Book of Disquiet



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