Luni :)) > Luni :))'s Quotes

“It’s like some of us are chasing after our nightmares the way other people chase dreams.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“If she knew how often I was thinking about her, she wouldn't feel lonely.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“Music is never about music. If it was, we'd be writing songs about guitars. But we don't. We write songs about women.

Women will crush you, you know? I suppose everybody hurts everybody, but women always seem to get back up, you ever notice that? Women are always still standing.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“You're all sorts of things you don't even know yet.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“It hurts to care about someone more than they care about themselves.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“I stop myself from apologizing-because what would I even be sorry for? Existing too loud?”
― Faridah Àbíké-Íyímídé, Ace of Spades

“But I know dreams are dangerous; they give me too much false hope.”
― Faridah Àbíké-Íyímídé, Ace of Spades

“For someone who loved words as much as I did, it was amazing how often they failed me.”
― M.L. Rio, If We Were Villains

“You can justify anything if you do it poetically enough.”
― M.L. Rio, If We Were Villains

“I’m just wondering what the point is.” “Well, that’s the real question, isn’t it?”
― Mason Deaver, I Wish You All the Best

“People don't get better, they just get smarter. When you get smarter you don't stop pulling the wings off flies, you just think of better reasons for doing it.”
― Stephen King, Carrie

“True sorrow is as rare as true love.”
― Stephen King, Carrie

“Sometimes I feel like I'm so lost in my own world, I don't notice the things that seem obvious to everyone else.”
― Faridah Àbíké-Íyímídé, Ace of Spades

“There is no comfort like complicity.”
― M.L. Rio, If We Were Villains

“Give your friendships the magic you would give a romance. Because they're just as important. Actually, for us, they're way more important.”
― Alice Oseman, Loveless

“The aromantic and asexual spectrums weren’t just straight lines. They
were radar charts with at least a dozen different axes.”
― Alice Oseman, Loveless

“[...] and I realised that it was because what I was doing wasn't 'giving up'. It was acceptance.”
― Alice Oseman, Loveless

“The crux of it all was that I did not feel sexual or romantic feelings for anyone. Not a single goddamn person I had ever met or would ever meet.
So that really was me.
Aromatic.
Asexual.”
― Alice Oseman, Loveless

“But sometimes remembering isn’t for yourself, sometimes you do it just to make someone else smile.”
― Holly Jackson, A Good Girl's Guide to Murder

“And I’m platonically in love with you.”
“That was literally the boy-girl version of ‘no homo’, but I appreciate the sentiment.”
― Alice Oseman, Radio Silence

“I wonder- if nobody is listening to my voice, am I making any sound at all?”
― Alice Oseman, Radio Silence

“But books–they’re different. When you watch a film, you’re sort of an outsider looking in. With a book–you’re right there. You are inside. You are the main character.”
― Alice Oseman, Solitaire

“I’m under absolutely no obligation to make sense to you.”
― Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

“I like good strong words that mean something…”
― Louisa May Alcott, Little Women

“Don't try to make me grow up before my time…”
― Louisa May Alcott, Little Women

“He's been so changeable with her I'm surprised he's not been accepted to Hogwarts for his transfiguration skills.”
― Holly Bourne, Am I Normal Yet?

“You don't share a language, you think, and then you realise, grief is a language. We understand each other, people with troubled pasts.”
― Elif Shafak, The Island of Missing Trees

“Some day this pain will be useful to you.”
― Elif Shafak, The Island of Missing Trees

“The world is unfair, said Meryem. "If a stone falls on an egg, it is bad for the egg; if an egg falls on a stone, it is still bad for the egg.”
― Elif Shafak, The Island of Missing Trees

“Forget Regret, or life is yours to miss”
― Jonathan Larson, Rent: The Pulitzer Prize-Winning Musical―Complete Libretto and Oral History