Jeremy Caesar > Jeremy's Quotes

“Yeah, about the test...

The test will measure whether you are an informed, engaged, and productive citizen of the world, and it will take place in schools and bars and hospitals and dorm rooms and in places of worship. You will be tested on first dates, in job interviews, while watching football, and while scrolling through your Twitter feed. The test will judge your ability to think about things other than celebrity marriages, whether you’ll be easily persuaded by empty political rhetoric, and whether you’ll be able to place your life and your community in a broader context. The test will last your entire life, and it will be comprised of the millions of decisions that, when taken together, will make your life yours. And everything, everything, will be on it.

...I know, right?”
― John Green

“In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“If you can do no good, at least do no harm.”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“Love is where you find it. I think it is foolish to go looking for it, and I think it can often be poisonous.”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“Why don't you take a flying fuck at a rolling doughnut? Why don't you take a flying fuck at the mooooooooooooon?”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“Hi ho”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“Standing among all those tiny, wavering lights, I felt as though I were God, up to my knees in the Milky Way.”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“It was as natural as breathing to all human beings, and to all warm-blooded creatures, for that matter, to wish quick deaths for monsters. This was an instinct.”
― Kurt Vonnegut, Slapstick, or Lonesome No More!

“Everything was beautiful and nothing hurt.”
― Kurt Vonnegut, Slaughterhouse-Five

“And so it goes...”
― Kurt Vonnegut, Slaughterhouse-Five

“How nice -- to feel nothing, and still get full credit for being alive.”
― Kurt Vonnegut, Slaughterhouse-Five

“And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
― Kurt Vonnegut, Slaughterhouse-Five

“There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
― Kurt Vonnegut, Slaughterhouse-Five

“Trout, incidentally, had written a book about a money tree. It had twenty-dollar bills for leaves. Its flowers were government bonds. Its fruit was diamonds. It attracted human beings who killed each other around the roots and made very good fertilizer.”
― Kurt Vonnegut, Slaughterhouse-Five

“As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
― John Green, The Fault in Our Stars

“. . . Moon-Watcher felt the first faint twinges of a new and potent emotion. It was a vague and diffuse sense of envy--of dissatisfaction with his life. He had no idea of its cause, still less of its cure; but discontent had come into his soul, and he had taken one small step toward humanity.”
― Arthur C. Clarke, 2001: A Space Odyssey

“It was the mark of a barbarian to destroy something one could not understand.”
― Arthur C. Clarke, 2001: A Space Odyssey

“You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.”
― Ansel Adams

“There are no bad pictures; that's just how your face looks sometimes.”
― Abraham Lincoln

“If you expect nothing from somebody you are never disappointed.”
― Sylvia Plath, The Bell Jar

“I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
― Sylvia Plath, The Bell Jar

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― Sylvia Plath, The Bell Jar

“If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
― Sylvia Plath, The Bell Jar

“I began to think vodka was my drink at last. It didn’t taste like anything, but it went straight down into my stomach like a sword swallowers’ sword and made me feel powerful and godlike.”
― Sylvia Plath, The Bell Jar

“Whoever saves one life, saves the world entire.”
― Thomas Keneally, Schindler’s List

“Perhaps evil is the crucible of goodness... and perhaps even Satan - Satan, in spite of himself - somehow serves to work out the will of God.”
― William Peter Blatty, The Exorcist

“Yet I think the demon's target is not the possessed; it is us . . . the observers . . . every person in this house. And I think---I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial; as ultimately vile and putrescent; without dignity; ugly; unworthy.”
― William Peter Blatty, The Exorcist

“Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.”
― Anthony Burgess, A Clockwork Orange

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
― Ira Glass

“Be steady and well-ordered in your life so that you can be fierce and original in your work.”
― Gustave Flaubert