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  • #1
    Leigh Bardugo
    “Stop punishing yourself for being someone with a heart. You cannot protect yourself from suffering. To live is to grieve. You are not protecting yourself by shutting yourself off from the world. You are limiting yourself.”
    Leigh Bardugo, King of Scars

  • #2
    Leigh Bardugo
    “Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.”
    Leigh Bardugo, Crooked Kingdom

  • #3
    Leigh Bardugo
    “You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are. […] It’s shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with none the wiser about it. We can endure all kinds of pain. It’s shame that eats men whole.”
    Leigh Bardugo, Crooked Kingdom

  • #4
    Leigh Bardugo
    “Nikolai had been told that hope was dangerous, had been warned of it many times. But he’d never believed that. Hope was the wind that came from nowhere to fill your sails and carry you home.”
    Leigh Bardugo, King of Scars

  • #5
    Richard Siken
    “Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
    Richard Siken

  • #6
    Neil Gaiman
    “How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #7
    Neil Gaiman
    “I lived in books more than I lived anywhere else.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #8
    Neil Gaiman
    “Growing up, I took so many cues from books. They taught me most of what I knew about what people did, about how to behave. They were my teachers and my advisers.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #9
    Neil Gaiman
    “Books were safer than other people anyway.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #10
    Neil Gaiman
    “How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow.”
    neil gaiman, The Ocean at the End of the Lane

  • #11
    Neil Gaiman
    “I saw the world I had walked since my birth and I understood how fragile it was, that the reality was a thin layer of icing on a great dark birthday cake writhing with grubs and nightmares and hunger.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #12
    Neil Gaiman
    “Wherever you go, you take yourself with you.”
    Neil Gaiman, The Graveyard Book

  • #13
    Franz Kafka
    “I’m tired, can’t think of anything and want only to lay my face in your lap, feel your hand on my head and remain like that through all eternity.”
    Franz Kafka, Letters to Milena

  • #14
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #15
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #16
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #17
    Donna Tartt
    “A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
    Donna Tartt, The Goldfinch

  • #18
    Donna Tartt
    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”
    Donna Tartt, The Goldfinch

  • #19
    M.L. Rio
    “For someone who loved words as much as I did, it was amazing how often they failed me.”
    M.L. Rio, If We Were Villains

  • #20
    M.L. Rio
    “You can justify anything if you do it poetically enough.”
    M.L. Rio, If We Were Villains

  • #21
    M.L. Rio
    “Were you in love with him?'
    'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
    M.L. Rio, If We Were Villains

  • #22
    M.L. Rio
    “But that is how a tragedy like ours or King Lear breaks your heart—by making you believe that the ending might still be happy, until the very last minute.”
    M.L. Rio, If We Were Villains

  • #23
    M.L. Rio
    “How tremendous the agony of unmade decisions.”
    M.L. Rio, If We Were Villains

  • #24
    M.L. Rio
    “There is no comfort like complicity.”
    M.L. Rio, If We Were Villains

  • #25
    Anne Rice
    “None of us really changes over time. We only become more fully what we are.”
    Anne Rice, The Vampire Lestat

  • #26
    Anne Rice
    “We breathe the light, we breathe the music, we breathe the moment as it passes through us.”
    Anne Rice, The Vampire Lestat

  • #27
    Anne Rice
    “Words. Borne on the ever swelling current of hatred, like flowers opening in the current, petals peeling back, then falling apart.”
    Anne Rice, The Vampire Lestat

  • #28
    Franz Kafka
    “I am a cage, in search of a bird.”
    Franz Kafka

  • #29
    Franz Kafka
    “I am free and that is why I am lost.”
    Franz Kafka

  • #30
    Franz Kafka
    “I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”
    Franz Kafka, The Metamorphosis



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