Abby > Abby's Quotes

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  • #1
    Sappho
    “Honestly, I wish I were dead.
    Weeping many tears, she left me and said,
    “Alas, how terribly we suffer, Sappho.
    I really leave you against my will.”

    And I answered: “Farewell, go and remember me.
    You know how we cared for you.

    If not, I would remind you
    ... of our wonderful times.

    For by my side you put on
    many wreaths of roses
    and garlands of flowers
    around your soft neck.

    And with precious and royal perfume
    you anointed yourself.

    On soft beds you satisfied your passion.

    And there was no dance,
    no holy place
    from which we were absent.”
    Sappho

  • #2
    Sappho
    “Girls, be good to these spirits of music and poetry
    that breast your threshold with their scented gifts.
    Lift the lyre, clear and sweet, they leave with you.

    As for me, this body is now so arthritic
    I cannot play, hardly even hold the instrument.
    Can you believe my white hair was once black?

    And oh, the soul grows heavy with the body.
    Complaining knee-joints creak at every move.
    To think I danced as delicate as a deer!

    Some gloomy poems came from these thoughts:
    useless: we are all born to lose life,
    and what is worse, girls, to lose youth.

    The legend of the goddess of the dawn
    I’m sure you know: how rosy Eos
    madly in love with gorgeous young Tithonus

    swept him like booty to her hiding-place
    but then forgot he would grow old and grey
    while she in despair pursued her immortal way.”
    Sappho

  • #3
    Richard Siken
    “Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.”
    Richard Siken

  • #4
    Richard Siken
    “The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
    Richard Siken, Crush

  • #5
    Richard Siken
    “The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right into through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn’t a kingdom then I don’t know what is.”
    Richard Siken, Crush

  • #6
    Richard Siken
    “Tell me we're dead and I'll love you even more.”
    Richard Siken, Crush

  • #7
    Richard Siken
    “How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
    Richard Siken, War of the Foxes

  • #8
    Richard Siken
    “Every morning the maple leaves.
    Every morning another chapter where the hero shifts
    from one foot to the other. Every morning the same big
    and little words all spelling out desire, all spelling out
    You will be alone always and then you will die.
    So maybe I wanted to give you something more than a catalog
    of non-definitive acts,
    something other than the desperation.
    Dear So-and-So, I’m sorry I couldn’t come to your party.
    Dear So-and-So, I’m sorry I came to your party
    and seduced you
    and left you bruised and ruined, you poor sad thing.
    You want a better story. Who wouldn’t?

    A forest, then. Beautiful trees. And a lady singing.
    Love on the water, love underwater, love, love and so on.
    What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
    Love always wakes the dragon and suddenly
    flames everywhere.
    I can tell already you think I’m the dragon,
    that would be so like me, but I’m not. I’m not the dragon.
    I’m not the princess either.
    Who am I? I’m just a writer. I write things down.
    I walk through your dreams and invent the future. Sure,
    I sink the boat of love, but that comes later. And yes, I swallow
    glass, but that comes later.

    Let me do it right for once,
    for the record, let me make a thing of cream and stars that becomes,
    you know the story, simply heaven.
    Inside your head you hear a phone ringing
    and when you open your eyes
    only a clearing with deer in it. Hello deer.
    Inside your head the sound of glass,
    a car crash sound as the trucks roll over and explode in slow motion.
    Hello darling, sorry about that.
    Sorry about the bony elbows, sorry we
    lived here, sorry about the scene at the bottom of the stairwell
    and how I ruined everything by saying it out loud.
    Especially that, but I should have known.

    Inside your head you hear
    a phone ringing, and when you open your eyes you’re washing up
    in a stranger’s bathroom,
    standing by the window in a yellow towel, only twenty minutes away
    from the dirtiest thing you know.
    All the rooms of the castle except this one, says someone, and suddenly
    darkness,
    suddenly only darkness.
    In the living room, in the broken yard,
    in the back of the car as the lights go by. In the airport
    bathroom’s gurgle and flush, bathed in a pharmacy of
    unnatural light,
    my hands looking weird, my face weird, my feet too far away.
    I arrived in the city and you met me at the station,
    smiling in a way
    that made me frightened. Down the alley, around the arcade,
    up the stairs of the building
    to the little room with the broken faucets, your drawings, all your things,
    I looked out the window and said
    This doesn’t look that much different from home,
    because it didn’t,
    but then I noticed the black sky and all those lights.

    We were inside the train car when I started to cry. You were crying too,
    smiling and crying in a way that made me
    even more hysterical. You said I could have anything I wanted, but I
    just couldn’t say it out loud.
    Actually, you said Love, for you,
    is larger than the usual romantic love. It’s like a religion. It’s
    terrifying. No one
    will ever want to sleep with you.
    Okay, if you’re so great, you do it—
    here’s the pencil, make it work …
    If the window is on your right, you are in your own bed. If the window
    is over your heart, and it is painted shut, then we are breathing
    river water.

    Dear Forgiveness, you know that recently
    we have had our difficulties and there are many things
    I want to ask you.
    I tried that one time, high school, second lunch, and then again,
    years later, in the chlorinated pool.
    I am still talking to you about help. I still do not have
    these luxuries.
    I have told you where I’m coming from, so put it together.
    I want more applesauce. I want more seats reserved for heroes.
    Dear Forgiveness, I saved a plate for you.
    Quit milling around the yard and come inside.”
    Richard Siken

  • #9
    Richard Siken
    “All night I streched my arms across
    him, rivers of blood, the dark woods, singing
    with all my skin and bone ''Please keep him safe.
    Let him lay his head on my chest and we will be
    like sailors, swimming in the sound of it, dashed
    to pieces.'' Makes a cathedral, him pressing against
    me, his lips at my neck, and yes, I do believe
    his mouth is heaven, his kisses falling over me like stars.”
    Richard Siken, Crush

  • #10
    Richard Siken
    “You’re falling now. You’re swimming. This is not
              harmless. You are not
                        breathing.”
    Richard Siken, Crush

  • #11
    Richard Siken
    “I had a dream about you. We were in the gold room
    where everyone finally gets what they want.
    You said Tell me about your books, your visions made
    of flesh and light and I said This is the Moon. This is
    the Sun. Let me name the stars for you. Let me take you
    there. The splash of my tongue melting you like a sugar
    cube…We were in the gold room where everyone
    finally gets what they want, so I said What do you
    want, sweetheart? and you said Kiss me. Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #12
    Richard Siken
    “with this bullet lodged in my chest, covered with your name, I will turn myself into a gun, because
    it’s all I have,
    because I’m hungry and hollow and just want something to call my own. I’ll be your slaughterhouse, your killing floor, your morgue and final resting, walking around with this
    bullet inside me
    ‘cause I couldn’t make you love me and I’m tired of pulling your teeth.”
    Richard Siken, Crush

  • #13
    Richard Siken
    “I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
    The enormity of my desire disgusts me.”
    Richard Siken, War of the Foxes

  • #14
    Richard Siken
    “I swear, I end up feeling empty, like you've taken something out of me and I have to search my body for scars.”
    Richard Siken, Crush

  • #15
    Richard Siken
    “Here is the repeated image of the lover destroyed.”
    Richard Siken, Crush

  • #16
    Agustina Bazterrica
    “Because hatred gives one strength to go on; it maintains the fragile structure, it weaves the threads together so that emptiness doesn’t take over everything.”
    Agustina Bazterrica, Tender Is the Flesh

  • #17
    Agustina Bazterrica
    “The human being is the cause of all evil in this world. We are our own virus.”
    Agustina Bazterrica, Tender Is the Flesh

  • #18
    Agustina Bazterrica
    “He tried to hate all of humanity for being so fragile and ephemeral but he couldn't keep it up because hating everyone is the same as hating no one.”
    Agustina Bazterrica, Cadáver exquisito

  • #19
    Agustina Bazterrica
    “Naming children after their parents is stripping them of an identity, reminding them who they belong to.”
    Agustina Bazterrica, Tender Is the Flesh

  • #20
    Agustina Bazterrica
    “I don't get why a person's smile is considered attractive. When someone smiles, they're showing their skeleton.”
    Agustina Bazterrica, Tender Is the Flesh

  • #21
    Agustina Bazterrica
    “Everyone says that he fell because he flew too close to the sun,” his father said, “but he flew, do you see what I mean, Son? He was able to fly. It doesn’t matter if you fall, if you were a bird for even just a few seconds.”
    Agustina Bazterrica, Tender Is the Flesh

  • #22
    Agustina Bazterrica
    “He tried to hate God but he doesn’t believe in God. He tried to hate all of humanity for being so fragile and ephemeral but he couldn’t keep it up because hating everyone is the same as hating no one.”
    Agustina Bazterrica, Tender Is the Flesh

  • #23
    Agustina Bazterrica
    “there are words that cover up the world.”
    Agustina Bazterrica, Tender Is the Flesh

  • #24
    Agustina Bazterrica
    “know that when I die somebody’s going to sell my flesh on the black market, one of my awful distant relatives. That’s why I smoke and drink, so I taste bitter and no one gets any pleasure out of my death.” She takes a quick drag and says, “Today I’m the butcher, tomorrow I might be the cattle.”
    Agustina Bazterrica, Tender Is the Flesh

  • #25
    Agustina Bazterrica
    “which god should she pray to if her god lets things like this happen.”
    Agustina Bazterrica, Tender Is the Flesh

  • #26
    Agustina Bazterrica
    “Does this pose a moral dilemma for you? Do you find it atrocious?” he asks. “Not at all. The human being is complex and I find the vile acts, contradictions, and sublimities characteristic of our condition astonishing. Our existence would be an exasperating shade of gray if we were all flawless.”
    Agustina Bazterrica, Tender Is the Flesh

  • #27
    Agustina Bazterrica
    “Don’t be an idiot. Can’t you see they’re controlling us? If we eat each other, they control overpopulation, poverty, crime. Do you want me to keep going? I mean, it’s obvious.”
    Agustina Bazterrica, Tender Is the Flesh

  • #28
    Agustina Bazterrica
    “We are the worst kind of vermin, destroying our planet, starving our fellow man.”
    Agustina Bazterrica, Tender Is the Flesh

  • #29
    Agustina Bazterrica
    “How many head do they have to kill each month so he can pay for his father’s nursing home? How many humans do they have to slaughter for him to forget how he laid Leo down in his cot, tucked him in, sang him a lullaby, and the next day saw he had died in his sleep? How many hearts need to be stored in boxes for the pain to be transformed into something else? But the pain, he intuits, is the only thing that keeps him breathing. Without the sadness, he has nothing left.”
    Agustina Bazterrica, Tender Is the Flesh

  • #30
    Agustina Bazterrica
    “[...] she screams as if the world didn't exist, she screams as if words had split in two and lost all meaning, she screams as if beneath this hell there was another hell, one from which she didn't want to escape.”
    Agustina Bazterrica, Tender Is the Flesh



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