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  • #1
    Haruki Murakami
    “Death is not the opposite of life but an innate part of it. By living our lives, we nuture death.”
    Haruki Murakami

  • #2
    Banana Yoshimoto
    “No matter what, I want to continue living with the awareness that I will die. Without that, I am not alive.”
    Banana Yoshimoto, Kitchen

  • #3
    Haruki Murakami
    “Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.

    One day the two came upon each other on the corner of a street.

    “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”

    “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”

    They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.

    As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?

    And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”

    “Yes,” she said, “that is exactly what we should do.”

    And so they parted, she to the east, and he to the west.

    The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.

    One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.

    They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.

    Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.

    One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

    She is the 100% perfect girl for me.

    He is the 100% perfect boy for me.

    But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

    A sad story, don’t you think?”
    Haruki Murakami, The Elephant Vanishes

  • #4
    Osamu Dazai
    “Now I have neither happiness nor unhappiness.

    Everything passes.

    That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.

    Everything passes.”
    Osamu Dazai, No Longer Human

  • #5
    Osamu Dazai
    “What, I wondered, did he mean by “society”? The plural of human beings? Where was the substance of this thing called “society”? I had spent my whole life thinkng that society must certainly be something powerful, harsh and severe, but to hear Horiki talk made the words “Don’t you mean yourself?” come to the tip of my tongue. But I held the words back, reluctant to anger him.
    ‘Society won’t stand for it.’
    ‘It’s not society. You’re the one who won’t stand for it - right?’
    ‘If you do such a thing society will make you suffer for it’
    ‘It’s not society. It’s you, isn’t it?’
    ‘Before you know it, you’ll be ostracized by society.’
    ‘It’s not society. You’re going to do the ostracizing, aren’t you?’
    Words, words of every kind went flitting through my head. “Know thy particular fearsomeness, thy knavery, cunning and witchcraft!” What I said, however, as I wiped the perspiration from my face with a handkerchief was merely, “You’ve put me in a cold sweat!” I smiled.
    From then on, however, I came to hold, almost as a philosophical conviction, the belief: What is society but an individual?”
    Osamu Dazai, No Longer Human

  • #6
    Ottessa Moshfegh
    “I miss you," she said, her voice cracking a little. Maybe she thought those words would break through to my heart. I'd been taking Nembutals all day.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #7
    E. Lockhart
    “Do not accept an evil you can change.”
    E. Lockhart, We Were Liars

  • #8
    E. Lockhart
    “She is sugar, curiosity, and rain.”
    E. Lockhart, We Were Liars

  • #9
    Mieko Kawakami
    “But I wasn’t crying because I was sad. I guess I was crying because we had nowhere else to go, no choice but to go on living in this world. Crying because we had no other world to choose, and crying at everything before us, everything around us.”
    Mieko Kawakami, Heaven

  • #10
    Mieko Kawakami
    “Listen, if there is a hell, we're in it. And if there's a heaven, we're already there. This is it.”
    Mieko Kawakami, Heaven

  • #11
    Sayaka Murata
    “The normal world has no room for exceptions and always quietly eliminates foreign objects. Anyone who is lacking is disposed of.

    So that’s why I need to be cured. Unless I’m cured, normal people will expurgate me. Finally I understood why my family had tried so hard to fix me.”
    Sayaka Murata, Convenience Store Woman

  • #12
    Faridah Àbíké-Íyímídé
    “Growing up, I realized quite quickly that people hate being called racist more than they hate racism itself.”
    Faridah Àbíké-Íyímídé, Ace of Spades

  • #13
    Faridah Àbíké-Íyímídé
    “I don’t straighten my hair because I hate it; I straighten it because everyone else hates it for me.”
    Faridah Àbíké-Íyímídé, Ace of Spades

  • #14
    Faridah Àbíké-Íyímídé
    “By fire, by force”.”
    Faridah Àbíké-Íyímídé, Ace of Spades

  • #15
    Faridah Àbíké-Íyímídé
    “I’m no longer Chi, but Chiamaka, daughter of a Nigerian mother who loves the hair on my head more than I ever could.”
    Faridah Àbíké-Íyímídé, Ace of Spades

  • #16
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #17
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #18
    Madeline Miller
    “I am made of memories.”
    Madeline Miller, The Song of Achilles

  • #19
    Madeline Miller
    “I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
    "Go," she says. "He waits for you."

    In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #20
    Madeline Miller
    “He smiled, and his face was like the sun.”
    Madeline Miller, The Song of Achilles

  • #21
    Madeline Miller
    “That is — your friend?"
    "Philtatos," Achilles replied, sharply. Most beloved.”
    Madeline Miller, The Song of Achilles

  • #22
    Madeline Miller
    “All I saw was his beauty, his singing limbs, the quick flickering of his feet.”
    Madeline Miller, The Song of Achilles

  • #23
    Madeline Miller
    “The rosy gleam of his lip, the fevered gleam of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again.”
    Madeline Miller, The Song of Achilles

  • #24
    Haruki Murakami
    “Don't feel sorry for yourself. Only assholes do that.”
    Haruki Murakami, Norwegian Wood

  • #25
    Eliza  Clark
    “She liked Harry Styles a few years ago, and now she likes that white-bread, absolute fucking baguette of a lad from Call Me by Your Name.”
    Eliza Clark, Boy Parts

  • #26
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #27
    Gillian Flynn
    “There's a difference between really loving someone and loving the idea of her.”
    Gillian Flynn, Gone Girl

  • #28
    Gillian Flynn
    “A lot of people lacked that gift: knowing when to fuck off.”
    Gillian Flynn, Gone Girl

  • #29
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray



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