Giulia > Giulia's Quotes

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  • #1
    Vladimir Nabokov
    “Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”
    Vladimir Nabokov, Lolita

  • #2
    Vladimir Nabokov
    “And the rest is rust and stardust.”
    Vladimir Nabokov, Lolita

  • #3
    Vladimir Nabokov
    “Oh, don't cry, I'm so sorry I cheated so much, but that's the way things are.”
    Vladimir Nabokov, Lolita

  • #4
    Vladimir Nabokov
    “I cannot help feeling there is something essentially wrong about love. Friends may quarrel or drift apart, close relations too, but there is not this pang, this pathos, this fatality which clings to love. Friendship never has that doomed look. Why, what is the matter? I have not stopped loving you, but because I cannot go on kissing your dim dear face, we must part, we must part.”
    Vladimir Nabokov, The Real Life of Sebastian Knight
    tags: love

  • #5
    Vladimir Nabokov
    “It was love at first sight, at last sight, at ever and ever sight.”
    Vladimir Nabokov, Lolita

  • #6
    Vladimir Nabokov
    “He broke my heart. You merely broke my life.”
    Vladimir Nabokov, Lolita

  • #7
    Margaret Mitchell
    “My dear, I don't give a damn.”
    Margaret Mitchell, Gone with the Wind

  • #8
    Margaret Mitchell
    “I can't think about that right now. If I do, I'll go crazy. I'll think about that tomorrow.”
    Margaret Mitchell, Gone with the Wind

  • #9
    Margaret Mitchell
    “Sir,"she said,"you are no gentleman!"

    An apt observation,"he answered airily."And, you, Miss, are no lady.”
    Margaret Mitchell, Gone with the Wind

  • #10
    Margaret Mitchell
    “Forgive me for startling you with the impetuosity of my sentiments, my dear Scarlett—I mean, my dear Mrs. Kennedy. It cannot have escaped your notice that for some time past the friendship I have had in my heart for you has ripened into a deeper feeling, a feeling more beautiful, more pure, more sacred. Dare I name it you? Ah! It is love which makes me so bold!”
    Margaret Mitchell, Gone with the Wind

  • #11
    Margaret Mitchell
    “I've always had a weakness for lost causes once they're really lost.”
    Margaret Mitchell, Gone with the Wind

  • #12
    Margaret Mitchell
    “Longing hearts could only stand so much longing.”
    Margaret Mitchell, Gone with the Wind

  • #13
    Vladimir Nabokov
    “And yet I adore him. I think he's quite crazy, and with no place or occupation in life, and far from happy, and philosophically irresponsible – and there is absolutely nobody like him.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #14
    Vladimir Nabokov
    “You can always count on a murderer for a fancy prose style.”
    Vladimir Nabokov, Lolita

  • #15
    Vladimir Nabokov
    “I need you, the reader, to imagine us, for we don't really exist if you don't.”
    Nabokov Vladimi, Lolita

  • #16
    Vladimir Nabokov
    “And she was mine, she was mine, the key was in my fist, my fist was in my pocket, she was mine.”
    Vladimir Nabokov, Lolita

  • #17
    Vladimir Nabokov
    “You see, she had absolutely nowhere else to go.”
    Vladimir Nabokov, Lolita

  • #18
    Vladimir Nabokov
    “And I still have other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski; some local schoolboy she knew, talk about music, my Lolita remarked:
    'You know what's so dreadful about dying is that you're completely on your own'; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions...”
    Vladimir Nabokov, Lolita

  • #19
    Vladimir Nabokov
    “I knew I had fallen in love with Lolita forever; but I also knew she would not be forever Lolita.”
    Vladimir Nabokov, Lolita

  • #20
    Vladimir Nabokov
    “I loved you. I was a pentapod monster, but I loved you. I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais! And there were times when I knew how you felt, and it was hell to know it, my little one. Lolita girl, brave Dolly Schiller.”
    Vladimir Nabokov, Lolita

  • #21
    Vladimir Nabokov
    “I mean, I have the feeling that something in my mind is poisoning everything else.”
    Vladimir Nabokov

  • #22
    Vladimir Nabokov
    “I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ...I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.”
    Vladimir Nabokov, Lolita

  • #23
    Vladimir Nabokov
    “Wanted, wanted: Dolores Haze.
    Hair: brown. Lips: scarlet.
    Age: five thousand three hundred days.
    Profession: none, or "starlet"

    Where are you hiding, Dolores Haze?
    Why are you hiding, darling?
    (I Talk in a daze, I walk in a maze
    I cannot get out, said the starling).

    Where are you riding, Dolores Haze?
    What make is the magic carpet?
    Is a Cream Cougar the present craze?
    And where are you parked, my car pet?

    Who is your hero, Dolores Haze?
    Still one of those blue-capped star-men?
    Oh the balmy days and the palmy bays,
    And the cars, and the bars, my Carmen!

    Oh Dolores, that juke-box hurts!
    Are you still dancin', darlin'?
    (Both in worn levis, both in torn T-shirts,
    And I, in my corner, snarlin').

    Happy, happy is gnarled McFate
    Touring the States with a child wife,
    Plowing his Molly in every State
    Among the protected wild life.

    My Dolly, my folly! Her eyes were vair,
    And never closed when I kissed her.
    Know an old perfume called Soliel Vert?
    Are you from Paris, mister?

    L'autre soir un air froid d'opera m'alita;
    Son fele -- bien fol est qui s'y fie!
    Il neige, le decor s'ecroule, Lolita!
    Lolita, qu'ai-je fait de ta vie?

    Dying, dying, Lolita Haze,
    Of hate and remorse, I'm dying.
    And again my hairy fist I raise,
    And again I hear you crying.

    Officer, officer, there they go--
    In the rain, where that lighted store is!
    And her socks are white, and I love her so,
    And her name is Haze, Dolores.

    Officer, officer, there they are--
    Dolores Haze and her lover!
    Whip out your gun and follow that car.
    Now tumble out and take cover.

    Wanted, wanted: Dolores Haze.
    Her dream-gray gaze never flinches.
    Ninety pounds is all she weighs
    With a height of sixty inches.

    My car is limping, Dolores Haze,
    And the last long lap is the hardest,
    And I shall be dumped where the weed decays,
    And the rest is rust and stardust.”
    Vladimir Nabokov, Lolita

  • #24
    Pablo Neruda
    “I am no longer in love with her, that's certain, but maybe I love her. Love is so short, forgetting is so long.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #25
    Pablo Neruda
    “I want you to know
    one thing.

    You know how this is:
    if I look
    at the crystal moon, at the red branch
    of the slow autumn at my window,
    if I touch
    near the fire
    the impalpable ash
    or the wrinkled body of the log,
    everything carries me to you,
    as if everything that exists,
    aromas, light, metals,
    were little boats
    that sail
    toward those isles of yours that wait for me.

    Well, now,
    if little by little you stop loving me
    I shall stop loving you little by little.

    If suddenly
    you forget me
    do not look for me,
    for I shall already have forgotten you.

    If you think it long and mad,
    the wind of banners
    that passes through my life,
    and you decide
    to leave me at the shore
    of the heart where I have roots,
    remember
    that on that day,
    at that hour,
    I shall lift my arms
    and my roots will set off
    to seek another land.

    But
    if each day,
    each hour,
    you feel that you are destined for me
    with implacable sweetness,
    if each day a flower
    climbs up to your lips to seek me,
    ah my love, ah my own,
    in me all that fire is repeated,
    in me nothing is extinguished or forgotten,
    my love feeds on your love, beloved,
    and as long as you live it will be in your arms
    without leaving mine.”
    Pablo Neruda, If You Forget Me

  • #26
    Pablo Neruda
    “Tonight I can write the saddest lines
    I loved her, and sometimes she loved me too.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #27
    Pablo Neruda
    “I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.”
    Pablo Neruda, 100 Love Sonnets

  • #28
    Pablo Neruda
    “No te amo como si fueras rosa de sal, topacio
    o flecha de claveles que propagan el fuego:
    te amo como se aman ciertas cosas oscuras,
    secretamente, entre la sombra y el alma.

    Te amo como la planta que no florece y lleva
    dentro de sí, escondida, la luz de aquellas flores,
    y gracias a tu amor vive oscuro en mi cuerpo
    el apretado aroma que ascendió de la tierra.

    Te amo sin saber cómo, ni cuándo, ni de dónde,
    te amo directamente sin problemas ni orgullo:
    así te amo porque no sé amar de otra manera,

    sino así de este modo en que no soy ni eres,
    tan cerca que tu mano sobre mi pecha es mía,
    tan cerca que cierran tus ojos con mi sueño.”
    Pablo Neruda, 100 Love Sonnets

  • #29
    F. Scott Fitzgerald
    “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”
    F. Scott Fitzgerald, The Great Gatsby

  • #30
    F. Scott Fitzgerald
    “Angry, and half in love with her, and tremendously sorry, I turned away.”
    F. Scott Fitzgerald, The Great Gatsby



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