Reid > Reid's Quotes

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  • #1
    Charles Bukowski
    “I often carry things to read
    so that I will not have to look at
    the people.”
    Charles Bukowski, The Last Night of the Earth Poems

  • #2
    Charles Bukowski
    “Some lose all mind and become soul,insane.
    some lose all soul and become mind, intellectual.
    some lose both and become accepted”
    Charles Bukowski

  • #3
    Charles Bukowski
    “There's a bluebird in my heart that wants to get out
    but I'm too tough for him,
    I say, stay in there, I'm not going to let anybody see you.”
    Charles Bukowski

  • #4
    John Banville
    “Man is only lovable in the multitude, and at a good distance.”
    John Banville, The Untouchable

  • #5
    Gustave Flaubert
    “The hearts of women are like those little pieces of furniture with secret hiding - places, full of drawers fitted into each other; you go to a lot of trouble, break your nails, and in the bottom find some withered flower, a few grains of dust - or emptiness!”
    Gustave Flaubert, Sentimental Education

  • #6
    Gustave Flaubert
    “And the more he was irritated by her basic personality, the more he was drawn to her by a harsh, bestial sensuality, illusions of a moment, which ended in hate.”
    Gustave Flaubert, Sentimental Education
    tags: hate, love

  • #7
    Vladimir Nabokov
    “It was love at first sight, at last sight, at ever and ever sight.”
    Vladimir Nabokov, Lolita

  • #8
    Vladimir Nabokov
    “Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”
    Vladimir Nabokov, Lolita

  • #9
    Vladimir Nabokov
    “Do not be angry with the rain; it simply does not know how to fall upwards.”
    Vladimir Nabokov

  • #10
    Vladimir Nabokov
    “You can always count on a murderer for a fancy prose style.”
    Vladimir Nabokov, Lolita

  • #11
    Vladimir Nabokov
    “She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.”
    Vladimir Nabokov, Lolita

  • #12
    Vladimir Nabokov
    “And she was mine, she was mine, the key was in my fist, my fist was in my pocket, she was mine.”
    Vladimir Nabokov, Lolita

  • #13
    Vladimir Nabokov
    “A writer should have the precision of a poet and the imagination of a scientist.”
    Vladimir Nabokov
    tags: art

  • #14
    Vladimir Nabokov
    “Life is a great surprise. I do not see why death should not be an even greater one.”
    Vladimir Nabokov

  • #15
    Vladimir Nabokov
    “Wanted, wanted: Dolores Haze.
    Hair: brown. Lips: scarlet.
    Age: five thousand three hundred days.
    Profession: none, or "starlet"

    Where are you hiding, Dolores Haze?
    Why are you hiding, darling?
    (I Talk in a daze, I walk in a maze
    I cannot get out, said the starling).

    Where are you riding, Dolores Haze?
    What make is the magic carpet?
    Is a Cream Cougar the present craze?
    And where are you parked, my car pet?

    Who is your hero, Dolores Haze?
    Still one of those blue-capped star-men?
    Oh the balmy days and the palmy bays,
    And the cars, and the bars, my Carmen!

    Oh Dolores, that juke-box hurts!
    Are you still dancin', darlin'?
    (Both in worn levis, both in torn T-shirts,
    And I, in my corner, snarlin').

    Happy, happy is gnarled McFate
    Touring the States with a child wife,
    Plowing his Molly in every State
    Among the protected wild life.

    My Dolly, my folly! Her eyes were vair,
    And never closed when I kissed her.
    Know an old perfume called Soliel Vert?
    Are you from Paris, mister?

    L'autre soir un air froid d'opera m'alita;
    Son fele -- bien fol est qui s'y fie!
    Il neige, le decor s'ecroule, Lolita!
    Lolita, qu'ai-je fait de ta vie?

    Dying, dying, Lolita Haze,
    Of hate and remorse, I'm dying.
    And again my hairy fist I raise,
    And again I hear you crying.

    Officer, officer, there they go--
    In the rain, where that lighted store is!
    And her socks are white, and I love her so,
    And her name is Haze, Dolores.

    Officer, officer, there they are--
    Dolores Haze and her lover!
    Whip out your gun and follow that car.
    Now tumble out and take cover.

    Wanted, wanted: Dolores Haze.
    Her dream-gray gaze never flinches.
    Ninety pounds is all she weighs
    With a height of sixty inches.

    My car is limping, Dolores Haze,
    And the last long lap is the hardest,
    And I shall be dumped where the weed decays,
    And the rest is rust and stardust.”
    Vladimir Nabokov, Lolita

  • #16
    Vladimir Nabokov
    “For I do not exist: there exist but the thousands of mirrors that reflect me. With every acquaintance I make, the population of phantoms resembling me increases. Somewhere they live, somewhere they multiply. I alone do not exist.”
    Vladimir Nabokov

  • #17
    Christopher Hitchens
    “I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.”
    Christopher Hitchens, Hitch 22: A Memoir

  • #18
    Vladimir Nabokov
    “Don't touch me; I'll die if you touch me.”
    Vladimir Nabokov, Lolita

  • #19
    Vladimir Nabokov
    “Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradise - a paradise whose skies were the color of hell-flames - but still a paradise.”
    Vladimir Nabokov, Lolita

  • #20
    Vladimir Nabokov
    “It is late now, I am a bit tired; the sky is irritated by stars. And I love you, I love you, I love you – and perhaps this is how the whole enormous world, shining all over, can be created – out of five vowels and three consonants.”
    Vladimir Nabokov, Letters to Vera

  • #21
    Vladimir Nabokov
    “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.”
    Vladimir Nabokov

  • #22
    Vladimir Nabokov
    “I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ...I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.”
    Vladimir Nabokov, Lolita

  • #23
    Vladimir Nabokov
    “...(hot, opalescent, thick tears that poets and lovers shed)...”
    Vladimir Nabokov, Lolita

  • #24
    Charles Bukowski
    “We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.”
    Charles Bukowski

  • #25
    “I'm nothing you can catch now. I am black powder, I am singe, I am the bomb that bursts the night.”
    A.M. Homes, The End of Alice

  • #26
    “Tell me about your day, your routine, and what you did at the drugstore when the dumb little girl charged you five cents instead of five dollars. Did you speak up? Are you all so lily-white? The harder it gets to be safe and secure, to trust, to find love and understanding—the more you feel entitled, allowed, even encouraged, to cheat, to lie, to steal, and then later, even to kill. That you're just beginning to feel it now only means you have been lucky for too long.”
    A.M. Homes, The End of Alice
    tags: people

  • #27
    “Silly bug, fly on the wall, our first fight and how quickly we are over it. Of course I don't hate you, dearest, beloved, most cherished, I owe you everything.”
    A.M. Homes, The End of Alice

  • #28
    “Alice, I hand you her name gently, suggesting that if you hold it, carefully as I do, pressed close to the heart, you might at the end of this understand how confusing the beating of two such similar hearts can be and how one finally had to stop.”
    A.M. Homes, The End of Alice

  • #29
    “Even though I thought I wouldn't - could never - I do enjoy looking at him. It is like seeing one's self, like seeing one's self with a certain sense of remove.”
    A.M. Homes, The End of Alice

  • #30
    “when we fuck-and we do fuck,frequently-there is some-thing about her skin,about the way we fit into each other, that it is as if I'm inside out, touching myself.there is something between us not made on Earth.”
    A.M. Homes, The End of Alice



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