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  • #1
    Osamu Dazai
    “Now I have neither happiness nor unhappiness.

    Everything passes.

    That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.

    Everything passes.”
    Osamu Dazai, No Longer Human

  • #2
    Jeff Zentner
    “Sometimes, though, you want to remember every minute you spent with someone. You want to remember even the most mundane moments. You wish you had inhabited them more completely, and marked them with yourself more indelibly - not in spite of their ordinariness, but because of it. But you only discover this when it's too late”
    Jeff Zentner, Goodbye Days

  • #3
    Osamu Dazai
    “For someone like myself in whom the ability to trust others is so cracked and broken that I am wretchedly timid and am forever trying to read the expression on people's faces.”
    Osamu Dazai, No Longer Human

  • #4
    Ashe Vernon
    “You are a language I am no longer fluent in
    but still remember how to read.”
    Ashe Vernon, Wrong Side of a Fistfight

  • #5
    “Humankind cannot gain something without first giving something in return. To obtain, something of equal value must be lost. This is Alchemy's First Law of Equivalent Exchange. In those days, we really believed that to be the world's one, and only, truth.”
    Hiromu Arakawa, Fullmetal Alchemist, Vol. 1

  • #6
    “It's a cruel and random world, but the chaos is all so beautiful.”
    Hiromu Arakawa

  • #7
    Inio Asano
    “You were scared they were going to laugh at you, right? So let them! People who discourage others will never find their own happiness!”
    Inio Asano, Goodnight Punpun Omnibus, Vol. 1

  • #8
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #9
    “Maybe we're all just broken inside. Unable to really grasp the difference between fictional people and people we just don't know. They're all just abstract ideas we're happy to have suffer for our enjoyment.”
    Jonathan Sims, The Magnus Archives: Season 3

  • #10
    Sophocles
    “Nothing vast enters the life of mortals without a curse.”
    Sophocles

  • #11
    Mary Wollstonecraft Shelley
    “If I cannot inspire love, I will cause fear!”
    Mary Shelley, Frankenstein

  • #12
    Simone de Beauvoir
    “I am awfully greedy; I want everything from life. I want to be a woman and to be a man, to have many friends and to have loneliness, to work much and write good books, to travel and enjoy myself, to be selfish and to be unselfish… You see, it is difficult to get all which I want. And then when I do not succeed I get mad with anger.”
    Simone de Beauvoir

  • #13
    Albert Camus
    “When I look at my life and its secret colours, I feel like bursting into tears.”
    Albert Camus, A Happy Death

  • #14
    “I WANTED TO BE LOVED SO DESPERATELY,
    THAT MY FINGERS SHOOK WITH IT

    I AM NOT BEAUTIFUL
    BUT I COULD BE”
    Emily Palermo

  • #15
    Osamu Dazai
    “To fall for," "to be fallen for"--I feel in these words something unspeakably vulgar, farcical, and at the same time extraordinarily complacent. Once these expressions put in an appearance, no matter how solemn the place, the silent cathedrals of melancholy crumble, leaving nothing but an impression of fatuousness. It is curious, but the cathedrals of melancholy are not necessarily demolished if one can replace the vulgar "What a messy business it is to be fallen for" by the more literary "What uneasiness lies in being loved.”
    Osamu Dazai, No Longer Human

  • #16
    John Berger
    “A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....

    One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.”
    John Berger, Ways of Seeing

  • #17
    Rudy Francisco
    “She asks me to kill the spider.
    Instead, I get the most
    peaceful weapons I can find.

    I take a cup and a napkin.
    I catch the spider, put it outside
    and allow it to walk away.

    If I am ever caught in the wrong place
    at the wrong time, just being alive
    and not bothering anyone,

    I hope I am greeted
    with the same kind
    of mercy.”
    Rudy Francisco, Helium

  • #18
    Daniel Saint
    “You cannot make everyone think and feel as deeply as you do. This is your tragedy, because you understand them but they do not understand you.”
    Daniel Saint

  • #19
    Claude Cahun
    “Under this mask, another mask. I will never be finished removing all these faces.”
    Claude Cahun



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