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  • #1
    Toni Morrison
    “In trying to make the slave experience intimate, I hoped the sense of things being both under control and out of control would be persuasive throughout; that the order and quietitude of every day life would be violently disrupted by the chaos of the needy dead; that the herculean effort to forget would be threatened by memory desperate to stay alive. To render enslavement as a personal experience, language must first get out of the way.”
    Toni Morrison, Beloved

  • #2
    Frank Herbert
    “The mystery of life isn't a problem to solve, but a reality to experience.”
    Frank Herbert, Dune

  • #3
    Maggie Nelson
    “Eventually I confess to a friend some details about my weeping—its intensity, its frequency. She says (kindly) that she thinks we sometimes weep in front of a mirror not to inflame self-pity, but because we want to feel witnessed in our despair. (Can a reflection be a witness? Can one pass oneself the sponge wet with vinegar from a reed?)”
    Maggie Nelson, Bluets

  • #4
    Sally Rooney
    “She believes Marianne lacks ‘warmth’, by which she means the ability to beg for love from people who hate her.”
    Sally Rooney, Normal People

  • #5
    Sally Rooney
    “Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.”
    Sally Rooney, Normal People

  • #6
    Gillian Flynn
    “My gosh, Nick, why are you so wonderful to me?'

    He was supposed to say: You deserve it. I love you.

    But he said, 'Because I feel sorry for you.'

    'Why?'

    'Because every morning you have to wake up and be you.”
    Gillian Flynn, Gone Girl

  • #7
    Gillian Flynn
    “I often don't say things out loud, even when I should. I contain and compartmentalize to a disturbing degree: In my belly-basement are hundreds of bottles of rage, despair, fear, but you'd never guess from looking at me.”
    Gillian Flynn, Gone Girl

  • #8
    Gillian Flynn
    “Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.”
    Gillian Flynn, Gone Girl

  • #9
    Charlotte Perkins Gilman
    “I cry at nothing, and cry most of the time.”
    Charlotte Perkins Gilman, The Yellow Wallpaper

  • #10
    Charlotte Perkins Gilman
    “John doesn't know how much I really suffer. He knows there is no reason to suffer, and that satisfies him.
    It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose.”
    Charlotte Perkins Gilman, The Yellow Wall-Paper

  • #11
    Eduardo Galeano
    “¿La historia se repite? ¿O se repite sólo como penitencia de quienes son incapaces de escucharla? No hay historia muda. Por mucho que la quemen, por mucho que la rompan, por mucho que la mientan, la historia humana se niega a callarse la boca. El tiempo que fue sigue latiendo, vivo, dentro del tiempo que es, aunque el tiempo que es no lo quiera o no lo sepa. El derecho de recordar no figura entre los derechos humanos consagrados por las Naciones Unidas, pero hoy es más que nunca necesario reivindicarlo y ponerlo en práctica: no para repetir el pasado, sino para evitar que se repita; no para que los vivos seamos ventrílocuos de los muertos, sino para que seamos capaces de hablar con voces no condenadas al eco perpetuo de la estupidez y la desgracia. Cuando está de veras viva, la memoria no contempla la historia, sino que invita a hacerla. Más que en los museos, donde la pobre se aburre, la memoria está en el aire que respiramos; y ella, desde el aire, nos respira.”
    Eduardo Galeano, Upside Down: A Primer for the Looking-Glass World

  • #12
    Zora Neale Hurston
    “If you are silent about your pain, they’ll kill you and say you enjoyed it.”
    Zora Neale Hurston

  • #13
    Toni Morrison
    “Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.”
    Toni Morrison, The Nobel Lecture In Literature, 1993

  • #14
    Toni Morrison
    “At some point in life the world's beauty becomes enough. You don't need to photograph, paint, or even remember it. It is enough.”
    Toni Morrison

  • #15
    Toni Morrison
    “I dream a dream that dreams back at me”
    Toni Morrison, A Mercy

  • #16
    Toni Morrison
    “Anything dead coming back to life hurts.”
    Toni Morrison

  • #17
    Toni Morrison
    “Something that is loved is never lost.”
    Toni Morrison, Beloved

  • #18
    Toni Morrison
    “It is sheer good fortune to miss somebody long before they leave you.”
    Toni Morrison, Sula

  • #19
    Toni Morrison
    “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.”
    Toni Morrison

  • #20
    Margaret Atwood
    “Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
    Margaret Atwood

  • #21
    Andrea Dworkin
    “Woman is not born: she is made. In the making, her humanity is destroyed. She becomes symbol of this, symbol of that: mother of the earth, slut of the universe; but she never becomes herself because it is forbidden for her to do so.”
    Andrea Dworkin

  • #22
    Andrea Dworkin
    “Many women, I think, resist feminism because it is an agony to be fully conscious of the brutal misogyny which permeates culture, society, and all personal relationships.”
    Andrea Dworkin, Our Blood: Prophecies and Discourses on Sexual Politics

  • #23
    Andrea Dworkin
    “I don’t believe rape is inevitable or natural. If I did, I would have no reason to be here. If I did, my political practice would be different than it is. Have you ever wondered why we [women] are not just in armed combat against you? It’s not because there’s a shortage of kitchen knives in this country. It is because we believe in your humanity, against all the evidence.”
    Andrea Dworkin

  • #24
    Andrea Dworkin
    “Being female in this world means having been robbed of the potential for human choice by men who love to hate us. One does does not make choices in freedom. Instead, one conforms in body type and behavior and values to become an object of male sexual desire, which requires an abandonment of a wide-ranging capacity for choice...

    Men too make choices. When will they choose not to despise us?”
    Andrea Dworkin, Intercourse

  • #25
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #26
    Hanya Yanagihara
    “And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #27
    Hanya Yanagihara
    “Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?”
    Hanya Yanagihara, A Little Life

  • #28
    Hanya Yanagihara
    “He experienced the singular pleasure of watching people he loved fall in love with other people he loved.”
    Hanya Yanagihara, A Little Life

  • #29
    Hanya Yanagihara
    “Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?”
    And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
    “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
    “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way.
    “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
    “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again.
    “You were treated horribly. You came out on the other end. You were always you.”
    Hanya Yanagihara, A Little Life

  • #30
    Hanya Yanagihara
    “The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

    But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
    Hanya Yanagihara, A Little Life



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