Lexy > Lexy's Quotes

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  • #1
    Gabrielle Zevin
    “What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #2
    Gabrielle Zevin
    “We are all living, at most, half of a life, she thought. There was the life you lived, which consisted of the choices you made. And then, there was the other life, the one that was the things you hadn't chosen.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #3
    Gabrielle Zevin
    “Why do you keep coming?" she asked.
    "Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #4
    “You keep asking why your work is not enough, and I don’t know how to answer that, because it is enough to exist in the world and marvel at it. You don’t need to justify that, or earn it. You are allowed to just live.”
    Becky Chambers, A Psalm for the Wild-Built

  • #5
    “We don’t have to fall into the same category to be of equal value.”
    Becky Chambers, A Psalm for the Wild-Built

  • #6
    “You’re an animal, Sibling Dex. You are not separate or other. You’re an animal. And animals have no purpose. Nothing has a purpose. The world simply is. If you want to do things that are meaningful to others, fine! Good! So do I! But if I wanted to crawl into a cave and watch stalagmites with Frostfrog for the remainder of my days, that would also be both fine and good. You keep asking why your work is not enough, and I don’t know how to answer that, because it is enough to exist in the world and marvel at it. You don’t need to justify that, or earn it. You are allowed to just live. That is all most animals do.”
    Becky Chambers, A Psalm for the Wild-Built

  • #7
    “Do you not find consciousness alone to be the most exhilarating thing? Here we are, in this incomprehensibly large universe, on this one tiny moon around this one incidental planet, and in all the time this entire scenario has existed, every component has been recycled over and over and over again into infinitely incredible configurations, and sometimes, those configurations are special enough to be able to see the world around them. You and I—we’re just atoms that arranged themselves the right way, and we can understand that about ourselves. Is that not amazing?”
    Becky Chambers, A Psalm for the Wild-Built

  • #8
    “Sometimes a person reaches a point in their life when it becomes absolutely essential to get the fuck out of the city”
    Becky Chambers, A Psalm for the Wild-Built

  • #9
    “You and I -- we're just atoms that arranged themselves the right way, and we can understand that about ourselves. Is that not amazing?”
    Becky Chambers, A Psalm for the Wild-Built

  • #10
    Mary Wollstonecraft Shelley
    “The world was to me a secret which I desired to devine.”
    Mary Shelley, Frankenstein

  • #11
    Emily Brontë
    “He's more myself than I am. Whatever our souls are made of, his and mine are the same.”
    Emily Brontë, Wuthering Heights

  • #12
    Emily Brontë
    “If he loved with all the powers of his puny being, he couldn't love as much in eighty years as I could in a day.”
    Emily Brontë, Wuthering Heights

  • #13
    Donald Barthelme
    “But have you noticed the slight curl at the end of Sam II's mouth, when he looks at you? It means that he didn't want you to name him Sam II, for one thing, and for two other things it means that he has a sawed-off in his left pants leg, and a baling hook in his right pants leg, and is ready to kill you with either of them, given the opportunity. The father is taken aback. What he usually says, in such a confrontation, is "I changed your diapers for you, little snot." This is not the right thing to say. First, it is not true (mothers change nine diapers out of ten), and second it reminds Sam II of what he is mad about. He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it, he is insane because when he loved you, you didn't notice.”
    Donald Barthelme, The Dead Father

  • #14
    “My father's hands were soil. My mother's were rain. No wonder they could not hold one another without causing enough mud for two. And yet out of that mud, they built us a house that became a home”
    Tiffany McDaniel, Betty

  • #15
    “I realized then that the whole time I thought I'd been walking alone, my father had been with me. Supportin' me. Steadyin' me. Protectin' me, best he could. I knew I had to be strong enough to stand on my own two feet. I had to step out of my father's hands and pull myself up out of the mud. I thought I would be scared to walk the rest of my life without him, but I know I'll never really be without him because each step I take, I see his handprints in the footprints I leave behind.”
    Tiffany McDaniel, Betty

  • #16
    Sylvia Plath
    “That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.”
    Sylvia Plath, The Bell Jar

  • #17
    “Don’t let it happen to you, Betty. Don’t ever be afraid to be yourself. You don’t wanna live so long only to realize, you ain’t lived at all.”
    Tiffany McDaniel, Betty

  • #18
    “It occurred to me then that to be a child is to know the cradle rocks both toward the parent and away from them. That is the ebb and flow of life, swinging toward and away from one another, perhaps so we build up the strength for that one moment we will be rocked so far away, the person we love the most is gone by the time we return.”
    Tiffany McDaniel, Betty

  • #19
    “My sister was just another girl doomed by politics and ancestral texts that say a girl’s destiny is to be wholesome, obedient, and quietly attractive, but invisible when need be. Nailed to the cross of her own gender, a girl finds herself between the mother and the prehistoric rib, where there’s little space to be anything other than a daughter who lives alongside sons but is not equal to them. These boys who can howl like tomcats in heat, pawing their way through a feast of flesh, never to be called a slut or a whore like my sister was.”
    Tiffany McDaniel, Betty

  • #20
    “Like the night before, I found her naked and sitting on the edge of her bed. Unaware I was there, she continued to massage her legs, their blue-green veins twisting beneath her skin. I wasn't as afraid seeing her body this second night. In the folds and creases, I saw her history. Her skin was the diary of her soul. All the springs she had watched the flowers bloom. The summers she had stood before the moon and kissed its face. The autumns she had grown wiser. The winters that had frozen the initials of her name. Each wrinkle was a record of this and of every hour, minute, and second she had lived. All her secrets were written in her skin. The things she had asked God for. The things she had cursed the devil about. In such age before me, I saw only beauty.”
    Tiffany McDaniel, Betty

  • #21
    “A girl comes of age against the knife, Betty.” She softly tucked my hair behind my ears before kissing me on the forehead. “But the woman she becomes must decide if the blade will cut deep enough to rip her apart or if she will find the strength to leap with her arms out and dare herself to fly in a world that seems to break like glass around her. May you have the strength.”
    Tiffany McDaniel, Betty

  • #22
    “The pony's head rose above the open roof as her mane whipped in the wind. I knew she must be thinking of running free through tallgrass fields, wild daisies slapping her shins, no one to hold her down.
    I slid my hand up her leg, feeling raised ridges of whip scars. The tips of her ears had been cut. There were smaller scars across her nose. A knife had been used there, perhaps only to remind her who she belonged to. She had lived by the orders and commands of men. Her entire existence on earth and she had never once been allowed to be free. She had been imprisoned and owned, as if all of her value was wrapped up in how large a load she could carry on her back.
    She had lived her life to the point of being given away, her legs too weak to run, her eyes no longer able to see a world beyond the coal cave she was forced to spend her life in. And yet, now she could feel the wind in her mane. She was not too dead for this small kindness that delivered her from a past of hell to a moment she could believe she was free enough to gallop as she wished.
    Is this love? she must have been asking herself. Am I finally loved?”
    Tiffany McDaniel, Betty

  • #23
    Jacqueline Harpman
    “Is there a satisfaction in the effort of remembering that provides its own nourishment, and is what one recollects less important than the act of remembering? That is another question that will remain unanswered: I feel as though I am made of nothing else.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #24
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #25
    Ernest Hemingway
    “If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”
    Ernest Hemingway, A Farewell to Arms

  • #26
    Ernest Hemingway
    “No, that is the great fallacy: the wisdom of old men. They do not grow wise. They grow careful.”
    Ernest Hemingway, A Farewell to Arms

  • #27
    Ernest Hemingway
    “Anyone can be a fisherman in May.”
    Ernest Hemingway

  • #28
    Ernest Hemingway
    “He was very fond of flying fish as they were his principal friends on the ocean. He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.”
    Ernest Hemingway, The Old Man and the Sea

  • #29
    Ernest Hemingway
    “Every day is a new day. It is better to be lucky. But I would rather be exact. Then when luck comes you are ready.”
    Ernest Hemingway, The Old Man and the Sea

  • #30
    John Green
    “To fall in love with the world isn’t to ignore or overlook suffering, both human or otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry and watch the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens and tears well in my eyes, I want to look away from feeling. I want to deflect with irony or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet



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