steamymuffin > steamymuffin 's Quotes

“There is a moment, a cusp, when the sum of gathered experience is worn down by the details of living. We are never so wise as when we live in this moment.”
― Paul Kalanithi, When Breath Becomes Air

“I just think some women aren't made to be mothers. And some women aren't made to be daughters.”
― Gillian Flynn, Sharp Objects

“Problems always start long before you really, really see them.”
― Gillian Flynn, Sharp Objects

“See, there I am. I told you I lived. I told you I was.”
― Gillian Flynn, Sharp Objects

“Love is never any better than the lover.”
― Toni Morrison, The Bluest Eye

“We mistook violence for passion, indolence for leisure, and thought recklessness was freedom.”
― Toni Morrison, The Bluest Eye

“She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.”
― Toni Morrison, The Bluest Eye

“She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
You should go, she says. I’ll always be here. You know that.”
― Sally Rooney, Normal People

“Life offers up these moments of joy despite everything,”
― Sally Rooney, Normal People

“All these years, they’ve been like two little plants sharing the same plot of soil, growing around one another, contorting to make room, taking certain unlikely positions.”
― Sally Rooney, Normal People

“I can’t lose the thing I’ve held onto for so long, you know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story, you know? I really, really need it to be that.”
“I know,” she says.
“Because if it isn’t a love story, then what is it”? I look to her glassy eyes, her face of wide open empathy. “It’s my life,” I say. “This has been my whole life.”
― Kate Elizabeth Russell, My Dark Vanessa

“People will risk everything for a little bit of something beautiful.”
― Kate Elizabeth Russell, My Dark Vanessa

“Because even if I sometimes use the word abuse to describe certain things that were done to me, in someone else’s mouth the word turns ugly and absolute. It swallows up everything that happened.”
― Kate Elizabeth Russell, My Dark Vanessa

“The excuses we make for them are outrageous, but they’re nothing compared with the ones we make for ourselves.”
― Kate Elizabeth Russell, My Dark Vanessa

“It’s strange to know that whenever I remember myself at fifteen, I’ll think of this.”
― Kate Elizabeth Russell, My Dark Vanessa

“I need it to be a love story. I need it to be that.”
― Kate Elizabeth Russell, My Dark Vanessa

“All conflict can be traced back to someone’s feelings getting hurt, don’t you think?”
― Liane Moriarty, Big Little Lies

“I mean a fat, ugly man can still be funny and lovable and successful,” continued Jane. “But it’s like it’s the most shameful thing for a woman to be.” “But you weren’t, you’re not—” began Madeline. “Yes, OK, but so what if I was!” interrupted Jane. “What if I was! That’s my point. What if I was a bit overweight and not especially pretty? Why is that so terrible? So disgusting? Why is that the end of the world?”
― Liane Moriarty, Big Little Lies

“It’s because a woman’s entire self-worth rests on her looks,” said Jane. “That’s why. It’s because we live in a beauty-obsessed society where the most important thing a woman can do is make herself attractive to men.”
― Liane Moriarty, Big Little Lies

“Nothing and nobody could aggravate you the way your child could aggravate you.”
― Liane Moriarty, Big Little Lies

“Sometimes you need to scorch everything to the ground, and start over. After the burning the soil is richer, and new things can grow. People are like that, too. They start over. They find a way.”
― Celeste Ng, Little Fires Everywhere

“Most of the time, everyone deserves more than one chance. We all do things we regret now and then. You just have to carry them with you.”
― Celeste Ng, Little Fires Everywhere

“To a parent, your child wasn't just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all at the same time. You could see it every time you looked at her: layered in her face was the baby she'd been and the child she'd become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.”
― Celeste Ng, Little Fires Everywhere

“One had followed the rules, and one had not. But the problem with rules... was that they implied a right way and a wrong way to do things. When, in fact, most of the time they were simply ways, none of them quite wrong or quite right, and nothing to tell you for sure what side of the line you stood on.”
― Celeste Ng, Little Fires Everywhere

“Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.”
― Celeste Ng, Little Fires Everywhere

“Before that she hadn’t realized how fragile happiness was, how if you were careless, you could knock it over and shatter it.”
― Celeste Ng, Everything I Never Told You

“The things that go unsaid are often the things that eat at you—whether because you didn't get to have your say, or because the other person never got to hear you and really wanted to.”
― Celeste Ng, Everything I Never Told You

“What made something precious? Losing it and finding it.”
― Celeste Ng, Everything I Never Told You

“You never got what you wanted; you just learned to get by without it.”
― Celeste Ng, Everything I Never Told You

“Hollowness: that I understand. I'm starting to believe that there isn't anything you can do to fix it. That's what I've taken from the therapy sessions: the holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mold yourself through the gaps”
― Paula Hawkins, The Girl on the Train