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  • #1
    Karen Russell
    “A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.
    “What bird are you calling?” I asked finally, when I couldn’t stand it any longer.
    The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.

    “You.”
    Karen Russell, Swamplandia!

  • #2
    Karen Russell
    “At ten, I couldn’t articulate much but I got the message: to be a true historian, you had to mourn amply and well.”
    Karen Russell, Swamplandia!

  • #3
    Gabrielle Zevin
    “What's everyone talking about?"
    "The end of The Iliad."
    "That's the best part," Marx said.
    "Why is it the best part?" Sadie asked.
    "Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #4
    Karen Russell
    “I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.”
    Karen Russell, Swamplandia!

  • #5
    “As my friend Julian puts it, only half winkingly: “God blessed me by making me transsexual for the same reason God made wheat but not bread and fruit but not wine, so that humanity might share in the act of creation.”
    Daniel Mallory Ortberg, Something That May Shock and Discredit You

  • #6
    Gabrielle Zevin
    “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!"
    Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #7
    Brenna Yovanoff
    “I assumed it was a matter of time. One day I’d meet someone who counteracted my chemical structure. We would compete for supremacy, collide until one of us was forced to yield, or else go forth together, suspended in eternal stalemate. But my model is inaccurate. The poets are wrong. The opposite of ice isn’t fire. It’s water.”
    Brenna Yovanoff, Places No One Knows
    tags: love

  • #8
    Gabrielle Zevin
    “The way to turn an ex-lover into a friend is to never stop loving them, to know that when one phase of a relationship ends it can transform into something else. It is to acknowledge that love is both a constant and a variable at the same time.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #9
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #10
    Jonathan Franzen
    “It’s all circling around the same problem of personal liberties,” Walter said. “People came to this country for either money or freedom. If you don’t have money, you cling to your freedoms all the more angrily. Even if smoking kills you, even if you can’t afford to feed your kids, even if your kids are getting shot down by maniacs with assault rifles. You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.”
    Jonathan Franzen, Freedom

  • #11
    Salman Rushdie
    “Language is courage: the ability to conceive a thought, to speak it, and by doing so to make it true.”
    Salman Rushdie, The Satanic Verses

  • #12
    Campbell McGrath
    “What lasts, what endures, as Shakespeare knew, is this:
    the story of a life. No more, no less.”
    Campbell McGrath, XX: Poems for the Twentieth Century

  • #13
    Gabrielle Zevin
    “Sam's doctor said to him, "The good news is that the pain is in your head."
    But I am in my head, Sam thought.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #14
    Walter Moers
    “I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer’s block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn’t the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: ‘This is where my story begins.’
    Walter Moers, The City of Dreaming Books

  • #15
    Madeline Miller
    “When he died, all things soft and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #16
    Clifford Chase
    “A particular bear...sees a particular this”
    Clifford Chase, Winkie

  • #17
    Kabi Nagata
    “The energy that, until now, had swelled up in the space between life and death turned toward a thirst for love.”
    Kabi Nagata, My Solo Exchange Diary Vol. 1

  • #18
    Brenna Yovanoff
    “I am insubstantial. A tangled, vaporous creature that lives in my brain, almost wholly imaginary. I can be here with him as easily as I can inhabit a sonnet or an organic molecule, or crawl inside a math problem.”
    Brenna Yovanoff, Places No One Knows

  • #19
    Elie Wiesel
    “[Moishe] explained to me, with great emphasis, that every question possessed a power that was lost in the answer....
    And why do you pray, Moishe?' I asked him.
    I pray to the God within me for the strength to ask Him the real questions.”
    Elie Wiesel, Night

  • #20
    Walter Moers
    “I now understood the secret of music and knew what makes it so infinitely superior to all the other arts: its incorporeality. Once it has left an instrument it becomes its own master, a free and independent creature of sound, weightless, incorporeal and perfectly in tune with the universe.”
    Walter Moers

  • #21
    Mary Wollstonecraft Shelley
    “I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.”
    Mary Shelley, Frankenstein

  • #22
    Elie Wiesel
    “It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.”
    Elie Wiesel, Night

  • #23
    Walter Moers
    “This is wine," Ghoolion said solemnly. "Wine is drinkable sunlight. It's the most glorious summer's day imaginable, captured in a bottle. Wine can be a melody in a cut-glass goblet, but it can also be a cacophony in a dirty tumbler, or a rainy autumn night, or a funeral march that scorches your tongue.”
    Walter Moers, Der Schrecksenmeister
    tags: wine

  • #24
    Elie Wiesel
    “Bread, soup - these were my whole life. I was a body. Perhaps less than that even: a starved stomach. The stomach alone was aware of the passage of time.”
    Elie Wiesel, Night

  • #25
    Brenna Yovanoff
    “Why are you so determined to destroy yourself?" I say, and my voice is very small.
    "I don't know," he whispers back. "Why are you?”
    Brenna Yovanoff, Places No One Knows

  • #26
    Walter Moers
    “Reading is an intelligent way of not having to think.”
    Walter Moers, The City of Dreaming Books

  • #27
    Mark Twain
    “Whenever you find yourself on the side of the majority, it is time to reform (or pause and reflect).”
    Mark Twain

  • #28
    Brenna Yovanoff
    “The effectiveness of your persona is inversely proportional to what people know about you.”
    Brenna Yovanoff, Places No One Knows

  • #29
    Tell me, what is it you plan to do with your one wild and precious
    “Tell me, what is it you plan to do
    with your one wild and precious life?”
    Mary Oliver

  • #30
    Walter Moers
    “Im as good as dead, but they haven't buried me yet.”
    Walter Moers



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