martha > martha's Quotes

“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
― David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

“How odd I can have all this inside me and to you it’s just words.”
― David Foster Wallace, The Pale King

“Acceptance is usually more a matter of fatigue than anything else.”
― David Foster Wallace

“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.”
― Ursula K. Le Guin

“To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.”
― Ursula K. Le Guin, The Left Hand of Darkness

“The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.”
― Ursula K. Le Guin, The Left Hand of Darkness

“My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.”
― Ursula K. Le Guin

“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”
― Ursula K. Le Guin

“What kind of world does one see when one experiences it from the point of view of two and not one? What is the world like when it is experienced, developed and lived from the point of view of difference and not identity? That is what I believe love to be.”
― Alain Badiou, In Praise of Love

“The absolute contingency of the encounter with someone I didn’t know finally takes on the appearance of destiny. The declaration of love marks the transition from chance to destiny, and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.”
― Alain Badiou, In Praise of Love

“It matters what matters we use to think other matters with; it matters what stories we tell to tell other stories with; it matters what knots knot knots, what thoughts think thoughts, what descriptions describe descriptions, what ties tie ties. It matters what stories make worlds, what worlds make stories.”
― Donna J. Haraway, Staying with the Trouble: Making Kin in the Chthulucene

“When you expose a problem you pose a problem. It might then be assumed that the problem would go away if you would just stop talking about or if you went away.”
― Sara Ahmed, Living a Feminist Life

“We need to highlight the role women play in perpetuating and sustaining patriarchal culture so that we will recognize patriarchy as a system women and men support equally, even if men receive more rewards from that system. Dismantling and changing patriarchal culture is work that men and women must do together.”
― Bell Hooks, The Will to Change: Men, Masculinity, and Love

“When culture is based on a dominator model, not only will it be violent, but it will frame all relationships as power struggles.”
― bell hooks, The Will to Change: Men, Masculinity, and Love

“The smallest incidents of our social life contain all the moral and political values of society, all its structures of domination and power, all its mechanisms of oppression.”
― Augusto Boal

“It is not the place of the theatre to show the correct path, but only to offer the means by which all possible paths may be examined.”
― Augusto Boal, Theatre of the Oppressed

“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it." ~”
― Augusto Boal

“The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low.

But the Gospels actually taught this:

Before you kill somebody, make absolutely sure he isn’t well connected. So it goes.

The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again:

Oh, boy–they sure picked the wrong guy to lynch _that_ time!

And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes.

The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels.

So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was.

And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.”
― Kurt Vonnegut, Slaughterhouse-Five

“And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep."

"All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber.”
― Kurt Vonnegut, Slaughterhouse-Five

“To learn from those who try to intervene in the reproduction of something is to learn about reproduction. To stop a system from being reproduced, you have to stop it from working. You have to throw a wrench in the works or to become, to borrow Sarah Franklin’s (2015) terms, “wenches in the works.” When you throw your body into the system to try to stop it from working, you feel the impact of how things are working. We learn how those who try to stop a culture from being reproduced are stopped. But in learning this, we also learn that reproduction is not inevitable, nor is it smooth, despite the failure to stop something from working.”
― Sara Ahmed, Complaint!

“To live a feminist life is to make everything into something that is questionable. The question of how to live a feminist life is alive as a question as well as being a life question.”
― Sara Ahmed, Living a Feminist Life

“Rolling eyes = feminist pedagogy.”
― Sara Ahmed, Living a Feminist Life

“Science fiction is held in low regard as a branch of literature, and perhaps it deserves this critical contempt. But if we view it as a kind of sociology of the future, rather than as literature, science fiction has immense value as a mind-stretching force for the creation of the habit of anticipation. Our children should be studying Arthur C. Clarke, William Tenn, Robert Heinlein, Ray Bradbury and Robert Sheckley, not because these writers can tell them about rocket ships and time machines but, more important, because they can lead young minds through an imaginative exploration of the jungle of political, social, psychological, and ethical issues that will confront these children as adults.”
― Alvin Toffler, Future Shock

“The Bible may be the Greatest Story Ever Told, but the most popular story you can ever tell is about a good-looking couple having a really swell time copulating outside wedlock, and having to quit for one reason or another while doing it is still a novelty.”
― Kurt Vonnegut, Timequake

“You know what, sometimes it seems to me we're living in a world that we fabricate for ourselves. We decide what's good and what isn't, we draw maps of meanings for ourselves... And then we spend our whole lives struggling with what we have invented for ourselves. The problem is that each of us has our own version of it, so people find it hard to understand each other.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“But why should we have to be useful and for what reason? Who divided the world into useless and useful, and by what right? Does a thistle have no right to life, or a Mouse that eats the grain in a warehouse? What about Bees and Drones, weeds and roses? Whose intellect can have had the audacity to judge who is better, and who worse? A large tree, crooked and full of holes, survives for centuries without being cut down, because nothing could possibly be made out of it. This example should raise the spirits of people like us. Everyone knows the profit to be reaped from the useful, but nobody knows the benefit to be gained from the useless.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“That’s what I dislike most of all in people – cold irony. It’s a very cowardly attitude to mock or belittle everything, never be committed to anything, not feel tied to anything. Like an impotent man who can’t experience pleasure himself, but will do all he can to ruin it for others.”
― Olga Tokarczuk

“Winter mornings are made of steel; they have a metallic taste and sharp edges. On a Wednesday in January, at seven in the morning, it’s plain to see that the world was not made for Man, and definitely not for his comfort or pleasure.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“have a Theory. It’s that an awful thing has happened—our cerebellum has not been correctly connected to our brain. This could be the worst mistake in our programming. Someone has made us badly. This is why our model ought to be replaced. If our cerebellum were connected to our brain, we would possess full knowledge of our own anatomy, of what was happening inside our bodies. Oh, we’d say to ourselves, the level of potassium in my blood has fallen. My third cervical vertebra is feeling tension. My blood pressure is low today, I must move about, and yesterday’s egg salad has sent my cholesterol level too high, so I must watch what I eat today.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead