Sofia > Sofia's Quotes

“I wonder where in the world it would be possible to have the ideal, a middle way, a balance between individuality and responsibility to the larger community. Easily named, of course, but I cannot begin to imagine where to achieve it.”
― Jamie Zeppa, Beyond the Sky and the Earth: A Journey into Bhutan

“She loved the guy. She did it for him. She would’ve done anything for him. Some people are like that. Some loves are like that. Most loves are like that, from what I can see. Your heart starts to feel like an overcrowded lifeboat. You throw your pride out to keep it afloat, and your self-respect and your independence. After a while you start throwing people out—your friends, everyone you used to know. And it’s still not enough. The lifeboat is still sinking, and you know it’s going to take you down with it. I’ve seen that happen to a lot of people here. I think that’s why I’m sick of love.”
― Gregory David Roberts, Shantaram

“But wisdom, in one sense, is the opposite of love. Love survives in is precisely because it isn't wise.”
― Gregory David Roberts, Shantaram

“The voice, Afghan matchmakers say, is more than half of love.”
― Gregory David Roberts, Shantaram

“There's a truth deeper than experience. It's beyond what we see, or even what we feel. It's an order of truth that separates the profound from the merely clever, and the reality from the perception. We're helpless, usually, in the face of it; and the cost of knowing it, like the cost of knowing love, is sometimes greater than any heart would willingly pay. It doesn't always help us to love the world, but it does prevent us from hating the world. And the only way to know that truth is to share it, from heart to heart, just as Prabhakar told it to me, just as I'm telling it to you now.”
― Gregory David Roberts, Shantaram

“I think wisdom is over-rated. Wisdom is just cleverness, with all the guts kicked out of it. I'd rather be clever than wise, any day. Most of the wise people I know give me a headache, but I never met a clever man or woman I didn't like.”
― Gregory David Roberts, Shantaram

“One of the reasons why we crave love, and seek it so desperately, is that love is the only cure for loneliness, and shame, and sorrow. But some feelings sink so deep into the heart that only loneliness can help you find them again. Some truths about yourself are so painful that only shame can help you live with them. And some things are just so sad that only your soul can do the crying for you.”
― Gregory David Roberts, Shantaram

“Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love. ”
― Gregory David Roberts

“Fanaticism is the opposite of love,’ I said, recalling one of Khaderbhai’s lectures. A wise man once told me—he’s a Muslim, by the way—that he has more in common with a rational, reasonable-minded Jew than he does with a fanatic from his own religion. He has more in common with a rational, reasonable-minded Christian or Buddhist or Hindu than he does with a fanatic from his own religion. In fact, he has more in common with a rational, reasonable-minded atheist than he does with a fanatic from his own religion. I agree with him, and I feel the same way. I also agree with Winston Churchill, who once defined a fanatic as someone who won’t change his mind and can’t change the subject.”
― Gregory David Roberts, Shantaram

“I know now that when the loving, honest moment comes it should be seized, and spoken, because it may never come again. And unvoiced, unmoving, unlived in the things we declare form heart to heart, those true and real feelings wither and crumble in the remembering hand that tries too late to reach for them.”
― Gregory David Roberts, Shantaram

“every human heart beat is a universe of possibilities.”
― Gregory David Roberts, Shantaram

“The truth is that, no matter what kind of game you find yourself in, no matter how good or bad the luck, you can change your life completely with a single thought or a single act of love”
― Gregory David Roberts, Shantaram

“I never told her that--what her affectionate and unconditional acceptance meant to me. So much, too much, of the good that I felt in those years of exile was locked in the prison cell of my heart: those tall walls of fear; that small, barred window of hope; that hard bed of shame. I do speak out now. I know now that when the loving, honest moment comes it should be seized, and spoken, because it may never come again. And unvoiced, unmoving, unlived in the things we declare from heart to heart, those true and real feelings wither and crumble in the remembering hand that tries too late to reach for them.”
― Gregory David Roberts, Shantaram

“When we dislike someone, or feel threatened by someone, the natural tendency is to focus on something we dislike about the person, something that irritates us. Unfortunately, when we do this--instead of seeing the deeper beauty of the person and giving them energy--we take energy away and actually do them harm. All they know is that they suddenly feel less beautiful and less confident, and it is because we sapped their energy.”
― James Redfield, The Celestine Prophecy

“The things that we preceive as beautiful may be different, but the actual characteristics we ascribe to beautiful objects are similar. Think about it. When something strikes us as beautiful, it displays more presence and sharpness of shape and vividness of color, doesn't it? It stands out. It shines. It seems almost iridescent compared to the dullness of other objects less attractive.”
― James Redfield, The Celestine Prophecy

“loving and energizing others is the best possible thing we can do for ourselves.”
― James Redfield, The Celestine Prophecy

“When you fully integrate this view of your life, you will have achieved what the Manuscript calls a clear awareness of your spiritual path. According to the Manuscript we all must spend as much time as necessary going through this process of clearing our past. Most of us have a control drama we have to transcend but once we do, we can comprehend the higher meaning for why we were born to our particular parents, and what all the twists and turns of our lives were preparing us to do. We all have a spiritual purpose, a mission, that we have been pursuing without being fully aware of it, and once we bring it completely into consciousness, our lives can take off.”
― James Redfield, The Celestine Prophecy: how to refresh your approach to tomorrow with a new understanding, energy and optimism

“Do you see how preoccupied everyone has been? This perspective explains a lot. How many people do you know who are obsessed with their work, who are type A or have stress related diseases and who can’t slow down? They can’t slow down because they use their routine to distract themselves, to reduce life to only its practical considerations. And they do this to avoid recalling how uncertain they are about why they live.”
― James Redfield, The Celestine Prophecy

“Fear lowers one’s vibration tremendously.”
― James Redfield, The Celestine Prophecy: how to refresh your approach to tomorrow with a new understanding, energy and optimism

“It is not just about being thankful, it is to make eating a holy experience, so the energy from the food can enter your body.”
― James Redfield, The Celestine Prophecy: how to refresh your approach to tomorrow with a new understanding, energy and optimism

“Because—how do you explain that it is never inspiration that drives you to tell a story, but rather a combination of anger and clarity? How do you say: No, we do not find inspiration here, but we find a country that is as beautiful as it is broken, and we are somehow now part of it, so we are also broken with it, and feel ashamed, confused, and sometimes hopeless, and are trying to figure out how to do something about all that.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in 40 Questions

“And perhaps the only way to grant any justice—were that even possible—is by hearing and recording those stories over and over again so that they come back, always, to haunt and shame us. Because being aware of what is happening in our era and choosing to do nothing about it has become unacceptable. Because we cannot allow ourselves to go on normalizing horror and violence. Because we can all be held accountable if something happens under our noses and we don’t dare even look.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in 40 Questions

“Numbers and maps tell horror stories, but the stories of deepest horror are perhaps those for which there are no numbers, no maps, no possible accountability, no words ever written or spoken.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in Forty Questions

“No one suggests that the causes are deeply embedded in our shared hemispheric history and are therefore not some distant problem in a foreign country that no one can locate on a map, but in fact a trans national problem that includes the United States—not as a distant observer or passive victim that must now deal with thousands of unwanted children arriving at the southern border, but rather as an active historical participant in the circumstances that generated that problem.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in 40 Questions

“But, despite the dangers, people continue to take the risk. Children certainly take the risk. Children do what their stomachs tell them to do. They don't think twice when they have to chase a moving train. They run along it, reach for any metal bar at hand, and fling themselves toward whichever half-stable surface they may land on. Children chase after life, even if that chase might end up killing them. Children run and flee. They have an instinct for survival, perhaps, that allows them to endure almost anything just to make it to the other side of horror, whatever may be waiting there for them.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in Forty Questions

“Why did you come to the United States? Perhaps no one knows the real answer. I know that migrants, when they are still on their way here, learn the Immigrant's Prayer. A friend who had been aboard La Bestia for a few days, working on a documentary, read it to me once. I didn't learn the entire thing, but I remember these lines: 'Partir es morir un poco / Llegar nunca es llegar' - 'To leave is to die a little / To arrive is never to arrive.”
― Valeria Luiselli, Tell Me How It Ends: An Essay in Forty Questions

“The families who gather around their beloved—their beloved whose sheared heads contained battered brains—do not usually recognize the full significance, either. They see the past, the accumulation of memories, the freshly felt love, all represented by the body before them. I see the possible futures, the breathing machines connected through a surgical opening in the neck, the pasty liquid dripping in through a hole in the belly, the possible long, painful, and only partial recovery—or, sometimes more likely, no return at all of the person they remember.”
― Paul Kalanithi, When Breath Becomes Air

“Death comes for all of us. For us, for our patients: it is our fate as living, breathing, metabolizing organisms. Most lives are lived with passivity toward death -- it's something that happens to you and those around you. But Jeff and I had trained for years to actively engage with death, to grapple with it, like Jacob with the angel, and, in so doing, to confront the meaning of a life. We had assumed an onerous yoke, that of mortal responsibility. Our patients' lives and identities may be in our hands, yet death always wins. Even if you are perfect, the world isn't. The secret is to know that the deck is stacked, that you will lose, that your hands or judgment will slip, and yet still struggle to win for your patients. You can't ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.”
― Paul Kalanithi, When Breath Becomes Air

“Struggle toward the capital-T Truth, but recognize that the task is impossible—or that if a correct answer is possible, verification certainly is impossible.

In the end, it cannot be doubted that each of us can see only part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete. And truth comes somewhere above all of them, where, as at the end of that Sunday’s reading: the sower and reaper can rejoice together. For here the saying is verified that “One sows and another reaps.” I sent you to reap what you have not worked for; others have done the work, and you are sharing the fruits of that work.”
― Paul Kalanithi, When Breath Becomes Air

“Everyone succumbs to finitude. I suspect I am not the only one who reaches this pluperfect state. Most ambitions are either achieved or abandoned; either way, they belong to the past. The future, instead of the ladder toward the goals of life, flattens out into a perpetual present. Money, status, all the vanities the preacher of Ecclesiastes described, hold so little interest: a chasing after wind, indeed.”
― Paul Kalanithi, When Breath Becomes Air