Annie Murphy > Annie's Quotes

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  • #1
    Aldous Huxley
    “No social stability without individual stability.”
    Aldous Huxley, Brave New World

  • #2
    Mary Wollstonecraft Shelley
    “Beware; for I am fearless, and therefore powerful.”
    Mary Shelley, Frankenstein

  • #3
    Mary Wollstonecraft Shelley
    “Nothing is so painful to the human mind as a great and sudden change.”
    Mary Wollstonecraft Shelley, Frankenstein

  • #4
    Mary Wollstonecraft Shelley
    “once I falsely hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding.”
    Mary Shelley

  • #5
    Mary Wollstonecraft Shelley
    “I ought to be thy Adam, but I am rather the fallen angel...”
    Mary Shelley, Frankenstein

  • #6
    Mary Wollstonecraft Shelley
    “If our impulses were confined to hunger, thirst, and desire, we might be nearly free; but now we are moved by every wind that blows and a chance word or scene that that word may convey to us.”
    Mary Shelley, Frankenstein

  • #7
    Mary Wollstonecraft Shelley
    “Satan has his companions, fellow-devils, to admire and encourage him; but I am solitary and detested.”
    Mary Shelley, Frankenstein

  • #8
    Mary Wollstonecraft Shelley
    “Man," I cried, "how ignorant art thou in thy pride of wisdom!”
    Mary Shelley, Frankenstein

  • #9
    Mary Wollstonecraft Shelley
    “Thus strangely are our souls constructed, and by slight ligaments are we bound to prosperity and ruin.”
    Mary Shelley, Frankenstein

  • #10
    Mary Wollstonecraft Shelley
    “The world to me was a secret, which I desired to discover; to her it was a vacancy, which she sought to people with imaginations of her own.”
    Mary Wollstonecraft Shelley, Frankenstein

  • #11
    Mary Wollstonecraft Shelley
    “If I cannot inspire love, I will cause fear!”
    Mary Shelley, Frankenstein

  • #12
    Pablo Neruda
    “I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.”
    Pablo Neruda, 100 Love Sonnets

  • #13
    Stephanie Perkins
    “His eyes lock on mine."Anna,I promise that I will never leave you."
    My heart pounds in response.And Étienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding,too.”
    Stephanie Perkins, Anna and the French Kiss

  • #14
    Stephanie Perkins
    “I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.
    I know he is smiling, and my heart races.”
    Stephanie Perkins, Anna and the French Kiss

  • #15
    Stephanie Perkins
    “Welcome to Paris, Anna. I'm glad you've come.”
    Stephanie Perkins, Anna and the French Kiss

  • #16
    Stephanie Perkins
    “Anna: You really think he likes me?
    Rashmi: Anna. He teases you all the time. It's classic boy-pulling-girl's-pigtail syndrome. And whenever anyone else even remotely does it, he always takes your side and tells them to shove it.”
    Stephanie Perkins, Anna and the French Kiss

  • #17
    Stephanie Perkins
    “We still hate Bridgette, right? I haven't missed anything?”
    Stephanie Perkins, Anna and the French Kiss

  • #18
    Stephanie Perkins
    “I like you. And I don't mean as a friend.”
    Stephanie Perkins, Anna and the French Kiss

  • #19
    Stephanie Perkins
    “St. Clair: So did you enjoy the book?
    Anna: I did. Did you?
    St. Clair: I like the author's name the best. Ba-nah-na.”
    Stephanie Perkins, Anna and the French Kiss

  • #20
    Stephanie Perkins
    “I was there that first night her called you. I've seen how he looked at you in pictures. Any bloke with a working prick would be insane not to like you.”
    Stephanie Perkins, Anna and the French Kiss

  • #21
    Stephanie Perkins
    “Así pues, ¿qué deseo? ¿Algo que no sé si quiero? ¿A alguien que no sé si me conviene? ¿A alguien que sé que no puedo tener?
    A la mierda. Que lo decida la suerte.
    «Deseo lo que sea mejor para mí.»
    Toma generalización.”
    Stephanie Perkins, Anna and the French Kiss

  • #22
    Stephanie Perkins
    “Foomp! My inner fire ignites.”
    Stephanie Perkins, Anna and the French Kiss

  • #23
    Stephanie Perkins
    “I'm a little distracted by this English French American Boy Masterpiece.”
    Stephanie Perkins, Anna and the French Kiss

  • #24
    Stephanie Perkins
    “I'm sorry," he says.
    "What? Why?"
    "You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
    "Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
    He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
    Not that that would be so bad.”
    Stephanie Perkins, Anna and the French Kiss

  • #25
    Stephanie Perkins
    “And I realize ... it’s okay. It’s okay if St. Clair and I never become more than friends. His friendship alone has strengthened me in a way that no one
    else’s ever has. He swept me from my room and showed me independence. In other words, he was exactly what I needed. I won’t forget it. And I certainly
    don’t want to lose it.”
    Stephanie Perkins, Anna and the French Kiss

  • #26
    Stephanie Perkins
    “That guys. Sideburns. You like him?"
    My back squirms. "You've asked me that before."
    "What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
    It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested, but ... I don't know if he's still interested in me."
    St. Clair edges closer. "Does he still call?"
    "Yeah. I mean, not often. But yes."
    "Right. Right, well," he says, blinking. "There's your answer.”
    Stephanie Perkins, Anna and the French Kiss

  • #27
    Stephanie Perkins
    “When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away.
    He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.”
    Stephanie Perkins, Lola and the Boy Next Door

  • #28
    Stephanie Perkins
    “Wow. See? You can’t say that’s not impressive.” I recognize the names, even if I don’t know what they all did.

    “I didn’t.” He reaches for his wallet and pays our admission charge. I try to get it—since it was my idea in the first place—but he insists. “Happy Thanksgiving,” he says, handing me my ticket. “Let’s see some dead people.” We’re greeted by an unimaginable number of domes and columns and arches. Everything is huge and round.”
    Stephanie Perkins, Anna and the French Kiss

  • #29
    Stephanie Perkins
    “If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself."
    She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says.
    "Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.”
    Stephanie Perkins, Lola and the Boy Next Door

  • #30
    Stephanie Perkins
    “Where in the bloody hell did that come from?" asks the other person behind the counter. Or more precisely, on top of the counter, where her ridiculously attractive, English-accented boyfriend is perched.
    He's the other thing I like about Anna. Wherever she goes, he follows.
    He nods toward the baby wipe. "What else are you carrying in your pockets? Dust rags? Furniture polish?"
    "Watch it," she says. "Or I'll scrub your arms, Étienne."
    He grins. "As long as you do it in private.”
    Stephanie Perkins, Lola and the Boy Next Door



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