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  • #1
    Tara Westover
    “I had to think before I could answer. “I can stand in this wind, because I’m not trying to stand in it,” I said. “The wind is just wind. You could withstand these gusts on the ground, so you can withstand them in the air. There is no difference. Except the difference you make in your head.”
    Tara Westover, Educated

  • #2
    Tara Westover
    “Tyler stood to go. “There’s a world out there, Tara,” he said. “And it will look a lot different once Dad is no longer whispering his view of it in your ear.”
    Tara Westover, Educated

  • #3
    Tara Westover
    “I believed then--and part of me will always believe--that my father's words ought to be my own.”
    Tara Westover, Educated

  • #4
    Tara Westover
    “The past is beautiful because one never realises an emotion at the time. It expands later, & thus we don’t have complete emotions about the present, only about the past. —VIRGINIA WOOLF”
    Tara Westover, Educated

  • #5
    Tara Westover
    “When I was a child, I waited for my mind to grow, for my experiences to accumulate and my choices to solidify, taking shape into the likeness of a person. That person, or that likeness of one, had belonged. I was of that mountain, the mountain that had made me. It was only as I grew older that I wondered if how I had started is how I would end—if the first shape a person takes is their only true shape.”
    Tara Westover, Educated

  • #6
    Tara Westover
    “what a person knows about the past is limited, and will always be limited, to what they are told by others.”
    Tara Westover, Educated

  • #7
    Tara Westover
    “I told them I’d been poor, I told them I’d been ignorant, and in telling them this I felt not the slightest prick of shame. Only then did I understand where the shame had come from: it wasn’t that I hadn’t studied in a marble conservatory, or that my father wasn’t a diplomat. It wasn’t that Dad was half out of his mind, or that Mother followed him. It had come from having a father who shoved me toward the chomping blades of the Shear, instead of pulling me away from them. It had come from those moments on the floor, from knowing that Mother was in the next room, closing her eyes and ears to me, and choosing, for that moment, not to be my mother at all.”
    Tara Westover, Educated

  • #8
    Tara Westover
    “There was a date beneath the image: 1955. I realized that Mother had been four years old in 1955, and with that realization, the distance between me and Emmett Till collapsed. My proximity to this murdered boy could be measured in the lives of people I knew. The calculation was not made with reference to vast historical or geological shifts—the fall of civilizations, the erosion of mountains. It was measured in the wrinkling of human flesh. In the lines on my mother's face.”
    Tara Westover, Educated

  • #9
    Tara Westover
    “The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.”
    Tara Westover, Educated

  • #10
    Tara Westover
    “positive liberty is self-mastery—the rule of the self, by the self. To have positive liberty, he explained, is to take control of one’s own mind; to be liberated from irrational fears and beliefs, from addictions, superstitions and all other forms of self-coercion.”
    Tara Westover, Educated

  • #11
    Tara Westover
    “You are not fool’s gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself—even gold appears dull in some lighting—but that is the illusion. And it always was.”
    Tara Westover, Educated

  • #12
    Tara Westover
    “When other students asked where I was from, I said, 'I'm from Idaho," a phrase that, as many times as I've had to repeat it over the years, has never felt comfortable in my mouth. When you are part of a place, growing that moment in its soil, there's never a need to say you're from there. I never uttered the words 'I'm from Idaho" until I'd left it.”
    Tara Westover, Educated

  • #13
    Tara Westover
    “Mother often described herself as a pleaser: she said she couldn’t stop herself from speculating what people wanted her to be, and from contorting herself, compulsively, unwillingly, into whatever it was.”
    Tara Westover, Educated

  • #14
    Tara Westover
    “My life was narrated for me by others. Their voices were forceful, emphatic, absolute. It had never occurred to me that my voice might be as strong as theirs.”
    Tara Westover, Educated

  • #15
    Tara Westover
    “Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasn’t a demon: it was me.”
    Tara Westover, Educated

  • #16
    Tara Westover
    “Whomever you become, whatever you make yourself into, that is who you always were.”
    Tara Westover, Educated

  • #17
    Celeste Ng
    “It came, over and over, down to this: What made someone a mother? Was it biology alone, or was it love?”
    Celeste Ng, Little Fires Everywhere

  • #18
    Celeste Ng
    “It terrifies you. That you missed out on something. That you gave up something you didn’t know you wanted.” A sharp, pitying smile pinched the corners of her lips. “What was it? Was it a boy? Was it a vocation? Or was it a whole life?”
    Celeste Ng, Little Fires Everywhere

  • #19
    Celeste Ng
    “...the thing about portraits is, you need to show people the way they want to be seen. And I prefer to show people as I see them.”
    Celeste Ng, Little Fires Everywhere

  • #20
    Celeste Ng
    “The things that go unsaid are often the things that eat at you—whether because you didn't get to have your say, or because the other person never got to hear you and really wanted to.”
    Celeste Ng, Everything I Never Told You

  • #21
    Celeste Ng
    “Sometimes you need to scorch everything to the ground, and start over. After the burning the soil is richer, and new things can grow. People are like that, too. They start over. They find a way.”
    Celeste Ng, Little Fires Everywhere

  • #22
    Celeste Ng
    “She smelled of home...as if home had never been a place, but had always been this little person whom she'd carried alongside her.”
    Celeste Ng, Little Fires Everywhere

  • #23
    Celeste Ng
    “In Pauline and Mal’s house, nothing was simple. In her parents’ house, things had been good or bad, right or wrong, useful or wasteful. There had been nothing in between. Here, she found, everything had nuance; everything had an unrevealed side or unexplored depths. Everything was worth looking at more closely.”
    Celeste Ng, Little Fires Everywhere

  • #24
    Celeste Ng
    “Before that she hadn’t realized how fragile happiness was, how if you were careless, you could knock it over and shatter it.”
    Celeste Ng, Everything I Never Told You

  • #25
    Celeste Ng
    “What made something precious? Losing it and finding it.”
    Celeste Ng, Everything I Never Told You

  • #26
    Celeste Ng
    “You never got what you wanted; you just learned to get by without it.”
    Celeste Ng, Everything I Never Told You

  • #27
    Celeste Ng
    “People decide what you're like before they even get to know you”
    Celeste Ng, Everything I Never Told You

  • #28
    Celeste Ng
    “You could stop taking their phone calls, tear up their letters, pretend they'd never existed. Start over as a new person with a new life. Just a problem of geography, he thought, with the confidence of someone who had never yet tried to free himself of family.”
    Celeste Ng, Everything I Never Told You

  • #29
    Celeste Ng
    “All their lives Nath had understood, better than anyone, the lexicon of their family, the things they could never truly explain to outsiders: that a book or a dress meant more than something to read or something to wear; that attention came with expectations that—like snow—drifted and settled and crushed you with their weight. All the words were right, but in this new Nath’s voice, they sounded trivial and brittle and hollow. The way anyone else might have heard them. Already her brother had become a stranger.”
    Celeste Ng, Everything I Never Told You

  • #30
    Celeste Ng
    “Whenever he remembered this moment, it lasted forever: a flash of complete separateness as Lydia disappeared beneath the surface. Crouched on the dock, he had a glimpse of the future: without her, he would be completely alone. In the instant after, he knew it would change nothing. He could feel the ground still tipping beneath him. Even without Lydia, the world would not level. He and his parents and their lives would spin into the space where she had been. They would be sucked into the vacuum she left behind.

    More than this: the second he touched her, he knew that he had misunderstood everything. When his palms hit her shoulders, when the water closed over her head, Lydia had felt relief so great she had sighed in a deep choking lungful. She had staggered so readily, fell so eagerly, that she and Nath both knew: that she felt it, too, this pull she now exerted, and didn't want it. That the weight of everything tilting toward her was too much.”
    Celeste Ng, Everything I Never Told You



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