Suraj Singireddy > Suraj's Quotes

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  • #1
    David Foster Wallace
    “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #2
    J.D. Salinger
    “This fall I think you're riding for—it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.”
    J.D. Salinger, The Catcher in the Rye

  • #3
    David Foster Wallace
    “The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes.

    But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole.

    So cry all you want, I won't tell anybody.”
    David Foster Wallace, Oblivion

  • #4
    David Foster Wallace
    “There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.”
    David Foster Wallace

  • #5
    Dr. Seuss
    “Unless someone like you cares a whole awful lot,
    Nothing is going to get better. It's not.”
    Dr. Seuss, The Lorax

  • #6
    Among other things, you'll find that you're not the first person who was ever confused
    “Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”
    J.D. Salinger, The Catcher in the Rye

  • #7
    J.D. Salinger
    “Give me a story that just makes me unreasonably vigilant. Keep me up till five only because all your stars are out, and for no other reason.”
    J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

  • #8
    David Foster Wallace
    “Everybody is identical in their secret unspoken belief that way deep down they are different from everyone else.”
    David Foster Wallace, Infinite Jest

  • #9
    David Foster Wallace
    “If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers—not all of whom are modern . . . I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this— becomes a source of unbelievable joy. It’s like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn’t mean, you know, church stuff, but it means you’re just never the same.”
    David Foster Wallace, Quack This Way

  • #10
    David Foster Wallace
    “It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe.”
    David Foster Wallace, Infinite Jest

  • #11
    David Foster Wallace
    “It’s a very American illness, the idea of giving yourself away entirely to the idea of working in order to achieve some sort of brass ring that usually involves people feeling some way about you – I mean, people wonder why we walk around feeling alienated and lonely and stressed out.”
    David Foster Wallace

  • #12
    J.D. Salinger
    “But what I mean is, lots of time you don’t know what interests you most till you start talking about something that doesn’t interest you most. I mean you can’t help it sometimes.”
    J. D. Salinger, The Catcher in the Rye

  • #13
    David Foster Wallace
    “How odd I can have all this inside me and to you it’s just words.”
    David Foster Wallace, The Pale King

  • #14
    David Foster Wallace
    “Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly.”
    David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

  • #15
    David Foster Wallace
    “Learning how to think" really means learning how to exercise some control over how and what you think.
    It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience.
    Because if you cannot or will not exercise this kind of choice in adult life, you will be totally hosed.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #16
    David Foster Wallace
    “But I gotta tell you, I just think to look across this room and automatically assume that somebody else is less aware than me, or that somehow their interior life is less rich and complicated and acutely perceived than mine, makes me not a good writer. Because that means I'm going to be performing for a faceless audience instead of trying to have a conversation with a person.”
    David Foster Wallace

  • #17
    F. Scott Fitzgerald
    “That is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.”
    F. Scott Fitzgerald

  • #18
    J.D. Salinger
    “God damn it, there are nice things in the world – and I mean nice things. We're all such morons to get so sidetracked.”
    J.D. Salinger, Franny and Zooey

  • #19
    F. Scott Fitzgerald
    “He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was ....”
    F. Scott Fitzgerald, The Great Gatsby

  • #20
    David Foster Wallace
    “The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.”
    David Foster Wallace, The Pale King

  • #21
    David Foster Wallace
    “This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant.”
    David Foster Wallace

  • #22
    David Foster Wallace
    “I'm not afraid of new things. I'm just afraid of feeling alone even when there's somebody else there. I'm afraid of feeling bad. Maybe that's selfish, but it's the way I feel.”
    David Foster Wallace, Girl With Curious Hair
    tags: alone

  • #23
    David Foster Wallace
    “To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it’s because dullness is intrinsically painful; maybe that’s where phrases like ‘deadly dull’ or ‘excruciatingly dull’ come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing’s pretty confusing, and hard to talk about abstractly…but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets’ checkouts, airport gates, SUVs’ backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called ‘information society’ is just about information. Everyone knows it’s about something else, way down.”
    David Foster Wallace

  • #24
    David Foster Wallace
    “To be, in a word, unborable.... It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish”
    David Foster Wallace, The Pale King

  • #25
    J.D. Salinger
    “I'd swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me. People always clap for the wrong things. If I were a piano player, I'd play it in the goddam closet.”
    J.D. Salinger, The Catcher in the Rye

  • #26
    David Foster Wallace
    “A true Democratic Spirit is up there with religious faith and emotional maturity and all those other top-of-the-Maslow-Pyramid-type qualities that people spend their whole lives working on. A Democratic Spirit's constituent rigor and humility and self-honesty are, in fact, so hard to maintain on certain issues that it's almost irresistibly tempting to fall in with some established dogmatic camp and to follow that camp's line on the issue and to let your position harden within the camp and become inflexible and to believe that he other camps are either evil or insane and to spend all your time and energy trying to shout over them.”
    David Foster Wallace, Consider the Lobster and Other Essays

  • #27
    David Foster Wallace
    “Try to let what is unfair teach you…what is unfair can be a stern but invaluable teacher…you can be shaped, or you can be broken. There is not much in between. Try to learn. Be coachable. Try to learn from everybody, especially those who fail. This is hard.”
    David Foster Wallace, Infinite Jest

  • #28
    J.D. Salinger
    “Something else an academic education will do for you. If you go along with it any considerable distance, it will begin to give you an idea what size mind you have. What’ll fit and, maybe, what it won’t. After a while, you’ll have an idea what kind of thoughts your mind should be wearing. For one thing, it may save you an extraordinary amount of time trying on ideas that won’t suit you, aren’t becoming to you. You’ll begin to know your true measurements and dress your mind accordingly.”
    J.D. Salinger, The Catcher in the Rye

  • #29
    David Foster Wallace
    “Cleverness as opposed to wisdom. Wanting and having instead of thinking and making.”
    David Foster Wallace, The Pale King

  • #30
    John Donne
    “No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.”
    John Donne, No man is an island – A selection from the prose



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