Everett > Everett's Quotes

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  • #1
    Ocean Vuong
    “I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #2
    My course is set for an uncharted sea.
    “My course is set for an uncharted sea.”
    Dante Alighieri

  • #3
    Oscar Wilde
    “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
    Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

  • #4
    Percy Bysshe Shelley
    “I have drunken deep of joy,
    And I will taste no other wine tonight.”
    Percy Bysshe Shelley

  • #5
    Pablo Picasso
    “We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.”
    Pablo Picasso

  • #6
    Emily Dickinson
    “Success is counted sweetest
    By those who ne'er succeed.
    To comprehend a nectar
    Require sorest need.

    Not one of all the purple host
    Who took the flag to-day
    Can tell the definition,
    So clear, of victory,

    As he, defeated, dying,
    On whose forbidden ear
    The distant strains of triumph
    Break, agonized and clear.”
    Emily Dickinson, The Complete Poems of Emily Dickinson

  • #7
    Jalal ad-Din Muhammad ar-Rumi
    “Stop acting so small. You are the universe in ecstatic motion.”
    Rumi

  • #8
    Joseph Campbell
    “Gods suppressed become devils, and often it is these devils whom we first encounter when we turn inward.”
    Joseph Campbell

  • #9
    Thomas Aquinas
    “To one who has faith, no explanation is necessary. To one without faith, no explanation is possible.”
    St. Thomas Aquinas

  • #10
    Francis Galton
    “The huger the mob, and the greater the apparent anarchy, the more perfect is its sway. It is the supreme law of Unreason. Whenever a large sample of chaotic elements are taken in hand and marshalled in the order of their magnitude, an unsuspected and most beautiful form of regularity proves to have been latent all along.”
    Francis Galton

  • #11
    William Shakespeare
    “Conscience doth make cowards of us all.”
    William Shakespeare, Hamlet

  • #12
    Hermann Hesse
    “The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.”
    Hermann Hesse, Demian: Die Geschichte von Emil Sinclairs Jugend

  • #13
    John Green
    “Eternity bids thee to forget.”
    John Green, An Abundance of Katherines

  • #14
    John Green
    “But monotony doesn't make for painlessness. In the first century CE, Roman authorities punished St. Appollonia by crushing her teeth one by one with pliers. Colin often thought about this in relationship to the monotony of dumping: we have thirty two teeth. After a while, having each tooth individually destroyed probably gets repetitive, even dull. But it never stops hurting.”
    John Green, An Abundance of Katherines

  • #15
    Leigh Bardugo
    “Men mock the gods until they need them, Kaz.”
    Leigh Bardugo, Six of Crows

  • #16
    Reni Eddo-Lodge
    “The mess we are living in is a deliberate one. If it was created by people, it can be dismantled by people, and it can be rebuilt in a way that serves all, rather than a selfish, hoarding few.”
    Reni Eddo-Lodge, Why I'm No Longer Talking to White People About Race

  • #17
    Jane Austen
    “If I loved you less, I might be able to talk about it more.”
    Jane Austen, Emma

  • #18
    Harper Lee
    “I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin, but you begin anyway and see it through no matter what.”
    Harper Lee, To Kill a Mockingbird

  • #19
    Harper Lee
    “The one thing that doesn't abide by majority rule is a person's conscience.”
    Harper Lee, To Kill a Mockingbird

  • #20
    Emily Brontë
    “I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”
    Emily Brontë, Wuthering Heights

  • #21
    Emily Brontë
    “You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?”
    Emily Brontë, Wuthering Heights

  • #22
    Haruki Murakami
    “It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this:

    Death exists, not as the opposite but as a part of life.

    Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust.

    Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there.

    The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that...

    I lived through the following spring...with that kind knot of air in my chest, but I struggled all the while against becoming serious. Becoming serious was not the same thing as approaching truth, I sensed, however vaguely. But death was a fact, a serious fact, no matter how you looked at it. stuck inside this suffocating contradiction, I went on endlessly spinning in circles...In the midst of life, everything revolved around death.”
    Haruki Murakami, Norwegian Wood

  • #23
    Fyodor Dostoevsky
    “May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?”
    Fyodor Dostoyevsky, White Nights

  • #24
    F. Scott Fitzgerald
    “And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

    Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——

    So we beat on, boats against the current, borne back ceaselessly into the past.”
    F. Scott Fitzgerald, The Great Gatsby

  • #25
    F. Scott Fitzgerald
    “No amount of fire or freshness can challenge what a man will store up in his ghostly heart.”
    F. Scott Fitzgerald, The Great Gatsby

  • #26
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #27
    Haruki Murakami
    “One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds. Pain linked to pain, fragility to fragility. There is no silence without a cry of grief, no forgiveness without bloodshed, no acceptance without a passage through acute loss. That is what lies at the root of true harmony.”
    Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

  • #28
    Haruki Murakami
    “Jealousy—at least as far as he understood it from his dream—was the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape he could do so. The prison, was after all, his own heart. But he couldn't make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.”
    Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

  • #29
    Haruki Murakami
    “Sometimes when I look at you, I feel I'm gazing at a distant star.
    It's dazzling, but the light is from tens of thousands of years ago.
    Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.”
    Haruki Murakami, South of the Border, West of the Sun

  • #30
    Haruki Murakami
    “here she is, all mine, trying her best to give me all she can. How could I ever hurt her? But I didn’t understand then. That I could hurt somebody so badly she would never recover. That a person can, just by living, damage another human being beyond repair.”
    Haruki Murakami, South of the Border, West of the Sun



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