Layla > Layla's Quotes

“... It's perfect! Locke would appreciate it."

"Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'"

"Rivalled only by 'Locke taught me a new trick,'" added Galo.

"The only person who gets away with Locke Lamora games ..."

"... is Locke ..."

"... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..."

"... and fifty thousand cheering spectators.”
― Scott Lynch, The Lies of Locke Lamora

“So you're always honest," I said.
"Aren't you?"
"No," I told him. "I'm not."
"Well, that's good to know, I guess."
"I'm not saying I'm a liar," I told him. He raised his eyebrows. "That's not how I meant it, anyways."
"How'd you mean it, then?"
"I just...I don't always say what I feel."
"Why not?"
"Because the truth sometimes hurts," I said.
"Yeah," he said. "So do lies, though.”
― Sarah Dessen, Just Listen

“The Guide says there is an art to flying", said Ford, "or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”
― Douglas Adams, Life, the Universe and Everything

“I thought I'd lie on the floor and writhe in pain for a while," he grunted, "It relaxes me."
"It does? Oh - you're being sarcastic. That's a good sign probably.”
― Cassandra Clare, City of Ashes

“You might want to lie down," Magnus advised. "I find that it helps when the crushing sense of horrible realization sets in.”
― Cassandra Clare, City of Ashes

“A fight is going on inside me," said an old man to his son. "It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you."

The son thought about it for a minute and then asked, "Which wolf will win?"

The old man replied simply, "The one you feed.”
― Wendy Mass, Jeremy Fink and the Meaning of Life

“Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.”
― Alan Moore, Watchmen

“Ronan said, "I'm always straight."
Adam replied "Oh, man, that's the biggest lie you've ever told.”
― Maggie Stiefvater, The Raven Boys

“You're my sister," he said finally. "My sister, my blood, my family. I should want to protect you" - he laughed soundlessly and without any humor - "to protect you from the sort of boys who want to do with you exactly what I want to do."
Clary's breath caught. "You said you just wanted to be my brother from now on."
"I lied," he said.”
― Cassandra Clare, City of Glass

“Actually," said Jace, "I prefer to think that I'm a liar in a way that's uniquely my own.”
― Cassandra Clare, City of Ashes

“Because humans are complicated beasts, the monster said. How can a queen be both a good witch and a bad witch? How can a prince be a murderer and a saviour? How can an apothecary be evil-tempered but right-thinking? How can a parson be wrong-thinking but good-hearted? How can invisible men make themselves more lonely by being seen?

"I don't know," Connor shrugged, exhausted. "Your stories never made any sense to me."

The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day. You wanted her to go at the same time you were desperate for me to save her. Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.”
― Patrick Ness, A Monster Calls

“Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?”
― Ray Bradbury, Fahrenheit 451

“[A] quotation is a handy thing to have about, saving one the trouble of thinking for oneself, always a laborious business."

(The Record Lie)”
― A.A. Milne, If I May

“I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..."

Tessa stared.

"Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity...”
― Cassandra Clare, Clockwork Angel

“She said, "It's not life or death, the labyrinth."
"Um, okay. So what is it?"
"Suffering," she said. "Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?... Nothing's wrong. But there's always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there's a good-looking boy lying next to you. Suffering is universal. It's the one thing Buddhists, Christians, and Muslims are all worried about.”
― John Green, Looking for Alaska

“I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.

Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?

A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?”
― Donna Tartt, The Goldfinch

“Romanian? That's impressive," said Jace. "Not many people speak it."
"Do you?" Sebastian asked with interest.
"Not really," Jace said with a smile so disarming Simon knew he was lying. "My Romanian is pretty much limited to useful phrases like, 'Are these snakes poisonous?' and 'But you look much too young to be a police officer.”
― Cassandra Clare, City of Glass

“I'm not an angel, Jace," she repeated. "I don't return library books. I steal illegal music off the internet. I lie to my mom. I am completely ordinary.”
― Cassandra Clare, City of Glass

“The surface of the pond was green with fallen leaves. "How could you have been happy there? I know what you thought, but Valentine was a terrible father. He killed your pets, lied to you, and I know he hit you- don't even try to pretend he didn't."
A flicker of a smile ghosted across Jace's face. "Only on alternate Thursdays.”
― Cassandra Clare, City of Bones

“I cut off his fingers to get him to talk, and when he'd confessed everything I wanted to hear, I had his fucking tongue cut out, and the stump cauterized."

Everyone in the room stared at him.

"I called him an asshole, too," said Locke. "He didn't like that.”
― Scott Lynch, The Lies of Locke Lamora