Khizer Khan > Khizer's Quotes

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  • #1
    Kailin Gow
    “It’s one way or another, Summer. For me, it’s black and white. You’re either in the friend zone or the lover zone. And with you…Gosh, Summer, you’re in my danger zone. My rip-my-heart-out and change-me-forever zone. I have to tread lightly with you. Because if I don’t, I may never be able to find my way back.”
    Kailin Gow, Perfect Summer

  • #3
    Henry Rollins
    “It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it's so hard to keep it inside when you let it out and it doesn't coma back. You're left so alone that you can't explain. Damn, there's nothing like that, is there? I've been there and you have too. You're nodding your head.”
    Henry Rollins, The Portable Henry Rollins

  • #4
    Toni Morrison
    “You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.”
    Toni Morrison

  • #5
    Nicole Krauss
    “Holding hands, for example, is a way to remember how it feels to say nothing together.”
    Nicole Krauss

  • #6
    Nicole Krauss
    “If I had a camera,' I said, 'I'd take a picture of you every day. That way I'd remember how you looked every single day of your life.”
    Nicole Krauss

  • #7
    Nicole Krauss
    “For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love...”
    Nicole Krauss, The History of Love

  • #8
    Nicole Krauss
    “Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.”
    Nicole Krauss, The History of Love

  • #9
    Nicole Krauss
    “15. WHENEVER I WENT OUT TO PLAY, MY MOTHER WANTED TO KNOW EXACTLY WHERE I WAS GOING TO BE

    When I'd come in, she'd call me into her bedroom, take me in her arms, and cover me with kisses. She'd stroke my hair and say, 'I love you so much,' and when I sneezed she'd say, 'Bless you, you know how much I love you, don't you?' and when I got up for a tissue she'd say, 'Let me get that for you I love you so much,' and when I looked for a pen to do my homework she'd say, 'Use mine, anything for you,' and when I had an itch on my leg she'd say, 'Is this the spot, let me hug you,' and when I said I was going up to my room she'd call after me, 'What can I do for you I love you so much,' and I always wanted to say, but never said: Love me less.”
    Nicole Krauss, The History of Love
    tags: love

  • #10
    Nicole Krauss
    “The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

    During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."

    "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.”
    Nicole Krauss, The History of Love

  • #11
    Nicole Krauss
    “Now that mine is almost over, I can say that the one thing that struck me most about life is the capacity for change. One day you're a person and the next day they tell you you're a dog. At first it's hard to bear, but after a while you learn not to look at it as a loss. There's even a moment when it becomes exhilarating to realize just how little needs to stay the same for you to continue the effort they call, for lack of a better word, being human.”
    Nicole Krauss, The History of Love

  • #12
    Nicole Krauss
    “I know there is a moral to this story, but I don't know what it is.”
    Nicole Krauss

  • #13
    Nicole Krauss
    “I opened my mouth, but nothing came out. It took seven languages to make me; it would be nice if I could have spoken just one.”
    Nicole Krauss

  • #14
    Nicole Krauss
    “No, what I felt was the torment of waiting, stuck between the end of one sentence and the beginning of the next which might or might not bring a hail storm, plane crash, poetic justice, or a miraculous reversal.”
    Nicole Krauss, Great House
    tags: life

  • #15
    Nicole Krauss
    “...we take comfort in the symmetries we find in life because they suggest a design where there is none.”
    Nicole Krauss, Great House

  • #16
    Nicole Krauss
    “It's strange what the heart can do when the mind is giving the directions.”
    Nicole Krauss, The History of Love

  • #17
    Nicole Krauss
    “Without memories to cloud it, the mind perceives with absolute clarity. Each observation stands out in stark relief. In the beginning, when there's not yet a smudge, the slate still blank, there is only the present moment: each vital detail, shocked color, the fall of light. Like film stills. The mind relentlessly open to the world, deeply impressed, even hurt by it: not yet gauzed by memory.”
    Nicole Krauss

  • #18
    Nicole Krauss
    “... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.”
    Nicole Krauss, The History of Love

  • #19
    Nicole Krauss
    “He died alone because he was too embarrassed to phone anyone.”
    Nicole Krauss, The History of Love

  • #20
    Nicole Krauss
    “Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.”
    Nicole Krauss, The History of Love

  • #21
    Nicole Krauss
    “She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.”
    Nicole Krauss, Great House

  • #22
    Nicole Krauss
    “. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.”
    Nicole Krauss, Great House

  • #23
    Janet Evanovich
    “Cupcake, your middle name is trouble.”
    Janet Evanovich, Four to Score

  • #24
    F. Scott Fitzgerald
    “If it wasn’t for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns at the end of your dock."
    Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to him, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted things had diminished by one.”
    F. Scott Fitzgerald, The Great Gatsby

  • #25
    F. Scott Fitzgerald
    “It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again.”
    F. Scott Fitzgerald, The Great Gatsby

  • #26
    Lauren Oliver
    “Hate isn’t the most dangerous thing, he’d said. Indifference is.”
    Lauren Oliver, Delirium

  • #27
    Lauren Oliver
    “Here's one of the things I learned that morning: if you cross a line and nothing happens, the line loses meaning. It's like that old riddle about a tree falling in a forest, and whether it makes a sound if there's no one around to hear it.

    You keep drawing a line farther and farther away, crossing it every time. That's how people end up stepping off the edge of the earth. You'd be surprised at how easy it is to bust out of orbit, to spin out to a place where no one can touch you. To lose yourself--to get lost.

    Or maybe you wouldn't be surprised. Maybe some of you already know.

    To those people, I can only say: I'm sorry.”
    Lauren Oliver, Before I Fall

  • #28
    Nicole Krauss
    “Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.”
    Nicole Krauss, The History of Love

  • #29
    Muhammad Iqbal
    “كل من فى نفسه لا يحكمُ
    هو فى حُكم سواه مُرغَمُ”
    Muhammad Iqbal, The Secrets of the Self: A Philosophical Poem 1944

  • #30
    Muhammad Iqbal
    “The revealed and mystic literature of mankind bears ample testimony to the fact that religious experience has been too enduring and dominant in the history of mankind to be rejected as mere illusion. There seems to be no reason, then, to accept the normal level of human experience as fact and reject its other levels as mystical and emotional.”
    Allama Iqbal, The Reconstruction of Religious Thought in Islam

  • #31
    Anthony Kiedis
    “Every true artist is at war with the world.”
    Anthony Kiedis, Scar Tissue



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