Jaime K > Jaime's Quotes

“Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.”
― Nicole Krauss, The History of Love

“Books say: She did this because. Life says: She did this. Books are where things are explained to you; life is where things aren't. I'm not surprised some people prefer books.”
― Julian Barnes, Flaubert's Parrot

“Women were brought up to believe that men were the answer. They weren't. They weren't even one of the questions. ”
― Julian Barnes, A History of the World in 10½ Chapters

“Because love is the meeting point of truth and magic. Truth, as in photography; magic, as in ballooning.”
― Julian Barnes, Levels of Life

“How rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at sea, washed between hope and despair, hailing something that may never come to rescue us.”
― Julian Barnes

“Lighthouses don’t go running all over an island looking for boats to save; they just stand there shining.”
― Anne Lamott

“For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.”
― Anne Lamott, Bird by Bird

“Forgiveness is giving up all hope of having had a better past.”
― Anne Lamott

“I do not understand the mystery of grace -- only that it meets us where we are and does not leave us where it found us.”
― Anne Lamott

“E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.”
― Anne Lamott, Bird by Bird

“If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.”
― Anne Lamott, Bird by Bird

“What did my fingers do before they held him?”
― Sylvia Plath

“Life has been some combination of fairy-tale coincidence and joie de vivre and shocks of beauty together with some hurtful self-questioning.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“I was supposed to be having the time of my life.”
― Sylvia Plath, The Bell Jar

“The worst enemy to creativity is self-doubt.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“A pretty sight, a lady with a book.”
― Shirley Jackson, We Have Always Lived in the Castle

“So long as you write it away regularly nothing can really hurt you.”
― Shirley Jackson

“When shall we live if not now?”
― Shirley Jackson, The Sundial

“I tell you these stories because these things happen to everyone. It's not about being starched or polished or cute or polite. It's about having ears that stick out, about breaking yet another glass. It's about seeing something for the first time and making a million mistakes and not ever getting completely discouraged.”
― Maira Kalman

“Everyone I know is looking for solace, hope and a tasty snack.”
― Maira Kalman

“When she packed up to leave, she knew that she was saying goodbye to something important, which was not that bad, in a way, because it meant that at least you had said hello to it to begin with...”
― Lorrie Moore, Birds of America: Stories

“I missed him. Love, I realized, was something your spine memorized. There was nothing you could do about that.”
― Lorrie Moore, Anagrams

“All the world's a stage we're going through.”
― Lorrie Moore, Anagrams

“It was like the classic scene in the movies where one lover is on the train and one is on the platform and the train starts to pull away, and the lover on the platform begins to trot along and then jog and then sprint and then gives up altogether as the train speeds irrevocably off. Except in this case I was all the parts: I was the lover on the platform, I was the lover on the train. And I was also the train.”
― Lorrie Moore, A Gate at the Stairs

“While I can’t have you, I long for you. I am the kind of person who would miss a train or a plane to meet you for coffee. I’d take a taxi across town to see you for ten minutes. I’d wait outside all night if I thought you would open the door in the morning. If you call me and say ‘Will you…’ my answer is ‘Yes’, before your sentence is out. I spin worlds where we could be together. I dream you. For me, imagination and desire are very close.”
― Jeanette Winterson

“I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.”
― Jeanette Winterson, Oranges Are Not the Only Fruit

“We are important and our lives are important, magnificent really, and their details are worthy to be recorded. This is how writers must think, this is how we must sit down with pen in hand. We were here; we are human beings; this is how we lived. Let it be known, the earth passed before us. Our details are important. Otherwise, if they are not, we can drop a bomb and it doesn't matter. . . Recording the details of our lives is a stance against bombs with their mass ability to kill, against too much speed and efficiency. A writer must say yes to life, to all of life: the water glasses, the Kemp's half-and-half, the ketchup on the counter. It is not a writer's task to say, "It is dumb to live in a small town or to eat in a café when you can eat macrobiotic at home." Our task is to say a holy yes to the real things of our life as they exist – the real truth of who we are: several pounds overweight, the gray, cold street outside, the Christmas tinsel in the showcase, the Jewish writer in the orange booth across from her blond friend who has black children. We must become writers who accept things as they are, come to love the details, and step forward with a yes on our lips so there can be no more noes in the world, noes that invalidate life and stop these details from continuing.”
― Natalie Goldberg, Writing Down the Bones: Freeing the Writer Within

“There are a hundred things she has tried to chase away the things she won't remember and that she can't even let herself think about because that's when the birds scream and the worms crawl and somewhere in her mind it's always raining a slow and endless drizzle.

You will hear that she has left the country, that there was a gift she wanted you to have, but it is lost before it reaches you. Late one night the telephone will sign, and a voice that might be hers will say something that you cannot interpret before the connection crackles and is broken.

Several years later, from a taxi, you will see someone in a doorway who looks like her, but she will be gone by the time you persuade the driver to stop. You will never see her again.

Whenever it rains you will think of her. ”
― Neil Gaiman

“It doesn't matter what people tell you. It doesn't matter what they might say. Sometimes you have to leave home. Sometimes, running away means you're headed in the exact right direction.”
― Alice Hoffman, Practical Magic

“Just because something is unspoken doesn't mean that it disappears.”
― Alice Hoffman, Incantation