Roma Lath > Roma's Quotes

“How are you this bad?" Juliette asked in disbelief. "I thought you were Russian."
"I am Russian, not an alcoholic," Roma muttered.”
― Chloe Gong, These Violent Delights

“Everything’s a game, Avery Grambs. The only thing we get to decide in this life is if we play to win.”
― Jennifer Lynn Barnes, The Inheritance Games

“Mors irrumat omnia. Death fucks us all.”
― Leigh Bardugo, Ninth House

“That was what magic did. It revealed the heart of who you'd been before life took away your belief in the possible. It gave back the world all lonely children longed for.”
― Leigh Bardugo, Ninth House

“But would it have mattered if she’d been someone else? If she’d been a social butterfly, they would have said she liked to drink away her pain. If she’d been a straight-A student, they would have said she’d been eaten alive by her perfectionism. There were always excuses for why girls died.”
― Leigh Bardugo, Ninth House

“Peace was like any high. It couldn't last. It was an illusion, something that could be interrupted in a moment and lost forever.”
― Leigh Bardugo, Ninth House

“Take me back. Make me into someone who has never been done harm. Go as far as you can. Make me brand-new. No bruises. No scars.”
― Leigh Bardugo, Ninth House

“What do you want?" Belbalm had asked her. Safety, comfort, to feel unafraid. I want to live to grow old, Alex thought as she pulled the curtains closed. I want to sit on my porch and drink foul-smelling tea and yell at passersby. I want to survive this world that keeps trying to destroy me.”
― Leigh Bardugo, Ninth House

“Maybe all rich people asked the wrong questions. For people like Alex, it would never be what do you want. It was always just how much can you get?”
― Leigh Bardugo, Ninth House

“He didn't know how precious a normal life could be, how easy it was to drift away from average. You started sleeping until noon, skipped one class, one day of school, lost one job, then another, forgot the way that normal people did things. You lost the language of ordinary life. And then, without meaning to, you crossed into a country from which you couldn't return. You lived in a state where the ground always seemed to be slipping from beneath your feet, with no way back to someplace solid.”
― Leigh Bardugo, Ninth House

“Alex watched in the mirror as her history spilled over her skin. The scars she had chosen for herself. We are the shepherds. The time for that was done. Better to be a rattler. Better to be a jackal.”
― Leigh Bardugo, Ninth House

“Sometimes you have an idea of a person — about who they are, about what you'd be like together. But sometimes that's all that it is: an idea. And for so long, I have been afraid that I loved the idea of Emily more than I will ever be capable of loving anyone real.”

He looked at me like the act of doing so was painful and sweet. “It was never just the idea of you, Avery.”
― Jennifer Lynn Barnes, The Final Gambit

“I don't do vulnerable," Thea retorted. "It clashes with my bitch aesthetic.”
― Jennifer Lynn Barnes, The Final Gambit

“I love you. I would die to protect you. I would make you hate me to keep you safe because damn it, Avery—some things are too precious to gamble.”
― Jennifer Lynn Barnes, The Final Gambit

“Xander smiled, and something about it made me want to cry. “Do you think it’s okay,” he said, sounding younger than I’d ever heard him, “that I loved playing those Saturday morning games? Loved growing up here? Loved the great and terrible Tobias Hawthorne?”
― Jennifer Lynn Barnes, The Final Gambit

“Someone told me once that fortunes like this one–at a certain point, it's not about the money, because you couldn't spend billions if you tried It's about the power." I looked down. "And I just don't think anyone should have power like that, certainly not me.”
― Jennifer Lynn Barnes, The Final Gambit

“We never really talked much or even looked at each other, but it didn't matter because we were looking at the same sky together, which is maybe even more intimate than eye contact anyway. I mean, anybody can look at you. It's quite rare to find someone who sees the same world you see.”
― John Green, Turtles All the Way Down

“You're both the fire and the water that extinguishes it. You're the narrator, the protagonist, and the sidekick. You're the storyteller and the story told. You are somebody's something, but you are also your you.”
― John Green, Turtles All the Way Down

“The worst part of being truly alone is you think about all the times you wished that everyone would just leave you be. Then they do, and you are left being, and you turn out to be terrible company.”
― John Green, Turtles All the Way Down

“You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person and why.”
― John Green, Turtles All the Way Down

“No, it's not, Holmesy. You pick your endings, and your beginnings. You get to pick the frame, you know? Maybe you don't choose what's in the picture, but you decide the frame.”
― John Green, Turtles All the Way Down

“It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love.”
― John Green, Turtles All the Way Down

“In the best conversations, you don't even remember what you talked about, only how it felt. It felt like we were in some place your body can't visit, some place with no ceiling and no walls and no floor and no instruments”
― John Green, Turtles All the Way Down

“I am being perfectly fucking civil.”
― Maggie Stiefvater, The Dream Thieves

“I wish you could be kissed, Jane,' he said. 'Because I would beg just one off you. Under all this.' He flailed an arm toward the stars.”
― Maggie Stiefvater, The Dream Thieves

“She wore a dress Ronan thought looked like a lampshade. Whatever sort of lamp it belonged on, Gansey clearly wished he had one.
Ronan wasn't a fan of lamps.”
― Maggie Stiefvater, The Dream Thieves

“Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes.

What do you want, Adam?

To feel awake when my eyes are open.”
― Maggie Stiefvater, The Dream Thieves

“Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him.

"Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?"

"No reason. Just no reason." Ronan slammed his door.

Gansey asked Adam, "Sorry. You still have that suit for the party?"

Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!"

Ronan's voice sang out from behind his closed door: "You're already dead!”
― Maggie Stiefvater, The Dream Thieves

“Silence was never a wrong answer.”
― Maggie Stiefvater, The Dream Thieves

“In some parallel universe, there was a Gansey who could tell Blue that he found the ten inches of her bare calves far more tantalizing than the thirteen cubic feet of bare skin Orla sported. But in this universe, that was Adam’s job.
He was in a terrible mood.”
― Maggie Stiefvater, The Dream Thieves