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  • #1
    L.M. Montgomery
    “It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.”
    L. M. Montgomery, Anne of Green Gables

  • #2
    Jane Austen
    “Adieu to disappointment and spleen. What are men to rocks and mountains?”
    Jane Austen, Pride and Prejudice

  • #3
    William Shakespeare
    “O God, that I were a man! I would eat his heart in the marketplace.”
    William Shakespeare, Much Ado About Nothing

  • #4
    Elif Shafak
    “Because in real life, unlike in history books, stories come to us not in their entirety but in bits and pieces, broken segments and partial echoes, a full sentence here, a fragment there, a clue hidden in between. in life, unlike in books, we have to weave our stories out of threads as fine as the gossamer veins that run through a butterfly's wings.”
    Elif Shafak, The Island of Missing Trees

  • #5
    Federico García Lorca
    “Romance Sonambulo"

    Green, how I want you green.
    Green wind. Green branches.
    The ship out on the sea
    and the horse on the mountain.
    With the shade around her waist
    she dreams on her balcony,
    green flesh, her hair green,
    with eyes of cold silver.
    Green, how I want you green.
    Under the gypsy moon,
    all things are watching her
    and she cannot see them.

    Green, how I want you green.
    Big hoarfrost stars
    come with the fish of shadow
    that opens the road of dawn.
    The fig tree rubs its wind
    with the sandpaper of its branches,
    and the forest, cunning cat,
    bristles its brittle fibers.
    But who will come? And from where?
    She is still on her balcony
    green flesh, her hair green,
    dreaming in the bitter sea.

    —My friend, I want to trade
    my horse for her house,
    my saddle for her mirror,
    my knife for her blanket.
    My friend, I come bleeding
    from the gates of Cabra.
    —If it were possible, my boy,
    I’d help you fix that trade.
    But now I am not I,
    nor is my house now my house.
    —My friend, I want to die
    decently in my bed.
    Of iron, if that’s possible,
    with blankets of fine chambray.
    Don’t you see the wound I have
    from my chest up to my throat?
    —Your white shirt has grown
    thirsty dark brown roses.
    Your blood oozes and flees a
    round the corners of your sash.
    But now I am not I,
    nor is my house now my house.
    —Let me climb up, at least,
    up to the high balconies;
    Let me climb up! Let me,
    up to the green balconies.
    Railings of the moon
    through which the water rumbles.

    Now the two friends climb up,
    up to the high balconies.
    Leaving a trail of blood.
    Leaving a trail of teardrops.
    Tin bell vines
    were trembling on the roofs.
    A thousand crystal tambourines
    struck at the dawn light.

    Green, how I want you green,
    green wind, green branches.
    The two friends climbed up.
    The stiff wind left
    in their mouths, a strange taste
    of bile, of mint, and of basil
    My friend, where is she—tell me—
    where is your bitter girl?
    How many times she waited for you!
    How many times would she wait for you,
    cool face, black hair,
    on this green balcony!
    Over the mouth of the cistern
    the gypsy girl was swinging,
    green flesh, her hair green,
    with eyes of cold silver.
    An icicle of moon
    holds her up above the water.
    The night became intimate
    like a little plaza.
    Drunken “Guardias Civiles”
    were pounding on the door.
    Green, how I want you green.
    Green wind. Green branches.
    The ship out on the sea.
    And the horse on the mountain.”
    Federico García Lorca, The Selected Poems



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