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  • #1
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #2
    Madeline Miller
    “This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.”
    Madeline Miller, The Song of Achilles

  • #3
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #4
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.”
    Madeline Miller, The Song of Achilles

  • #5
    Madeline Miller
    “I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
    "Go," she says. "He waits for you."

    In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #6
    “Welcome to the Foxhole Court.”
    Nora Sakavic, The Foxhole Court

  • #7
    “It's about second chances, Neil. Second, third, fourth, whatever, as long as you get at least one more than what anyone else wanted to give you.”
    Nora Sakavic, The Foxhole Court

  • #8
    “Ninety percent of the time the very sight of you makes me want to commit murder. I think about carving the skin from your body and hanging it out as a warning to every other fool who thinks he can stand in my way."
    "What about the other ten?”
    Nora Sakavic, The King's Men

  • #9
    “Neil had been doing one stupid thing after another all year long and this has turned into one of the best years of his life.”
    Nora Sakavic, The King's Men

  • #10
    “Thank you," he finally said. He couldn't say he meant thanks for all of it: the keys, the trust, the honesty and the kisses. Hopefully Andrew would figure it out eventually. "You were amazing.”
    Nora Sakavic, The King's Men

  • #11
    “I didn't think I was a personal problem. You hate me, remember?" "Every inch of you," Andrew said. "That doesn't mean I wouldn't blow you." The world tilted a little bit sideways. Neil dug his shoes harder into the floor so he wouldn't fall over. "You like me." "I hate you," Andrew corrected him, but Neil barely heard him.”
    Nora Sakavic, The King's Men

  • #13
    “Neil looked down at the key in his hand. "Home," he whispered, needing to hear it aloud. It was a foreign concept to him, an impossible dream. It was frightening and wonderful all at once, and it set his heart racing so fast he thought it'd drum out of his chest. "Welcome home, Neil.”
    Nora Sakavic, The Foxhole Court

  • #13
    “Truth is irrefutable and untainted by bias. Sunrise, Abram, death: these are truths.”
    Nora Sakavic, The King's Men

  • #14
    “Don't look back, don't slow down, and don't trust anyone. Be anyone but himself, and never be anyone for too long.”
    Nora Sakavic, The Foxhole Court

  • #15
    “Such an unexpected will to survive from someone who has nothing to live for.”
    Nora Sakavic, The Foxhole Court

  • #16
    F. Scott Fitzgerald
    “And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

    Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——

    So we beat on, boats against the current, borne back ceaselessly into the past.”
    F. Scott Fitzgerald, The Great Gatsby

  • #17
    F. Scott Fitzgerald
    “If personality is an unbroken series of successful gestures, then there was something gorgeous about him”
    F. Scott Fitzgerald, The Great Gatsby

  • #18
    F. Scott Fitzgerald
    “I’ve been drunk for about a week now, and I thought it might sober me up to sit in a library.”
    F. Scott Fitzgerald, The Great Gatsby

  • #19
    F. Scott Fitzgerald
    “If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"--it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No--Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.”
    F. Scott Fitzgerald, The Great Gatsby

  • #20
    F. Scott Fitzgerald
    “It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life.”
    F. Scott Fitzgerald, The Great Gatsby

  • #21
    F. Scott Fitzgerald
    “Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.”
    F. Scott Fitzgerald, The Great Gatsby

  • #22
    F. Scott Fitzgerald
    “For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.”
    F. Scott Fitzgerald, The Great Gatsby

  • #23
    F. Scott Fitzgerald
    “A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy and the tired.”
    F. Scott Fitzgerald, The Great Gatsby

  • #24
    F. Scott Fitzgerald
    “When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. That's my middle-west - not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow.”
    F. Scott Fitzgerald, The Great Gatsby

  • #25
    Stephen Fry
    “Gaia visited her daughter Mnemosyne, who was busy being unpronounceable.”
    Stephen Fry, Mythos: The Greek Myths Retold

  • #26
    Anthony Doerr
    “Open your eyes and see what you can with them before they close forever.”
    Anthony Doerr, All the Light We Cannot See

  • #27
    Anthony Doerr
    “Don’t you want to be alive before you die?”
    Anthony Doerr, All the Light We Cannot See

  • #28
    Anthony Doerr
    “I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.

    It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.”
    Anthony Doerr, All the Light We Cannot See

  • #29
    Anthony Doerr
    “All your life you wait, and then it finally comes, and are you ready?”
    Anthony Doerr, All the Light We Cannot See

  • #30
    Anthony Doerr
    “What do we call visible light? We call it color. But the electromagnetic spectrum runs to zero in one direction and infinity in the other, so really, children, mathematically, all of light is invisible.”
    Anthony Doerr, All the Light We Cannot See



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