max :3 > max :3's Quotes

“Ronan's second secret was Adam Parrish. Adam was different since making the bargain with Cabeswater. Stronger, Stranger, farther away. It was hard not to stare at the odd elegant lines of his face.”
― Maggie Stiefvater, The Dream Thieves

“While I'm gone," Gansey said, pausing, "dream me the world. Something new for every night.”
― Maggie Stiefvater, The Dream Thieves

“Ronan said, "I'm always straight."
Adam replied "Oh, man, that's the biggest lie you've ever told.”
― Maggie Stiefvater, The Raven Boys

“I know when I'm awake and when I'm asleep," Ronan Lynch said.
Adam Parrish, curled over himself in a pair of battered, greasy coveralls, asked, "Do you?"
"Maybe I dreamt you," he said.
"Thanks for the straight teeth, then," Adam replied.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes.

What do you want, Adam?

To feel awake when my eyes are open.”
― Maggie Stiefvater, The Dream Thieves

“I want you to know," Noah said, pressing the carved bone against his Adam's apple, hard, as if it would squeeze the words from him, "I was...more...when I was alive."

Adam chewed his lip, looking for a response. Blue thought she knew what he meant, though. Noah's resemblance to the crookedly smiling photo on the driver's license Gansey had discovered was akin to a photocopy's resemblance to an original painting. She couldn't imagine the Noah she knew driving that tricked-out Mustang.

"You're enough now," Blue said. "I missed you.”
― Maggie Stiefvater, The Raven Boys

“Noah crouched over Gansey's body. He said, for the last time, 'You will live because of Glendower. Someone else on the ley line is dying when they should not, and so you will live when you should not.'
Gansey died.
'Goodbye,' Noah said. 'Don't throw it away.'
He quietly slid from time.”
― Maggie Stiefvater, The Raven King

“He was Adam Parrish, army of one.”
― Maggie Stiefvater, The Dream Thieves

“Adam lived in an apartment located above the office of St. Agnes Catholic Church, a fortuitous combination that focused most of the objects of Ronan's worship into one downtown block.”
― Maggie Stiefvater, The Raven King

“Not like this. At least you have a place to go. 'End of the world' ... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles."
"God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid."
"This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive."
Both of them stopped breathing.
Gansey knew he'd gone too far. It was too far, too late, too much.”
― Maggie Stiefvater, The Raven Boys

“It should be noted that I do not define my manhood through my love of women. There are lots of men who do so: their hunger to dominate feminine things, their power over their wives and daughters, are the building blocks of their maleness. That is not me. Yes, I could love a man if I ever found one who accepts me as I am, and I’ve dreamed of being so lucky—but I love women too. I love women as men are expected to, but the way only one who has ever experienced womanhood can.”
― Andrew Joseph White, The Spirit Bares Its Teeth

“I wish you could be kissed, Jane,' he said. 'Because I would beg just one off you. Under all this.' He flailed an arm toward the stars.”
― Maggie Stiefvater, The Dream Thieves

“Love had changed the situation. Niall didn't yet love the strange, dangerous child, but he loved Declan, and Declan loved Ronan. So Ronan lived.”
― Maggie Stiefvater, Greywaren

“He could not remember the last time he had cried.

It was not just Glendower he was mourning. It was all the versions of Gansey he had been in the last seven years. It was the Gansey who had pursued him with youthful optimism and purpose. And it was the Gansey who had pursued him with increasing worry. And it was this Gansey, who was going to have to die. Because it made a fatal sort of sense. They required a death to save Ronan and Adam. Blue's kiss was supposed to be deadly to her true love. Gansey's death had been foretold for this year. It was him. It was always going to be him.

Glendower was dead. He'd always been dead.

And Gansey kind of wanted to live.”
― Maggie Stiefvater, The Raven King

“Was Adam injured, was he bored with Ronan, did he prefer the company of his urbane new friends, calm down, Ronan, stop being needy, Ronan, get yourself together, Ronan, you're always the car crash, Ronan.”
― Maggie Stiefvater, Mister Impossible

“On a long enough timeline, endings are inevitable.
Tragedy is inevitable.
Fortunately, so is joy.”
― Chuck Tingle, Bury Your Gays

“Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.”
― Maggie Stiefvater, Call Down the Hawk

“Beauty is terror. Whatever we call beautiful, we quiver before it.”
― Donna Tartt, The Secret History

“The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.”
― Donna Tartt, The Secret History

“Forgive me, for all the things I did but mostly for the ones that I did not.”
― Donna Tartt, The Secret History

“Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
― Donna Tartt, The Secret History

“Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
― Donna Tartt, The Secret History

“The opening move was circled in red.”
― Micah Nemerever, These Violent Delights

“He wanted to tear through Julian’s skin and map the shapes of liver and lungs, to memorize the path of every artery with his fingertips. He wanted to break Julian’s body open and move inside it alongside him, rib cages interlaced around a single heart.”
― Micah Nemerever, These Violent Delights

“One flesh, one end, bitch.”
― Tamsyn Muir, Gideon the Ninth

“He left bloody fingerprints on the rock, but there was something satisfying about that.
I was here. I exist. I’m alive, because I bleed.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“Adam.
Ronan missed him like a lung.”
― Maggie Stiefvater, Call Down the Hawk

“Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
― Donna Tartt, The Secret History

“I guess now would be a good time to tell you," He said. "I took Chainsaw out of my dreams.”
― Maggie Stiefvater, The Raven Boys

“You are made of dreams and this world is not for you.”
― Maggie Stiefvater, Call Down the Hawk