Dena Smee > Dena's Quotes

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  • #1
    Jodi Picoult
    “You don't love someone because they're perfect, you love them in spite of the fact that they're not.”
    Jodi Picoult, My Sister's Keeper

  • #2
    Jodi Picoult
    “Not knowing, he said, is a thousand times more horrible than facing your fear.”
    Jodi Picoult, Lone Wolf

  • #3
    Jodi Picoult
    “Doubt is like dye. Once it spreads into the fabric of excuses you’ve woven, you’ll never get rid of the stain.”
    Jodi Picoult, Lone Wolf

  • #4
    Jodi Picoult
    “But forgiving isn’t something you do for someone else. It’s something you do for yourself. It’s saying, You’re not important enough to have a stranglehold on me. It’s saying, You don’t get to trap me in the past. I am worthy of a future.”
    Jodi Picoult, The Storyteller

  • #5
    Jodi Picoult
    “I've thought about all the things I could have done differently, and if it would have led to another outcome. But thinking doesn't change anything, does it?”
    Jodi Picoult, The Storyteller

  • #6
    Janet Fitch
    “
Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.”
    Janet Fitch, White Oleander

  • #7
    Janet Fitch
    “Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.”
    Janet Fitch

  • #8
    Janet Fitch
    “In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show.”
    Janet Fitch

  • #9
    Janet Fitch
    “She would be half a planet away, floating in a turquoise sea, dancing by moonlight to flamenco guitar.”
    Janet Fitch, White Oleander

  • #10
    Warsan Shire
    “1. I’m lonely so I do lonely things
    2. Loving you was like going to war; I never came back the same.
    3. You hate women, just like your father and his father, so it runs in your blood.
    4. I was wandering the derelict car park of your heart looking for a ride home.
    5. You’re a ghost town I’m too patriotic to leave.
    6. I stay because you’re the beginning of the dream I want to remember.
    7. I didn’t call him back because he likes his girls voiceless.
    8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
    9. I couldn’t love you, you were a small war.
    10. We covered the smell of loss with jokes.
    11. I didn’t want to fail at love like our parents.
    12. You made the nomad in me build a house and stay.
    13. I’m not a dog.
    14. We were trying to prove our blood wrong.
    15. I was still lonely so I did even lonelier things.
    16. Yes, I’m insecure, but so was my mother and her mother.
    17. No, he loves me he just makes me cry a lot.
    18. He knows all of my secrets and still wants to kiss me.
    19. You were too cruel to love for a long time.
    20. It just didn’t work out.
    21. My dad walked out one afternoon and never came back.
    22. I can’t sleep because I can still taste him in my mouth.
    23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
    24. The women in my family die waiting.
    25. Because I didn’t want to die waiting for you.
    26. I had to leave, I felt lonely when he held me.
    27. You’re the song I rewind until I know all the words and I feel sick.
    28. He sent me a text that said “I love you so bad.”
    29. His heart wasn’t as beautiful as his smile
    30. We emotionally manipulated one another until we thought it was love.
    31. Forgive me, I was lonely so I chose you.
    32. I’m a lover without a lover.
    33. I’m lovely and lonely.
    34. I belong deeply to myself .”
    Warsan Shire

  • #11
    Warsan Shire
    “how far have you walked for men who’ve never held your feet in their laps?
    how often have you bartered with bone, only to sell yourself short?
    why do you find the unavailable so alluring?
    where did it begin? what went wrong? and who made you feel so worthless?
    if they wanted you, wouldn’t they have chosen you?
    all this time, you were begging for love silently, thinking they couldn’t hear you, but they smelt it on you, you must have known that they could taste the desperate on your skin?
    and what about the others that would do anything for you, why did you make them love you until you could not stand it?
    how are you both of these women, both flighty and needful?
    where did you learn this, to want what does not want you?
    where did you learn this, to leave those that want to stay?”
    Warsan Shire

  • #12
    Emily Brontë
    “I have not broken your heart - you have broken it; and in breaking it, you have broken mine.”
    Emily Brontë, Wuthering Heights

  • #13
    Mary Oliver
    “Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.”
    Mary Oliver

  • #14
    John Green
    “That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him that the world had run out of glasses and he would just have to do without.”
    John Green, Looking for Alaska

  • #15
    Marianne Williamson
    “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, 'Who am I to be brilliant, gorgeous, talented, fabulous?' Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.”
    Marianne Williamson, A Return to Love: Reflections on the Principles of "A Course in Miracles"

  • #16
    C. JoyBell C.
    “There is some kind of a sweet innocence in being human- in not having to be just happy or just sad- in the nature of being able to be both broken and whole, at the same time.”
    C. JoyBell C.

  • #17
    Gillian Flynn
    “For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

    It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.

    And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.

    It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.

    I would have done anything to feel real again.”
    Gillian Flynn, Gone Girl

  • #18
    J.K. Rowling
    “I DON'T CARE!" Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. "I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANYMORE!"
    "You do care," said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. "You care so much you feel as though you will bleed to death with the pain of it.”
    J.K. Rowling, Harry Potter and the Order of the Phoenix

  • #19
    Nicholas Sparks
    “The reason it hurts so much to separate is because our souls are connected.”
    Nicholas Sparks

  • #20
    Lisa Schroeder
    “Was it hard?" I ask.
    Letting go?"

    Not as hard as holding on to something that wasn't real.”
    Lisa Schroeder

  • #21
    E.E. Cummings
    “I carry your heart with me (I carry it in my heart)I am never without it (anywhere
    I go you go,my dear; and whatever is done by only me is your doing,my darling)
    I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true)
    and it's you are whatever a moon has always meant and whatever a sun will always sing is you

    here is the deepest secret nobody knows
    (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
    higher than the soul can hope or mind can hide)
    and this is the wonder that's keeping the stars apart

    I carry your heart (I carry it in my heart)”
    E.E. Cummings

  • #22
    Henry Rollins
    “It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it's so hard to keep it inside when you let it out and it doesn't coma back. You're left so alone that you can't explain. Damn, there's nothing like that, is there? I've been there and you have too. You're nodding your head.”
    Henry Rollins, The Portable Henry Rollins

  • #23
    Andrew  Boyd
    “We’re all seeking that special person who is right for us. But if you’ve been through enough relationships, you begin to suspect there’s no right person, just different flavors of wrong. Why is this? Because you yourself are wrong in some way, and you seek out partners who are wrong in some complementary way. But it takes a lot of living to grow fully into your own wrongness. And it isn’t until you finally run up against your deepest demons, your unsolvable problems—the ones that make you truly who you are—that we’re ready to find a lifelong mate. Only then do you finally know what you’re looking for. You’re looking for the wrong person. But not just any wrong person: it's got to be the right wrong person—someone you lovingly gaze upon and think, “This is the problem I want to have.”

    I will find that special person who is wrong for me in just the right way.”
    Andrew Boyd, Daily Afflictions: The Agony of Being Connected to Everything in the Universe

  • #24
    Robert Frost
    “A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
    Robert Frost

  • #25
    William Shakespeare
    “Let me not to the marriage of true minds
    Admit impediments. Love is not love
    Which alters when it alteration finds,
    Or bends with the remover to remove.
    O no, it is an ever-fixed mark
    That looks on tempests and is never shaken;
    It is the star to every wand'ring barque,
    Whose worth's unknown, although his height be taken.
    Love's not Time's fool, though rosy lips and cheeks
    Within his bending sickle's compass come;
    Love alters not with his brief hours and weeks,
    But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.”
    William Shakespeare, Great Sonnets

  • #26
    Pablo Neruda
    “Love.

    Because of you, in gardens of blossoming
    Flowers I ache from the perfumes of spring.
    I have forgotten your face, I no longer
    Remember your hands; how did your lips
    Feel on mine?

    Because of you, I love the white statues
    Drowsing in the parks, the white statues that
    Have neither voice nor sight.

    I have forgotten your voice, your happy voice;
    I have forgotten your eyes.

    Like a flower to its perfume, I am bound to
    My vague memory of you. I live with pain
    That is like a wound; if you touch me, you will
    Make to me an irreperable harm.

    Your caresses enfold me, like climbing
    Vines on melancholy walls.

    I have forgotten your love, yet I seem to
    Glimpse you in every window.

    Because of you, the heady perfumes of
    Summer pain me; because of you, I again
    Seek out the signs that precipitate desires:
    Shooting stars, falling objects.”
    Pablo Neruda

  • #27
    Saul Williams
    “Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world's greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding”
    Saul Williams, , said the shotgun to the head.

  • #28
    W.S. Merwin
    “Separation

    Your absence has gone through me
    Like thread through a needle.
    Everything I do is stitched with its color.”
    W.S. Merwin

  • #29
    George Orwell
    “Perhaps one did not want to be loved so much as to be understood.”
    George Orwell, 1984

  • #30
    Andrea Gibson
    “For Jenn

    At 12 years old I started bleeding with the moon
    and beating up boys who dreamed of becoming astronauts.
    I fought with my knuckles white as stars,
    and left bruises the shape of Salem.
    There are things we know by heart,
    and things we don't.

    At 13 my friend Jen tried to teach me how to blow rings of smoke.
    I'd watch the nicotine rising from her lips like halos,
    but I could never make dying beautiful.
    The sky didn't fill with colors the night I convinced myself
    veins are kite strings you can only cut free.
    I suppose I love this life,

    in spite of my clenched fist.

    I open my palm and my lifelines look like branches from an Aspen tree,
    and there are songbirds perched on the tips of my fingers,
    and I wonder if Beethoven held his breath
    the first time his fingers touched the keys
    the same way a soldier holds his breath
    the first time his finger clicks the trigger.
    We all have different reasons for forgetting to breathe.

    But my lungs remember
    the day my mother took my hand and placed it on her belly
    and told me the symphony beneath was my baby sister's heartbeat.
    And I knew life would tremble
    like the first tear on a prison guard's hardened cheek,
    like a prayer on a dying man's lips,
    like a vet holding a full bottle of whisky like an empty gun in a war zone…
    just take me just take me

    Sometimes the scales themselves weigh far too much,
    the heaviness of forever balancing blue sky with red blood.
    We were all born on days when too many people died in terrible ways,
    but you still have to call it a birthday.
    You still have to fall for the prettiest girl on the playground at recess
    and hope she knows you can hit a baseball
    further than any boy in the whole third grade

    and I've been running for home
    through the windpipe of a man who sings
    while his hands playing washboard with a spoon
    on a street corner in New Orleans
    where every boarded up window is still painted with the words
    We're Coming Back
    like a promise to the ocean
    that we will always keep moving towards the music,
    the way Basquait slept in a cardboard box to be closer to the rain.

    Beauty, catch me on your tongue.
    Thunder, clap us open.
    The pupils in our eyes were not born to hide beneath their desks.
    Tonight lay us down to rest in the Arizona desert,
    then wake us washing the feet of pregnant women
    who climbed across the border with their bellies aimed towards the sun.
    I know a thousand things louder than a soldier's gun.
    I know the heartbeat of his mother.

    Don't cover your ears, Love.
    Don't cover your ears, Life.
    There is a boy writing poems in Central Park
    and as he writes he moves
    and his bones become the bars of Mandela's jail cell stretching apart,
    and there are men playing chess in the December cold
    who can't tell if the breath rising from the board
    is their opponents or their own,
    and there's a woman on the stairwell of the subway
    swearing she can hear Niagara Falls from her rooftop in Brooklyn,
    and I'm remembering how Niagara Falls is a city overrun
    with strip malls and traffic and vendors
    and one incredibly brave river that makes it all worth it.

    Ya'll, I know this world is far from perfect.
    I am not the type to mistake a streetlight for the moon.
    I know our wounds are deep as the Atlantic.
    But every ocean has a shoreline
    and every shoreline has a tide
    that is constantly returning
    to wake the songbirds in our hands,
    to wake the music in our bones,
    to place one fearless kiss on the mouth of that brave river
    that has to run through the center of our hearts
    to find its way home.”
    Andrea Gibson



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