Ana > Ana's Quotes

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  • #1
    Rainer Maria Rilke
    “Let everything happen to you
    Beauty and terror
    Just keep going
    No feeling is final”
    Rainer Maria Rilke

  • #2
    Vladimir Nabokov
    “And the rest is rust and stardust.”
    Vladimir Nabokov, Lolita

  • #3
    Vladimir Nabokov
    “Let all of life be an unfettered howl. Like the crowd greeting the gladiator. Don't stop to think, don't interrupt the scream, exhale, release life's rapture.”
    Vladimir Nabokov

  • #4
    Vladimir Nabokov
    “Human life is but a series of footnotes to a vast obscure unfinished masterpiece”
    Vladimir Nabokov, Lolita

  • #5
    Vladimir Nabokov
    “I need you, the reader, to imagine us, for we don't really exist if you don't.”
    Nabokov Vladimi, Lolita

  • #6
    Vladimir Nabokov
    “Do not be angry with the rain; it simply does not know how to fall upwards.”
    Vladimir Nabokov

  • #7
    Vladimir Nabokov
    “Perhaps, somewhere, some day, at a less miserable time, we may see each other again.”
    Vladimir Nabokov, Lolita

  • #8
    Vladimir Nabokov
    “I loved you. I was a pentapod monster, but I loved you. I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais! And there were times when I knew how you felt, and it was hell to know it, my little one. Lolita girl, brave Dolly Schiller.”
    Vladimir Nabokov, Lolita

  • #9
    Vladimir Nabokov
    “Was she really beautiful? Was she at least what they call attractive? She was exasperation, she was torture.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #10
    Vladimir Nabokov
    “The fire you rubbed left its brand on the most vulnerable, most vicious and tender point of my body. Now I have to pay for your rasping the red rash too strongly, too soon, as charred wood has to pay for burning. When I remain without your caresses, I lose all control of my nerves, nothing exists any more than the ecstasy of friction, the abiding effect of your sting, of your delicious poison.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #11
    Vladimir Nabokov
    “Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #12
    Vladimir Nabokov
    “I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #13
    Vladimir Nabokov
    “Remembrance, like Rembrandt, is dark but festive.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #14
    Vladimir Nabokov
    “While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
    Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
    Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
    Got it.
    The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
    She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath.
    A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.”
    Vladimir Nabokov, Ada, or Ardor: A Family Chronicle

  • #15
    Franz Kafka
    “A book must be the axe for the frozen sea within us.”
    Franz Kafka

  • #16
    Franz Kafka
    “Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”
    Franz Kafka

  • #17
    Franz Kafka
    “I am a cage, in search of a bird.”
    Franz Kafka

  • #18
    Franz Kafka
    “Many a book is like a key to unknown chambers within the castle of one’s own self.”
    Franz Kafka

  • #19
    Pablo Neruda
    “I want
    To do with you what spring does with the cherry trees.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #20
    Pablo Neruda
    “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
    Pablo Neruda, 100 Love Sonnets

  • #21
    Richard Siken
    “A man takes his sadness down to the river and throws it in the river
                        but then he’s still left
    with the river. A man takes his sadness and throws it away
                                                                            but then he’s still left with his hands.”
    Richard Siken, Crush

  • #22
    Joanne Harris
    “Happiness. Simple as a glass of chocolate or tortuous as the heart. Bitter. Sweet. Alive.”
    Joanne Harris, Chocolat

  • #23
    Sarah Ockler
    “Would 'sorry' have made any difference? Does it ever? It's just a word. One word against a thousand actions.”
    Sarah Ockler, Bittersweet



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