Gerda > Gerda's Quotes

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  • #1
    Rainer Maria Rilke
    “Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #2
    Rainer Maria Rilke
    “Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away... and this shows that the space around you is beginning to grow vast.... be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust.... and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #3
    Rainer Maria Rilke
    “Why do you want to shut out of your life any uneasiness, any misery, any depression, since after all you don't know what work these conditions are doing inside you? Why do you want to persecute yourself with the question of where all this is coming from and where it is going? Since you know, after all, that you are in the midst of transitions and you wished for nothing so much as to change. If there is anything unhealthy in your reactions, just bear in mind that sickness is the means by which an organism frees itself from what is alien; so one must simply help it to be sick, to have its whole sickness and to break out with it, since that is the way it gets better.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #4
    Rainer Maria Rilke
    “Have patience with everything that remains unsolved in your heart.
    ...live in the question.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #5
    Rainer Maria Rilke
    “Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #6
    Rainer Maria Rilke
    “I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #7
    Rainer Maria Rilke
    “But your solitude will be a support and a home for you, even in the midst of very unfamiliar circumstances, and from it you will find all your paths.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #8
    Sayaka Murata
    “The normal world has no room for exceptions and always quietly eliminates foreign objects. Anyone who is lacking is disposed of.

    So that’s why I need to be cured. Unless I’m cured, normal people will expurgate me. Finally I understood why my family had tried so hard to fix me.”
    Sayaka Murata, Convenience Store Woman

  • #9
    Sayaka Murata
    “This society hasn't changed one bit. People who don't fit into the village are expelled: men who don't hunt, women who don't give birth to children. For all we talk about modern society and individualism, anyone who doesn't try to fit in can expect to be meddled with, coerced, and ultimately banished from the village.”
    Sayaka Murata, コンビニ人間 [Konbini ningen]

  • #10
    Sayaka Murata
    “She's far happier thinking her sister is normal, even if she has a lot of problems, than she is having an abnormal sister for whom everything is fine.”
    Sayaka Murata, コンビニ人間 [Konbini ningen]

  • #11
    Sayaka Murata
    “When something was strange, everyone thought they had the right to come stomping in all over your life to figure out why. I found that arrogant and infuriating, not to mention a pain in the neck. Sometimes I even wanted to hit them with a shovel to shut them up, like I did that time in elementary school. But I recalled how upset my sister had been when I’d casually mentioned this to her before and kept my mouth shut.”
    Sayaka Murata, Convenience Store Woman

  • #12
    Sayaka Murata
    “After all, I absorb the world around me, and that’s changing all the time. Just as all the water that was in my body last time we met has now been replaced with new water, the things that make up me have changed too.”
    Sayaka Murata, Convenience Store Woman

  • #13
    Sayaka Murata
    “When something was strange, everyone thought they had the right to come stomping in all over your life to figure out why.”
    Sayaka Murata, Convenience Store Woman

  • #14
    Yōko Ogawa
    “For a torture to be effective, the pain has to be spread out; it has to come at regular intervals, with no end in sight. The water falls , drop after drop after drop, like the second hand of a watch, carving up time. The shock of each individual drop is insignificant, but the sensation is impossible to ignore. At first, one might manage to think about other things, but after five hours, after ten hours, it becomes unendurable. The repeated stimulation excites the nerves to a point where they literally explode, and every sensation in the body is absorbed into that one spot on the forehead---indeed, you come to feel that you are nothing but a forehead, into which a fine needle is being forced millimeter by millimeter. You can’t sleep or even speak, hypnotized by a suffering that is greater than any mere pain. In general, the victim goes mad before a day has passed.”
    Yoko Ogawa, Revenge

  • #15
    Yōko Ogawa
    “The desires of the human heart know no reason or rules.”
    Yōko Ogawa, Revenge

  • #16
    “I realize now, the older you get, the harder it is to be impressed because people make you feel ashamed of ever being impressed by anything at all. I kept many glowing remarks to myself because of this.”
    Marlowe Granados, Happy Hour

  • #17
    “I was under the impression that I loved him, simply because I never knew what he was thinking.”
    Marlowe Granados, Happy Hour

  • #18
    “The less time spent in public, the safer girls feel. That’s not incidental; the world was built that way.”
    Marlowe Granados, Happy Hour

  • #19
    “If I were to describe a typical New York conversation it would be two people waiting for their turn to talk.”
    Marlowe Granados, Happy Hour

  • #20
    “He said, 'What do you want?' All I could think of was peeling the skin of a Valencia orange in bed on a bright morning with someone pulling me into the covers because they want to spend two or three minutes nestling before starting their day. So I said, 'Not much.”
    Marlowe Granados, Happy Hour

  • #21
    “I am slowly learning to never accept less than I deserve. Deciding how much I deserve is another matter. I wish someone would say to me, "I will never look up or down at you.”
    Marlowe Granados, Happy Hour

  • #22
    Yōko Ogawa
    “Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #23
    Yōko Ogawa
    “He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world”
    Yoko Ogawa, The Housekeeper and the Professor
    tags: love

  • #24
    Yōko Ogawa
    “A problem isn't finished just because you've found the right answer.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #25
    Yōko Ogawa
    “The Professor never really seemed to care whether we figured out the right answer to a problem. He preferred our wild, desperate guesses to silence, and he was even more delighted when those guesses led to new problems that took us beyond the original one. He had a special feeling for what he called the "correct miscalculation," for he believed that mistakes were often as revealing as the right answers.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #26
    Yōko Ogawa
    “He preferred smart questions to smart answers.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #27
    Yōko Ogawa
    “Among the many things that made the Professor an excellent teacher was the fact that he wasn't afraid to say 'we don't know.' For the Professor, there was no shame in admitting you didn't have the answer, it was a necessary step toward the truth. It was as important to teach us about the unknown or the unknowable as it was to teach us what had already been safely proven.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #28
    Yōko Ogawa
    “The truly correct proof is one that strikes a harmonious balance between strength and flexibility. There are plenty of proofs that are technically correct but are messy and inelegant or counterintuitive. But it's not something you can put into words — explaining why a formula is beautiful is like trying to explain why the stars are beautiful.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #29
    Yōko Ogawa
    “Soon after I began working for the Professor, I realized that he talked about numbers whenever he was unsure of what to say or do. Numbers were also his way of reaching out to the world. They were safe, a source of comfort.”
    Yoko Ogawa, The Housekeeper and the Professor

  • #30
    Yōko Ogawa
    “Are all things quantifiable, and all numbers fraught with poetic possibility?”
    Yōko Ogawa, The Housekeeper and the Professor



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