Stephanie Gavan > Stephanie's Quotes

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  • #1
    Gilles Deleuze
    “If you're trapped in the dream of the Other, you're fucked.”
    Gilles Deleuze

  • #2
    Chris Kraus
    “Why does everybody think that women are debasing themselves when we expose the conditions of our own debasement? Why do women always have to come clean? The magnificence of Genet’s last great work, The Prisoner of Love, lies in his willingness to be wrong: a seedy old white guy jerking off on the rippling muscles of the Arabs and Black Panthers. Isn’t the greatest freedom in the world the freedom to be wrong?”
    Chris Kraus, I Love Dick

  • #3
    Chris Kraus
    “Because the world itself is now unfathomable, the only complexities that really count are small moments of domestic life that combine to trigger deep emotion. There is no longer any way of being poor in any interesting way in major cities like Manhattan”
    Chris Kraus, Torpor

  • #4
    David Foster Wallace
    “Everything I’ve ever let go of has claw marks on it.”
    David Foster Wallace

  • #5
    Ariana Reines
    “I want to say something about bad writing. I'm proud of my bad writing. Everyone is so intelligent lately, and stylish. Fucking great. I am proud of Philip Guston's bad painting, I am proud of Baudelaire's mamma's boy goo goo misery. Sometimes the lurid or shitty means having a heart, which's something you have to try to have. Excellence nowadays is too general and available to be worth prizing: I am interested in people who have to find strange and horrible ways to just get from point a to point b.”
    Ariana Reines

  • #6
    Ulrike Marie Meinhof
    “Protest is when I say I don't like this. Resistance is when I put an end to what I don't like. Protest is when I say I refuse to go along with this anymore. Resistance is when I make sure everybody else stops going along too.”
    Ulrike Meinhof

  • #7
    E.E. Cummings
    “Trust your heart if the seas catch fire, live by love though the stars walk backward.”
    E.E. Cummings

  • #8
    Anaïs Nin
    “Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
    Anais Nin

  • #9
    Arthur Rimbaud
    “A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men the great invalid, the great criminal, the great accursed--and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and if, demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!”
    Arthur Rimbaud

  • #10
    Arthur Rimbaud
    “True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.”
    Arthur Rimbaud, Illuminations

  • #11
    Arthur Rimbaud
    “I is another.”
    Arthur Rimbaud

  • #12
    Elena Ferrante
    “The circle of an empty day is brutal and at night it tightens around your neck like a noose.”
    Elena Ferrante, The Days of Abandonment

  • #13
    Patti Smith
    “Nothing can be truly replicated. Not a love, not a jewel, not a single line.”
    Patti Smith, M Train

  • #14
    Patti Smith
    “If I got lost along the way I had a compass that I had found embedded in a pile of wet leaves I was kicking my way through. The compass was old and rusted but it still worked, connecting the earth and stars. It told me where I was standing and which way was west but not where I was going and nothing of my worth.”
    Patti Smith, M Train: A Memoir

  • #15
    Mary Gaitskill
    “At times she had thought that this was the only kind of connection you could have with people—intense, inexplicable and ultimately incomplete.”
    Mary Gaitskill, Bad Behavior

  • #16
    “In the case of an artistic practice that performs female narcissism..., the threat lies in its making superfluous the arbiters of artistic value. Already presuming her desirability, [she] obviates the modern critical system; loving herself, she needs no confirmation of her artistic 'value”
    Amelia Jones, Body Art/Performing the Subject

  • #17
    Charles Bukowski
    “Love breaks my
    bones and I
    laugh”
    Charles Bukowski

  • #18
    Italo Calvino
    “Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
    Italo Calvino, Invisible Cities

  • #19
    Italo Calvino
    “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.”
    Italo Calvino, Invisible Cities

  • #20
    Italo Calvino
    “Memory's images, once they are fixed in words, are erased," Polo said. "Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.”
    Italo Calvino, Invisible Cities

  • #21
    Italo Calvino
    “Falsehood is never in words; it is in things.”
    Italo Calvino, Invisible Cities

  • #22
    Italo Calvino
    “There is still one of which you never speak.'

    Marco Polo bowed his head.

    'Venice,' the Khan said.

    Marco smiled. 'What else do you believe I have been talking to you about?'

    The emperor did not turn a hair. 'And yet I have never heard you mention that name.'

    And Polo said: 'Every time I describe a city I am saying something about Venice.”
    Italo Calvino, Invisible Cities

  • #23
    Chris Kraus
    “We grasp at symbols, talismans, triggers of association to what's forever gone.”
    Chris Kraus, I Love Dick

  • #24
    Chris Kraus
    “Female monsters take things as personally as they really are. They study facts. Even if rejection makes them feel like the girl who's not invited to the party, they have to understand the reasons why.
    ... Every question, once it's formulated, is a paradigm, contains its own internal truth. We have to stop diverting ourselves with false questions. And I told Warren: I aim to be a female monster too.”
    Chris Kraus, I Love Dick

  • #25
    Chris Kraus
    “It's better than sex. Reading delivers on the promise that sex raises but hardly ever can fulfill -- getting larger cause you're entering another person's language, cadence, heart and mind.”
    Chris Kraus, I Love Dick

  • #26
    Chris Kraus
    “...remaining adolescent means rejecting all compensatory lies about one's life...”
    Chris Kraus, Aliens & Anorexia

  • #27
    Hélène Cixous
    “If the truth about loving or hateful choices were revealed it would break open the earth's crust. Which is why we live in legalized and general delusion. Fiction takes the place of reality. This is why simply naming one of these turns of the unconscious that are part of our strange human adventure engenders such upsets (which are at once intimate, individual, and political); why consciously or unconsciously we constantly try to save ourselves from this naming.”
    Hélène Cixous, Three Steps on the Ladder of Writing

  • #28
    Ottessa Moshfegh
    “It was proof that I had not always been completely alone in this world. But I think I was also holding on to the loss, to the emptiness of the house itself, as though to affirm that it was better to be alone than to be stuck with people who were supposed to love you, yet couldn’t.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #29
    Ottessa Moshfegh
    “We don’t forget things, OK? We just choose to ignore them. Can you accept responsibility for your memory lapse and move on?”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #30
    Ottessa Moshfegh
    “I had no big plan to become a curator, no great scheme to work my way up a ladder. I was just trying to pass the time. I thought if I did normal things - held down a job, for example - I could starve off the part of me that hated everything.”
    Ottessa Moshfegh, My Year of Rest and Relaxation



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