Megan Smith > Megan's Quotes

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  • #1
    Robert Frost
    “They cannot scare me with their empty spaces
    Between stars—on stars where no human race is.
    I have it in me so much nearer home
    To scare myself with my own desert places.”
    Robert Frost, The Poetry of Robert Frost

  • #2
    E.E. Cummings
    “may came home with a smooth round stone
    as small as a world and as large as alone.”
    E.E. Cummings

  • #3
    Anna Carey
    “I learned the strange art of loneliness, the weathered yearning that swells and passes, and swells and passes, when you walk a trail alone.”
    Anna Carey, Eve

  • #4
    Paracelsus
    “Be not another, if you can be yourself. ”
    Paracelsus

  • #5
    Joseph Campbell
    “Your sacred space is where you can find yourself over and over again.”
    Joseph Campbell

  • #6
    Joseph Campbell
    The Hero Path

    We have not even to risk the adventure alone
    for the heroes of all time have gone before us.
    The labyrinth is thoroughly known ...
    we have only to follow the thread of the hero path.
    And where we had thought to find an abomination
    we shall find a God.

    And where we had thought to slay another
    we shall slay ourselves.
    Where we had thought to travel outwards
    we shall come to the center of our own existence.
    And where we had thought to be alone
    we shall be with all the world.”
    Joseph Campbell

  • #7
    Joseph Campbell
    “Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.”
    Joseph Campbell

  • #8
    Joseph Campbell
    “Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.”
    Joseph Campbell, The Power of Myth

  • #9
    Joseph Campbell
    “You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.”
    Joseph Campbell, The Power of Myth

  • #10
    Joseph Campbell
    “We have only to follow the thread of the hero path.
    And where we had thought to find an abomonation,
    we shall find a God.
    And where we had thought to slay another,
    we shall slay ourselves.
    And where we had thought to travel outward,
    we shall come to the center of our own existence.
    And where we had thought to be alone,
    we shall be with all the world.”
    Joseph Campbell

  • #11
    Joseph Campbell
    “Perhaps some of us have to go through dark and devious ways before we can find the river of peace or the highroad to the soul's destination.”
    Joseph Campbell, The Hero With a Thousand Faces

  • #12
    Tove Jansson
    “Here in the shadow of the firs lay everything the old house had spat out in the course of its life, everything worn out and unnecessary, everything not to be seen. In the darkening winter evening, this landscape was utterly abandoned, a territory that had no meaning for anyone but him. He found it beautiful.”
    Tove Jansson, The Listener

  • #13
    “The landscape of the mind, against which our thoughts and expectations move, when the wind of the imagination is active, changes as quickly as the clouds; and indeed it consists often of several landscapes, semi-transparent and showing through one another.”
    William Hurrell Mallock, In an Enchanted Island Or A Winter's Retreat In Cyprus

  • #14
    “I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there. I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.”
    Andrew Wyeth

  • #15
    Jeffrey McDaniel
    “I realise there's something incredibly honest about trees in winter, how they're experts at letting things go.”
    Jeffrey McDaniel

  • #16
    Gustave Flaubert
    “Are the days of winter sunshine just as sad for you, too? When it is misty, in the evenings, and I am out walking by myself, it seems to me that the rain is falling through my heart and causing it to crumble into ruins.”
    Gustave Flaubert, November

  • #17
    T.S. Eliot
    “I read, much of the night, and go south in the winter.”
    T.S. Eliot

  • #18
    David Mitchell
    “How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn't, the wolves and blizzards would be at one's throat all the sooner.”
    David Mitchell, Cloud Atlas

  • #19
    Emily Dickinson
    “There's a certain slant of light,
    On winter afternoons,
    That oppresses, like the weight
    Of cathedral tunes.”
    Emily Dickinson

  • #20
    Tove Jansson
    “The quiet transition from autumn to winter is not a bad time at all. It's a time for protecting and securing things and for making sure you've got in as many supplies as you can. It's nice to gather together everything you possess as close to you as possible, to store up your warmth and your thoughts and burrow yourself into a deep hole inside, a core of safety where you can defend what is important and precious and your very own. Then the cold and the storms and the darkness can do their worst. They can grope their way up the walls looking for a way in, but they won't find one, everything is shut, and you sit inside, laughing in your warmth and your solitude, for you have had foresight.”
    Tove Jansson, Moominvalley in November

  • #21
    Tove Jansson
    “There are such a lot of things that have no place in summer and autumn and spring. Everything that’s a little shy and a little rum. Some kinds of night animals and people that don’t fit in with others and that nobody really believes in. They keep out of the way all the year. And then when everything’s quiet and white and the nights are long and most people are asleep—then they appear.”
    Tove Jansson, Moominland Midwinter

  • #22
    Tasha Tudor
    “You should see my corgis at sunset in the snow. It's their finest hour. About five o'clock they glow like copper. Then they come in and lie in front of the fire like a string of sausages.”
    Tasha Tudor, The Private World of Tasha Tudor

  • #23
    Jack Kerouac
    “Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.”
    Jack Kerouac, On the Road

  • #24
    James Ensor
    “Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring.”
    James Ensor, James Ensor
    tags: color

  • #25
    Ben Okri
    “One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us.”
    Ben Okri, The Famished Road

  • #26
    Ben Okri
    “Bad things will happen and good things too. Your life will be full of surprises. Miracles happen only where there has been suffering. So taste your grief to the fullest. Don’t try and press it down. Don’t hide from it. Don’t escape. It is life too. It is truth. But it will pass and time will put a strange honey in the bitterness. That’s the way life goes.”
    Ben Okri, Dangerous Love

  • #27
    Ben Okri
    “What hope is there for individual reality or authenticity when the forces of violence and orthodoxy, the earthly powers of guns and bombs and manipulated public opinion make it impossible for us to be authentic and fulfilled human beings?

    The only hope is in the creation of alternative values, alternative realities. The only hope is in daring to redream one's place in the world - a beautiful act of imagination, and a sustained act of self becoming. Which is to say that in some way or another we breach and confound the accepted frontiers of things.”
    Ben Okri, A Way of Being Free

  • #28
    Ben Okri
    “He felt as if he hadn't slept because he spent all night wandering through the world looking for a maiden who bore his heart in her womb. His heart grew in her like a child. He was pregnant with his heart for a long time, for a year, for ten years, for a generation, for a hundred and two years. His heart grew bigger and bigger in her, and she grew bigger and bigger to accomodate the growth of his heart in her womb. He never knew when she would give birth to his heart and he lost her and searched the world over and never found her. His father, the king, told him that the world in which he searched for he was his heart, and that she was the mother of all the world, and that his search was over when it began, but he didn't know it.”
    Ben Okri, Starbook

  • #29
    Ben Okri
    “We ought to step out of our old, hard casing. We think that we are one kind of people, when in fact we are always creating ourselves. We are not fixed. We are constantly becoming, constantly coming into being.”
    Ben Okri, A Time for New Dreams

  • #30
    Ben Okri
    “The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight.

    "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land.

    "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero."

    "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change."

    "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly."

    "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination."

    "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.”
    Ben Okri, A Way of Being Free



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