Emily Mitchell > Emily's Quotes

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  • #1
    Philippe Besson
    “I just wanted to write to tell you that I have been happy during these months together, that I have never been so happy, and that I already know I will never be so happy again.”
    Philippe Besson, Lie With Me

  • #2
    Each morning comes along and you assume it will be similar enough to the previous
    “Each morning comes along and you assume it will be similar enough to the previous one—that you will be safe, that your family will be alive, that you will be together, that life will remain mostly as it was. Then a moment arrives and everything changes.”
    Anthony Doerr, Cloud Cuckoo Land

  • #3
    Coco Mellors
    “What would I say?” I ask. “If I wanted to, you know, pray?” Two of my mother’s synagogue friends eye me jealously from across the room. I would die if anyone overheard this conversation. “Well, there are books. But you can also just say what’s in your heart. Say what feels right to you.” “But … where would I even start?” “Oh, you can start very simple,” he says. “Two of my favorite prayers are ‘Help me’ and ‘Thank you.’” “Those are prayers?” “Those are excellent prayers.”
    Coco Mellors, Cleopatra and Frankenstein

  • #4
    Douglas   Stuart
    “Mungo’s capacity for love frustrated her. His loving wasn’t selflessness; he simply couldn’t help it. Mo-Maw needed so little and he produced too much, so that it all seemed a horrible waste. It was a harvest no one had seeded, and it blossomed from a vine no one had tended. It should have withered years ago, like hers had, like Hamish’s had. Yet Mungo had all this love to give and it lay about him like ripened fruit and nobody bothered to gather it up.”
    Douglas Stuart, Young Mungo

  • #5
    Douglas   Stuart
    “It was a funny thing to be a disappointment because you were honest and assumed others might be too. The games people played made his head hurt.”
    Douglas Stuart, Young Mungo

  • #6
    Douglas   Stuart
    “He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience. Jodie shunted him again but Mungo only grumbled and curled tighter around her. Her brother was her mother’s minor moon, her warmest sun, and at the exact same time, a tiny satellite that she had forgotten about. He would orbit her for an eternity, even as she, and then he, broke into bits.”
    Douglas Stuart, Young Mungo

  • #7
    Douglas   Stuart
    “Like the stubborn oose you pick from an acrylic jumper, some unseen static kept pulling his gaze back to the boy. James turned away. He knew if they caught him staring they would have a hundred names for him before he had a name for himself.”
    Douglas Stuart, Young Mungo

  • #8
    Andrew O'Hagan
    “They say you know nothing at eighteen. But there are things you know at eighteen that you will never know again.”
    Andrew O'Hagan, Mayflies

  • #9
    Andrew O'Hagan
    “The thing we know is that humanity has a hundred per cent mortality rate. We all die. But the facts don’t matter – we can’t bear to lose the people we love, and it doesn’t quite register about the billions who die, or even about our own coming deaths. We don’t experience our own death the way we experience the deaths of those we love.”
    Andrew O'Hagan, Mayflies

  • #10
    Philippe Besson
    “Why me?

    He says: Because you are not like all the others, because I don't see anyone but you and you don't even realize it.

    He adds this phrase, which for me is unforgettable: Because you will leave and we will stay.”
    Philippe Besson, Lie With Me

  • #11
    Philippe Besson
    “I think I love him for this loneliness, that it's what pushed me toward him. I love his aloofness, his disengagement with the outside world. Such singularity moves me.”
    Philippe Besson, Lie With Me

  • #12
    Philippe Besson
    “Have you noticed how the most beautiful landscapes lose their brilliance as soon as our thoughts prevent us from seeing them properly?”
    Philippe Besson, Lie With Me

  • #13
    Philippe Besson
    “I wrote the word: love. I did consider using another one. It's a curious notion, love; difficult to identify and define. There are so many degrees and variations. I could have contented myself with saying that I was smitten (and it is true that Thomas knew how to make me weaken), or infatuated (he could conquer, clatter, even bewitch like no one else), or obsessed (he often provoked a mixture of bewilderment and excitement, turning everything upside down), or seduced (once he caught me in his net, there was so no escaping), or taken with (I was stupidly joyful, I could heat up over nothing), or even blinded (anything that embarrassed me, I pushed to the side, minimizing his defects, putting his good qualities on a pedestal), or disturbed (no longer was I ever quite myself), which would have had less positive connotations. I could have explained it away as a mere affection, having a 'crush,' an explanation vague enough to mean anything. But those would just have been words. The truth, the brutal truth, was that I was in love. Enough to use the right word.

    All the same, I wondered if this could be a complete invention. As you already know, I invented stories all the time, with so much authenticity that people usually ended up believing me sometimes even I was no longer able to disentangle the true from the false). Could I have made this story up from scratch? Could I have turned an erotic obsession into a passion? Yes, it's possible.”
    Philippe Besson, Lie With Me

  • #14
    Barbara Kingsolver
    “The wonder is that you could start life with nothing, end with nothing, and lose so much in between.”
    Barbara Kingsolver, Demon Copperhead

  • #15
    Barbara Kingsolver
    “There’s this thing that happens, let’s say at school where a bunch of guys are in the bathroom, at the urinal, laughing about some dork that made an anus of himself in gym. You’re all basically nice guys, right? You know right from wrong, and would not in a million years be brutal to the poor guy’s face. And then it happens: the dork was in the shitter. He comes out of the stall with this look. He heard everything. And you realize you’re not really that nice of a guy. This is what I would say if I could, to all smart people of the world with their dumb hillbilly jokes: We are right here in the stall. We can actually hear you.”
    Barbara Kingsolver, Demon Copperhead

  • #16
    “When I listened to her, I understood: You have to hold out to see how your life unfolds, because it is most likely beyond what you can imagine. It is not a question of if you will survive this, but what beautiful things await you when you do. I had to believe her, because she was living proof. Then she said, Good and bad things come from the universe holding hands. Wait for the good to come.
    Chanel Miller, Know My Name

  • #17
    “The judge had given Brock something that would never be extended to me: empathy. My pain was never more valuable than his potential.”
    Chanel Miller, Know My Name: A Memoir

  • #18
    Gabrielle Zevin
    “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!"
    Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #19
    Meg Mason
    “I'm the worst person in the world"
    "No, you're not." Patrick's hand came down in a fist and he hit the arm of the sofa. "You're not the best person in the world either, which is what you really think. You're the same as everybody else. But that's harder for you, isn't it. You'd rather be one or the other. The idea that you might be ordinary is unbearable.”
    Meg Mason, Sorrow and Bliss

  • #20
    Anthony Doerr
    “WHAT YOU ALREADY HAVE IS BETTER THAN WHAT YOU SO DESPERATELY SEEK”
    Anthony Doerr, Cloud Cuckoo Land

  • #21
    Anthony Doerr
    “There is magic in this place, the owl seems to say. You just have to sit and breathe and wait and it will find you. He sits and breathes and waits and the Earth travels another thousand kilometers along its orbit. Lifelong knots deep inside the boy loosen.”
    Anthony Doerr, Cloud Cuckoo Land

  • #22
    Coco Mellors
    “Fondness was the best word she could think of to describe what they felt for each other. Fondness was warm but not tepid, the color of amber, more affectionate than friendship but less complicated than love.”
    Coco Mellors, Cleopatra and Frankenstein

  • #23
    Coco Mellors
    “I need to make money. I need to write today. I need to clean the bathroom. I need to eat something. I need to quit sugar. I need to cut my hair. I need to call Verizon. I need to savor the moment. I need to find the library card. I need to learn to meditate. I need to try harder. I need to get that stain out. I need to find better health insurance. I need to discover my signature scent. I need to strengthen and tone. I need to be present in the moment. I need to learn French. I need to be easier on myself. I need to buy organizational storage units. I need to call back. I need to develop a relationship with a God of my understanding.”
    Coco Mellors, Cleopatra and Frankenstein

  • #24
    Coco Mellors
    “Avery had previously thought love was built on large, visible gestures, but a marriage turned out to be the accrual of ordinary, almost inconsequential, acts of daily devotion—washing the mugs left in the sink before bed, taking the time to run up or downstairs to kiss each other quickly before one left the house, cutting up an extra piece of fruit to share—acts easy to miss, but if ever gone, deeply missed.”
    Coco Mellors, Blue Sisters

  • #25
    Amor Towles
    “is a funny aspect of life, thought Charlie, how a group of grown people can convince themselves to do something that none of them really want to do. They start by talking an idea into existence. Once the idea begins to take shape and dimension, they’ll talk away their hesitations, replacing them with all the supposed benefits, one by one. They’ll talk away their instincts and their second thoughts and their common sense too, until they are moving in lockstep together toward some shared intention that doesn’t appeal to any one of them.”
    Amor Towles, Table for Two

  • #26
    Paul Murray
    “Today, in the developed world, the great threat to political order is that people will pay attention to their surroundings. Thus, even slaves have access to entertainment. You could even say we are paid in entertainment. The novel was the first instance of what in the twenty-first century has become a vast and proliferating entertainment industry, an almost infinite machine designed to distract us and disempower us. We are presented with a virtual world powered, literally, by the incineration of the real. Cass?”
    Paul Murray, The Bee Sting

  • #27
    Hisham Matar
    “My ideal man," Malak said ponderingly. "I'm not sure what that means. I don't want the ideal. I want complexity. I want passion. I want imperfection.

    "My ideal man is not ideal. But," she said, leaning forward, "I'll tell you about him."

    "I want him to have lunch at home. I want him to help me with my own mind. I want him to be bookish, wise, cunning, and exemplary. I want him to be a good storyteller, and always on my side."

    "Yes, I want him to be near me. A good conversationalist, proud, not afraid of the lofty heights."

    "I want him to be a singer, one who knows and loves a good song, can play an instrument, the oud or the ney, and preferably both. I want him to be a good mourner, know how to attend to the pain of others, a consoler who could assuage the grief I have for all those I loved and befriended and who are no longer here. I want him to be a healer, an expert in all that troubles me. I want him to be a fire that annihilates all danger that lies ahead and behind me and that which I have, somehow, without his help, found a way to avoid. I want him to be faithful---"

    "Incapable of deception. I want him to be constant__"

    "Constant in his love and in his prayers and, when those prayers are not answered, I want him to change reality with his own hands. I want him to be my lord-"

    "For all the world to see. I want him to make me proud, to make vanish old and fresh longings, new and unremembered regrets. I want him to be vigilant-"

    "To protect me from sorrows even once their great heights have passed. I want him to know how to deal with the past. I want him to be occasionally gripped by fear-"

    "The fear of losing me. I want him to be patient, to help me to endure the injustices visited upon the houses of those I love. But I also want him to be impatient-"

    "To lose all reason and hurry off, forgetting his shoes and hat, and ride-"

    "His horse flanked by wings of angry dust, galloping, if need be, all night to find the traitorous, to change my fortunes and avenge me."

    "And then I want him to return to me, to prosper by my side. I want to take him to the clearest stream, one only I know the way to, and there quench his thirst. I want him to look at me sometimes as if he does not know who I am. But I want to be forever recognized by him, come what may, to point me out in a crowd when, after the passage, we are reunited."


    "I want him to see me when I cannot see myself.”
    Hisham Matar, My Friends

  • #28
    Hisham Matar
    “There are moments, moments like this, when an abstract longing overcomes me, one made all the more violent by its lack of fixed purpose. The trick time plays is to lull us into the belief that everything lasts forever, and, although nothing does, we continue inside that dream. And, as in a dream, the shape of my days bear no relation to what I had, somehow and without knowing it, allowed myself to expect.”
    Hisham Matar, My Friends

  • #29
    Richard Powers
    “Neither Rafi nor I saw what was happening. No one did. That computers would take over our lives: Sure. But the way that they would turn us into different beings? The full flavor of our translated hearts and minds? Not even my most enlightened fellow programmers at CRIK foresaw that with any resolution. Sure, they predicted personal, portable Encyclopedia Britannicas and group real-time teleconferencing and personal assistants that could teach you how to write better. But Facebook and WhatsApp and TikTok and Bitcoin and QAnon and Alexa and Google Maps and smart tracking ads based on keywords stolen from your emails and checking your likes while at a urinal and shopping while naked and insanely stupid but addictive farming games that wrecked people’s careers and all the other neural parasites that now make it impossible for me to remember what thinking and feeling and being were really like, back then? Not even close.”
    Richard Powers, Playground

  • #30
    Fredrik Backman
    “The world is full of miracles, but none greater than how far a young person can be carried by someone else’s belief in them.”
    Fredrik Backman, My Friends



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