Mihir > Mihir's Quotes

“I'm in love with you," he said quietly.

"Augustus," I said.

"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
― John Green, The Fault in Our Stars

“There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.”
― John Green, The Fault in Our Stars

“Oh, I wouldn't mind, Hazel Grace. It would be a privilege to have my heart broken by you.”
― John Green, The Fault in Our Stars

“Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more.'
'Seventeen,' Gus corrected.
'I'm assuming you've got some time, you interupting bastard.
'I'm telling you,' Isaac continued, 'Augustus Waters talked so much that he'd interupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness.
'But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.'
I was kind of crying by then.”
― John Green, The Fault in Our Stars

“It's a metaphor, see: You put the killing thing right between your teeth, but you don't give it the power to do its killing.”
― John Green, The Fault in Our Stars

“Maybe 'okay' will be our 'always”
― John Green, The Fault in Our Stars

“It's just that most really good-looking people are stupid, so I exceed expectations.'
'Right, it's primarily his hotness,' I said.
'It can be sort of blinding,' he said.
'It actually did blind our friend Isaac,' I said.
'Terrible tragedy, that. But can I help my own deadly beauty?'
'You cannot.'
'It is my burden, this beautiful face.'
'Not to mention your body.'
'Seriously, don't even get me started on my hot bod. You don't want to see me naked, Dave. Seeing me naked actually took Hazel Grace's breath away,' he said, nodding toward the oxygen tank.”
― John Green, The Fault in Our Stars

“Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but a Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile.”
― John Green, The Fault in Our Stars

“But it is the nature of stars to cross, and never was Shakespeare more wrong than when he has Cassius note, ‘The fault, dear Brutus, is not in our stars / But in ourselves.”
― John Green, The Fault in Our Stars

“Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.”
― John Green, The Fault in Our Stars

“We never really talked much or even looked at each other, but it didn't matter because we were looking at the same sky together, which is maybe even more intimate than eye contact anyway. I mean, anybody can look at you. It's quite rare to find someone who sees the same world you see.”
― John Green, Turtles All the Way Down

“You're both the fire and the water that extinguishes it. You're the narrator, the protagonist, and the sidekick. You're the storyteller and the story told. You are somebody's something, but you are also your you.”
― John Green, Turtles All the Way Down

“True terror isn’t being scared; it’s not having a choice on the matter.”
― John Green, Turtles All the Way Down

“I is the hardest word to define.”
― John Green, Turtles All the Way Down

“In the best conversations, you don't even remember what you talked about, only how it felt. It felt like we were in some place your body can't visit, some place with no ceiling and no walls and no floor and no instruments”
― John Green, Turtles All the Way Down

“Every loss is unprecedented. You can’t ever know someone else’s hurt, not really—just like touching someone else's body isn’t the same as having someone else’s body.”
― John Green, Turtles All the Way Down

“Nobody gets anybody else, not really. We're all stuck inside ourselves.”
― John Green, Turtles All the Way Down

“Dr. Karen Singh liked to say that a unwanted thought was like a car driving past you when you're standing on on the side of the road, and I told myself I didn't have to get into that car, that my moment of choice was not whether to have the thought, but whether to be carried away by it.
And then I got in the car.”
― John Green, Turtles All the Way Down

“The problem with happy endings, I said, is that they're either not really happy, or not really endings, you know? In real life, some things get better and some things get worse. And then eventually you die.”
― John Green

“I wanted to tell her that I was getting better, because that was supposed to be the narrative of illness: It was a hurdle you jumped over, or a battle you won. Illness is a story told in the past tense.”
― John Green, Turtles All the Way Down

“You just, like, hate yourself? You hate being yourself?"
"There's no self to hate. It's like, when I look into myself, there's no actual me—just a bunch of thoughts and behaviors and circumstances. And a lot of them just don't feel like they're mine. They're not things I want to think or do or whatever. And when I do look for the, like, Real Me, I never find it. It's like those nesting dolls, you know? The ones that are hollow, and then when you open them up, there's a smaller doll inside, and you keep opening hollow dolls until eventually you get to the smallest one, and it's solid all the way through. But with me, I don't think there is one that is solid. They just keep getting smaller.”
― John Green, Turtles All the Way Down

“It's turtles all the way fucking down, Holmesy. You're trying to find the turtle at the bottom of the pile, but that's not how it works.”
― John Green, Turtles All the Way Down

“Actually, the problem is that I can’t lose my mind,” I said. “It’s inescapable.”
― John Green, Turtles All the Way Down

“Of course, Sarah’s was not complete without quoting Taylor Swift, a line from the classic “Lover.”
― K.L. Walther, The Summer of Broken Rules

“But sometimes remembering isn’t for yourself, sometimes you do it just to make someone else smile. Those lies were allowed.”
― Holly Jackson, A Good Girl's Guide to Murder

“I could say these unfiltered things to him because he didn’t care. Wes Bennett knew what a mess I was underneath it all, and there was a little bit of joy in knowing he saw the real me. Freedom.”
― Lynn Painter, Better Than the Movies

“I'm more than just a piece in their Games.”
― Suzanne Collins, The Hunger Games

“You don’t forget the face of the person who was your last hope.”
― Suzanne Collins, The Hunger Games