Kylie > Kylie's Quotes

“You could rattle the stars," she whispered. "You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most.”
― Sarah J. Maas, Throne of Glass

“No. I can survive well enough on my own— if given the proper reading material.”
― Sarah J. Maas, Throne of Glass

“We all bear scars,... Mine just happen to be more visible than most.”
― Sarah J. Maas, Throne of Glass

“My name is Celaena Sardothien. But it makes no difference if my name's Celaena or Lillian or Bitch, because I'd still beat you, no matter what you call me.”
― Sarah J. Maas, Throne of Glass

“Names are not important. It's what lies inside of you that matters.”
― Sarah J. Maas, Throne of Glass

“Still, the image haunted his dreams throughout the night: a lovely girl gazing at the stars, and the stars who gazed back.”
― Sarah J. Maas, Throne of Glass

“I like music," she said slowly, "because when I hear it, I . . . I lose myself within myself, if that makes any sense. I become empty and full all at once, and I can feel the whole earth roiling around me. When I play. I'm not . . . for once, I'm not destroying, I'm creating.”
― Sarah J. Maas, Throne of Glass

“I name you Elentiya." She kissed the assassin's brow. "I give you this name to use with honour, to use when other names grow too heavy. I name you Elentiya, 'Spirit That Could Not Be Broken.”
― Sarah J. Maas, Throne of Glass

“We each survive in our own way.”
― Sarah J. Maas, Throne of Glass

“My name is Celaena Sardothien," she whispered, "and I will not be afraid.”
― Sarah J. Maas, The Assassin's Blade

“If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.”
― Sarah J. Maas, The Assassin's Blade

“She would tuck Sam into her heart, a bright light for her to take out whenever things were darkest.”
― Sarah J. Maas, The Assassin's Blade

“She was fire, she was darkness, she was dust and blood and shadow.”
― Sarah J. Maas, The Assassin's Blade

“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.

It was the Song of Eyllwe.

Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.

And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.

When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.

The next morning, by royal decree, the theatre was shut down.

No one saw those musicians or their conductor again.”
― Sarah J. Maas, Heir of Fire