Pina Renala > Pina's Quotes

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  • #1
    Epicurus
    “Do not spoil what you have by desiring what you have not; remember that what you now have was once among the things you only hoped for.”
    Epicurus

  • #2
    T.S. Eliot
    “April is the cruelest month, breeding
    lilacs out of the dead land, mixing
    memory and desire, stirring
    dull roots with spring rain.”
    T.S. Eliot, The Waste Land

  • #3
    F. Scott Fitzgerald
    “Things are sweeter when they're lost. I know--because once I wanted something and got it. It was the only thing I ever wanted badly, Dot, and when I got it it turned to dust in my hand.”
    F. Scott Fitzgerald, The Beautiful and Damned

  • #4
    Søren Kierkegaard
    “Once you label me you negate me.”
    Søren Kierkegaard

  • #5
    Søren Kierkegaard
    “There are two ways to be fooled. One is to believe what isn't true; the other is to refuse to believe what is true.”
    Soren Kierkegaard

  • #6
    Søren Kierkegaard
    “A fire broke out backstage in a theatre. The clown came out to warn the public; they thought it was a joke and applauded. He repeated it; the acclaim was even greater. I think that's just how the world will come to an end: to general applause from wits who believe it's a joke.”
    Soren Kierkegaard, Either/Or, Part I

  • #7
    Søren Kierkegaard
    “I stick my finger into existence and it smells of nothing.”
    Soren Kierkegaard

  • #8
    D.H. Lawrence
    “Nobody knows you.
    You don't know yourself.
    And I, who am half in love with you,
    What am I in love with?
    My own imaginings?”
    D.H. Lawrence, The Complete Poems of D.H. Lawrence
    tags: love

  • #9
    Zbigniew Herbert
    “Inanimate objects are always correct and cannot, unfortunately, be reproached with anything. I have never observed a chair shift from one foot to another, or a bed rear on its hind legs. And tables, even when they are tired, will not dare to bend their knees. I suspect that objects do this from pedagogical considerations, to reprove us constantly for our instability.”
    Zbigniew Herbert, Selected Poems

  • #10
    Jorge Luis Borges
    “I can give you my loneliness, my darkness, the hunger of my heart, I am trying to bribe you with uncertainty, with danger, with defeat.”
    Jorge Luis Borges

  • #11
    Mark Twain
    “If you tell the truth, you don't have to remember anything.”
    Mark Twain

  • #12
    Sun Tzu
    “Engage people with what they expect; it is what they are able to discern and confirms their projections. It settles them into predictable patterns of response, occupying their minds while you wait for the extraordinary moment — that which they cannot anticipate.”
    Sun Tzu, The Art of War

  • #13
    Fyodor Dostoevsky
    “People speak sometimes about the "bestial" cruelty of man, but that is terribly unjust and offensive to beasts, no animal could ever be so cruel as a man, so artfully, so artistically cruel.”
    Fyodor Dostoyevsky

  • #14
    Fyodor Dostoevsky
    “But how could you live and have no story to tell?”
    Fyodor Dostoevsky, White Nights

  • #15
    Fyodor Dostoevsky
    “The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I’ve long ceased perhaps to have faith in them, yet from old habit one’s heart prizes them. Here they have brought the soup for you, eat it, it will do you good. It’s first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it’s a most precious graveyard, that’s what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I’m convinced in my heart that it’s long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky — that’s all it is. It’s not a matter of intellect or logic, it’s loving with one’s inside, with one’s stomach.”
    Fyodor Dostoevsky, The Brothers Karamazov

  • #16
    Julian Baggini
    “This line of reasoning would seem to lead to the absurd conclusion that the world is filled with noises no one hears, colours no one sees, flavours no one tastes, textures no one feels, as well as a host of other sense experience we cannot even imagine. For there is no end in which creatures might possibly perceive the world.”
    Julian Baggini

  • #17
    Fyodor Dostoevsky
    “Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.”
    Fyodor Dostoyevsky, The Idiot



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