Kit > Kit's Quotes

“She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.”
― Michael Ondaatje, The English Patient

“We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves.

I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience.”
― Michael Ondaatje, The English Patient

“He wants the minute and secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book.”
― Michael Ondaatje, The English Patient

“I believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocently…but all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.”
― Michael Ondaatje, The English Patient

“If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.

I could hardly glance at you
before marriage
never touch you
-- your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...

When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said


this is how you touch other women
the grasscutter's wife, the lime burner's daughter.

And you searched your arms

for the missing perfume.

and knew
what good is it
to be the lime burner's daughter

left with no trace

as if not spoken to in an act of love

as if wounded without the pleasure of scar.


You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler's wife. Smell me.”
― Michael Ondaatje, The Cinnamon Peeler: Selected Poems

“I have spent weeks in the desert, forgetting to look at the moon, he says, as a married man may spend days never looking into the face of his wife. These are not sins of omission but signs of pre-occuopation.”
― Michael Ondaatje, The English Patient

“We all have an old knot in the heart we wish to untie.”
― Michael Ondaatje, The Cat's Table

“She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.”
― Michael Ondaatje, The English Patient

“Everything is biographical, Lucian Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border we cross.”
― Michael Ondaatje

“For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell.”
― Michael Ondaatje, Divisadero

“This last night we tear into each other, as if to wound, as if to find the key to everything before morning.”
― Michael Ondaatje, Coming Through Slaughter

“Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations.”
― Michael Ondaatje, The English Patient

“A love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing—not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.”
― Michael Ondaatje, The English Patient

“There are stories of elopements, unrequited love, family feuds and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself the smile of a lover...

Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations ... I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover. ”
― Michael Ondaatje, Running in the Family

“I'll be looking at the moon,
but I'll be seeing you.”
― Michael Ondaatje, The English Patient

“I believe in such cartography – to be marked by nature, not just label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. ... All I desired was to walk upon such an earth that had no maps.”
― Michael Ondaatje, The English Patient

“all this Beethoven and rain”
― Michael Ondaatje, Running in the Family

“The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion”
― Michael Ondaatje, In the Skin of a Lion

“You have to protect yourself from sadness. Sadness is very close to hate. Let me tell you this. This is the thing I learned. If you take in someone else's poison – thinking you can cure them by sharing it – you will instead store it within you. Those men in the desert were smarter than you. They assumed he could be useful. So they saved him, but when he was no longer useful they left him.”
― Michael Ondaatje, The English Patient