Eldina Dedagic > Eldina's Quotes

“You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.”
― Mary Oliver

“to live in this world

you must be able
to do three things
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go”
― Mary Oliver, New and Selected Poems, Volume One

“How I go to the wood

Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.

I don’t really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.

Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.

If you have ever gone to the woods with me, I must love
you very much.”
― Mary Oliver, Swan: Poems and Prose Poems

“Hello, sun in my face. Hello you who made the morning and spread it over the fields...Watch, now, how I start the day in happiness, in kindness.”
― Mary Oliver

“it is a serious thing // just to be alive / on this fresh morning / in this broken world.”
― Mary Oliver, Red Bird

“You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
― richard siken

“Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
― Richard Siken

“A man takes his sadness down to the river and throws it in the river
                    but then he’s still left
with the river. A man takes his sadness and throws it away
                                                                        but then he’s still left with his hands.”
― Richard Siken, Crush

“Everyone needs a place. It shouldn't be inside of someone else.”
― richard siken

“Tell me about the dream where we pull the bodies out of the lake
                                                                                and dress them in warm clothes again.
          How it was late, and no one could sleep, the horses running
until they forget that they are horses.
                    It’s not like a tree where the roots have to end somewhere,
          it’s more like a song on a policeman’s radio,
                              how we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
                                                                                                                        to slice into pieces.
Look at the light through the windowpane. That means it’s noon, that means
          we're inconsolable.
                                                            Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
                                                                                          Tell me we’ll never get used to it.”
― Richard Siken, Crush

“Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
― Richard Siken, Crush

“Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.”
― Richard Siken, Crush

“I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush
through me and it never made any sense, anything.”
― Richard Siken

“You’re falling now. You’re swimming. This is not
          harmless. You are not
                    breathing.”
― Richard Siken, Crush

“Tell me about the dream where we pull the bodies out of the lake
and dress them in warm clothes again.”
― Richard Siken

“You just wanted to prove there was one safe place, just one safe place where you could love him. You have not found that place yet.”
― Richard Siken, Crush

“Sometimes you get so close to someone you end up on the other side of them.”
― Richard Siken

“We clutch our bellies and roll on the floor...
When I say this, it should mean laughter,
not poison.”
― Richard Siken, Crush

“You don’t have a home until you leave it and then, when you have left it, you never can go back.”
― James Baldwin, Giovanni’s Room

“Dear Milena,
I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don't have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.”
― Franz Kafka, Letters to Milena