Gregory Knapp > Gregory's Quotes

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like “I feel a bit lightheaded; maybe you should drive. . . .” And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming: “Holy Jesus! What are these goddamn animals?”
Then it was quiet again. My attorney had taken his shirt off and was pouring beer on his chest, to facilitate the tanning process. “What the hell are you yelling about?” he muttered, staring up at the sun with his eyes closed and covered with wraparound Spanish sunglasses. I hit the brakes and aimed the Great Red Shark toward the shoulder of the highway. No point mentioning those bats, I thought. The poor bastard will see them soon enough.”
― Hunter S. Thompson

“Tad’s mission in life is to have more fun than anyone else in New York City, and this involves a lot of moving around, since there is always the likelihood that where you aren’t is more fun than where you are. You are awed by his strict refusal to acknowledge any goal higher than the pursuit of pleasure. You want to be like that. You also think he is shallow and dangerous. His friends are all rich and spoiled, like the cousin from Memphis you met earlier in the evening who would not accompany you below Fourteenth Street because, he said, he didn’t have a lowlife visa. This cousin has a girlfriend with cheekbones to break your heart, and you knew she was the real thing when she steadfastly refused to acknowledge your presence. She possessed secrets—about islands, about horses, about French pronunciation—that you would never know.”
― Jay McInerney

“There’s the big advantage of backwardness. By the time the latest ideas reach Chicago, they’re worn thin and easy to see through. You don’t have to bother with them and it saves lots of trouble.”
― Saul Bellow, The Dean's December

“ROY [COHN]:Please. Let me finish.
Few people know this and I’m telling you this only because. . . . I’m not afraid of death. What can death
bring that I haven’t faced? I’ve lived; life is the worst.
(Gently mocking himself) Listen to me, I’m a philosopher.
Joe. You must do this. You must must must. Love, that’s a trap. Responsibility; that’s a trap, too. Like a father to a son I tell you this: Life is full of horror; nobody escapes, nobody; save yourself. Whatever pulls on you, whatever needs from you, threatens you. Don’t be afraid; people are so afraid; don’t be afraid to live in the raw wind, naked, alone. . . . Learn at least this: What you are capable of. Let nothing stand in your way.”
― Tony Kushner, Millennium Approaches

“ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.”
― Wallace Shawn, My Dinner With André

“from The Prep Pantheon: An All-Time Great Alumni Association

Caroline Kennedy. Concord Academy ’75. Harvard ’80. On technical points Preppier than Mummy. During four years at Harvard Square, an unnatural fiber never went near her body (except for the shell of her L. L. Bean down vest). Her lacrosse game was ruthless, her brunch technique dazzling (smoked heavily, sat with the descendents of three other presidents).”
― Lisa Birnbach, The Official Preppy Handbook

“Nightlife is not for sissies, except of course for career sissies; an evening out requires at least a full day of minute preparation. . . . People move to New York to invent themselves, and nightclubs provide a runway for the results. It’s easy to spend twenty hours per day slaving in a Pennsylvania coal mine or threshing some Nebraska oat crop; going out in New York is work.”
― Paul Rudnick, Social Disease

“Venice was luscious. She had real curves and real cleavage. She had a stunning face, set off by a broad, lascivious grin. She had an indefinable hairstyle, a swag of thick blond dazzle that seemed always in motion, falling in her eyes, getting caught in her mouth. Venice spoke in a husky growl, with a deep, filthy laugh.
Venice was no stranger to flirtation; she was practically no stranger to anyone. She smoldered, even at breakfast. Venice—at times literally—enjoyed a love affair with Manhattan.”
― Paul Rudnick, Social Disease

“Guy cradled his tux, stroking it, running his fingers incestuously over the satin stripe on the trousers. There is a satisfaction that only superb clothing can offer, the joy of man raising himself from the mud, vindicating evolution. Life cannot lack purpose if a tuxedo exists—this is the obvious reply to the Samuel Beckett canon.”
― Paul Rudnick, Social Disease

“. . . Yes, I’m an aesthete. I like beauty.
Yes – poor countries are beautiful. Poor people are beautiful. It’s a wonderful feeling to have money in a country where most people are poor, to ride in a taxi through horrible slums.
Yes – a beggar can be beautiful. A beggar can have beautiful lips, beautiful eyes. You’re far from home. To you, her simple shawl seems elegant, direct, the right way to dress. You see her approaching from a great distance. She’s old, thin, and yes, she looks sick, very sick, near death. But her face is beautiful – seductive, luminous. You like her – you’re drawn to her. Yes, you think – there’s money in your purse – you’ll give her some of it.
And a voice says – Why not all of it? Why not give her all you have?
Be careful, that’s a question that could poison your life. Your love of beauty could actually kill you.
If you hear that question, it means you’re sick. You’re mentally sick. You’ve had a breakdown.”
― Wallace Shawn, The Fever

“As far as my connection to other people went, I was usually affectionate. I was usually fond of the people I met: the privileged. And I’m still fond of them. I know them well. It’s easy for me to see them not as others might see them, as a group of people who fundamentally are all the same, because as holders of privilege the all play fundamentally the same social role, but as they see themselves: as remarkably distinct individuals with different opinions, thoughts, and characteristics. I know very well that they suffer, I know that they’re lonely, they’re lost, they’re desperate, whatever.”
― Wallace Shawn, Essays

“I said, smiling very wide and droogie: ‘Well, if it isn’t fat stinking billygoat Billyboy in poison. How art thou, thou globby bottle of cheap stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly, thou.’ And then we started.”
― Anthony Burgess, A Clockwork Orange

“It is never too late to be what you might have been.”
― George Eliot

“There was also the socio-psychic factor. Every now and then when your life gets complicated and the weasels start closing in, the only real cure is to load up on heinous chemicals and then drive like a bastard from Hollywood to Las Vegas. To relax, as it were, in the womb of the desert sun. Just roll the roof back and screw it on, grease the face with white tanning butter and move out with the music at top volume, and at least a pint of ether.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

“Because here's something else that's weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship—be it JC or Allah, be it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles—is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.”
― David Foster Wallace , This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

“There's a grosser irony about Politically Correct English. This is that PCE purports to be the dialect of progressive reform but is in fact--in its Orwellian substitution of the euphemisms of social equality for social equality itself--of vastly more help to conservatives and the US status quo than traditional SNOOT prescriptions ever were. Were I, for instance, a political conservative who opposed using taxation as a means of redistributing national wealth, I would be delighted to watch PC progressives spend their time and energy arguing over whether a poor person should be described as "low-income" or "economically disadvantaged" or "pre-prosperous" rather than constructing effective public arguments for redistributive legislation or higher marginal tax rates. [...] In other words, PCE acts as a form of censorship, and censorship always serves the status quo.”
― David Foster Wallace, Consider the Lobster and Other Essays

“A crude way to put the whole thing is that our presence culture is, both develeopmentally and historically, adolescent. And since adolescence is acknowledged to be the single most stressful and frightening period of human development – the stage when adulthood we claim to crave begins to present itself as a real and narrowing system of responsibilities and limitation (taxes, death) and when we yearn inside for a return to the same childish oblivion we pretend to scorn – it’s not difficult to see why we as a culture are so susceptible to art and entertainment whose primary function is escape, i. e. fantasy, adrenaline, spectacle, romance, etc.”
― David Foster Wallace, Consider the Lobster and Other Essays

“ANDRÉ: Okay. Yes. We’re bored now. We’re all bored. But has it ever occurred to you, Wally, that the process which creates this boredom that we see in the world now may very well be a self-perpetuating unconscious form of brainwashing created by a world totalitarian government based on money? And that all of this is much more dangerous, really, than one thinks? And that it’s not just a question of individual survival, Wally, but that somebody who’s bored is asleep? And somebody who’s asleep will not say no?”
― Wallace Shawn, My Dinner With André

“In a garden, things grow . . . but first, they must wither; trees have to lose their leaves in order to put forth new leaves, and to grow thicker and stronger and taller. Some trees die, but fresh saplings replace them. Gardens need a lot of care. But if you love your garden, you don’t mind working in it, and waiting. Then in the proper season you will surely see it flourish.”
― Jerzy Kosiński, Being There

“WALLY: . . . That may be why I never understand what’s going on at a party, and I’m always completely confused. I mean, we’ll come home, and Debby will describe some incredible incident, and I won’t have even noticed it. Everything passes in a kind of trance. You know, Debby once said after one of these New York evenings that she thought she’d traveled a greater distance just by journeying from her origins in the suburbs of Chicago to that New York evening than her grandmother had traveled in making her way from the steppes of Russia to the suburbs of Chicago.”
― Wallace Shawn, My Dinner With André

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
― Ira Glass

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”
― Theodore Roosevelt

“We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.”
― Aldous Huxley, The Doors of Perception

“But now the emphasis has shifted to making it. People have surrendered their personal moral objectives to government or schools or psychologists. It’s a change that accelerated with the boom after the war. . . . There has been a surrender to pragmatism; the true is what makes you successful and the false is what makes you fail. But I wonder what happens to faith, hope and charity in such a situation? People began to form their moral ideas not in the old way but by their professions and guilds; that tends to transfer sin to the corporation.”
― Saul Bellow

“Zet and Lottie swam into New York City from the skies—that was how it felt in the Pacemaker, rushing along the Hudson at sunrise. First many blue twigs overhanging the water, than a rosy color, and then the heavy flashing of the river under the morning sun. They were in the dining car, their eyes were heavy. They were drained by a night of broken sleep in the day coach, and they were dazzled. They drank coffee from cups as heavy as soapstone, and poured from New York Central pewter. They were in the East, where everything was better, where objects were different. Here there was deeper meaning in the air.

After changing at Harmon to an electric locomotive, they began a more quick and eager ride. Trees, water, sky, and the sky raced off, floating, and there came bridges, structures, and at last the tunnel, where the air breaks gasped and the streamliner was checked. There were yellow bulbs in wire mesh, and subterranean air came through the vents. The doors opened, the passengers, pulling their clothing straight, flowed out and got their luggage, and Zet and Lottie, reaching Forty-second Street, refugees from arid and inhibited Chicago, from Emptyland, embraced at the curb and kissed each other repeatedly on the mouth. They had come to the World City, where all behavior was deeper and more resonant, where they could freely be themselves, as demonstrative as they liked. Intellect, art, the transcendent, needed no excuses here. Any cabdriver understood, Zet believed.”
― Saul Bellow, Him With His Foot in His Mouth and Other Stories

“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.”
― Ralph Waldo Emerson

“As I looked out into the night sky, across all those infinite stars, it made me realize how insignificant they are.”
― Peter Cook

“As one man said, "I got a pretty good education. It took me years to get over it." That's what spirituality is all about, you know: unlearning. Unlearning all the rubbish they taught you.”
― Anthony de Mello, Awareness: The Perils and Opportunities of Reality

“Do not waste time bothering whether you ‘love’ your neighbor; act as if you did. As soon as we do this we find one of the great secrets. When you are behaving as if you loved someone, you will presently come to love him.”
― C. S. Lewis, Mere Christianity