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  • #1
    Philip Pullman
    “She’s the daughter of Lord Asriel,” said Farder Coram. “And her mother is Mrs. Coulter, of the Oblation Board.” “And apart from that?” The old gyptian had to shake his head. “No,” he said, “I don’t know any more. But she’s a strange innocent creature, and I wouldn’t have her harmed for the world. How she comes to read that instrument I couldn’t guess, but I believe her when she talks of it. Why, Dr. Lanselius? What do you know about her?” “The witches have talked about this child for centuries past,” said the consul. “Because they live so close to the place where the veil between the worlds is thin, they hear immortal whispers from time to time, in the voices of those beings who pass between the worlds. And they have spoken of a child such as this, who has a great destiny that can only be fulfilled elsewhere—not in this world, but far beyond. Without this child, we shall all die. So the witches say. But she must fulfill this destiny in ignorance of what she is doing, because only in her ignorance can we be saved. Do you understand that, Farder Coram?” “No,” said Farder Coram, “I’m unable to say that I do.” “What it means is that she must be free to make mistakes. We must hope that she does not, but we can’t guide her. I am glad to have seen this child before I die.”
    Philip Pullman, The Golden Compass

  • #2
    R. Scott Bakker
    “The thoughts of all men arise from the darkness. If you are the movement of your soul, and the cause of that movement precedes you, then how could you ever call your thoughts your own? How could you be anything other than a slave to the darkness that comes before?”
    R. Scott Bakker, The Darkness That Comes Before

  • #3
    R. Scott Bakker
    “Our every thought stems from the thoughts of others. Our every word is but a repetition of words spoken before. Every time we listen, we allow the movements of another soul to carry our own.”
    R. Scott Bakker, The Darkness That Comes Before

  • #4
    R. Scott Bakker
    “The Dûnyain,” Kellhus said after a time, “have surrendered themselves to the Logos, to what you would call reason and intellect. We seek absolute awareness, the self-moving thought. The thoughts of all men arise from the darkness. If you are the movement of your soul, and the cause of that movement precedes you, then how could you ever call your thoughts your own? How could you be anything other than a slave to the darkness that comes before? Only the Logos allows one to mitigate that slavery. Only knowing the sources of thought and action allows us to own our thoughts and our actions, to throw off the yoke of circumstance. And only the Dûnyain possess this knowledge, plainsman. The world slumbers, enslaved by its ignorance. Only the Dûnyain are awake. Moënghus, my father, threatens this.” Thoughts”
    R. Scott Bakker, The Darkness that Comes Before

  • #5
    Philip Pullman
    “Lyra was in tears. Her dear, her brave one, her fearless defender, was going to die, and she would not do him the treachery of looking away, for if he looked at her he must see her shining eyes and their love and belief, not a face hidden in cowardice or a shoulder fearfully turned away.”
    Philip Pullman, The Golden Compass

  • #6
    Philip Pullman
    “The idea hovered and shimmered delicately, like a soap bubble, and she dared not even look at it directly in case it burst. But she was familiar with the way of ideas, and she let it shimmer, looking away, thinking about something else.”
    Philip Pullman, The Golden Compass

  • #7
    Marina Dyachenko
    “To live is to be vulnerable. A thin membrane of a soap bubble separates one from impenetrable hell. Ice on the road. The unlucky division of an aging cell. A child picks up a pill from the floor. Words stick to each other, line up, obedient to the great harmony of speech...”
    Marina Dyachenko, Vita Nostra

  • #8
    Marina Dyachenko
    “There are concepts that cannot be imagined but can be named. Having received a name, they change, flow into a different entity, and cease to correspond to the name, and then they can be given another, different name, and this process—the spellbinding process of creation—is infinite: this is the word that names it, and this is the word that signifies. A concept as an organism, and text as the universe.”
    Marina Dyachenko, Vita Nostra

  • #9
    Marina Dyachenko
    “But no one had ever been saved by memories, no one had been protected by words and pledges, and those loved greatly by others died too.”
    Marina Dyachenko, Vita Nostra

  • #10
    Marina Dyachenko
    “She knew herself to be a word spoken by the sunlight. She laughed at the fear of death. She understood what she was born for and what she was destined to carry out. All this happened while the lightning remained in the sky, a white flash.”
    Marina Dyachenko, Vita Nostra

  • #11
    Marina Dyachenko
    “To her, existence consisted of days, and each day seemed to run like a circular ribbon—or, better yet, a bike chain, moving evenly over the cogs. Click—another change of speed, days became a little different, but they still flowed, still repeated, and that very monotony concealed the meaning of life . . .”
    Marina Dyachenko, Vita Nostra

  • #12
    Marina Dyachenko
    “How does one formulate the order “Do not be afraid” without the negative particle “not”? “Be brave,” Sasha whispered.”
    Marina Dyachenko, Assassin of Reality

  • #13
    Marina Dyachenko
    “Nikolai Valerievich was smiling, as if she’d said something amusing.
    “That’s a perfectly ordinary situation, Sasha. You don’t want to learn? But what do you want? Look into your soul, and you will realize: all you really want is fun and pleasure. Any instance of learning is coercion. Any form of culture must be enforced, alas. You are immature internally, and all of you must be forced, and forced cruelly.”
    Marina Dyachenko, Vita Nostra

  • #14
    Philip Pullman
    “And if we wrapped up against the cold, we wouldn’t feel other things, like the bright tingle of the stars, or the music of the Aurora, or best of all the silky feeling of moonlight on our skin. It’s worth being cold for that.”
    Philip Pullman, Northern Lights

  • #15
    R. Scott Bakker
    “Do not mistake me, Inrithi. In this much Conphas is right. You are all staggering drunks to me. Boys who would play at war when you should kennel with your mothers. You know nothing of war. War is dark. Black as pitch. It is not a God. It does not laugh or weep. It rewards neither skill not daring. It is not a trial of souls, nor the measure of wills. Even less is it a tool, a means to some womanish end. It is merely the place where the iron bones of the earth meet the hollow bones of men and break them.

    You have offered me war, and I have accepted. Nothing more. I will not regret your losses. I will not bow my head before your funeral pyres. I will not rejoice at your triumphs. But I have taken the wager. I will suffer with you. I will put Fanim to the sword, and drive their wives and children to the slaughter. And when I sleep, I will dream of their lamentations and be glad of heart.”
    R. Scott Bakker, The Darkness That Comes Before

  • #16
    Philip Pullman
    “Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it... That's original sin. And I'm going to destroy it.”
    Philip Pullman, The Golden Compass

  • #17
    Marina Dyachenko
    “There are words that are simply trash, refuse, they turn into nothing immediately after they are spoken. Others throw shadows, hideous and pathetic, and sometimes gorgeous and powerful, capable of saving a dying soul. But only a few of these words become human beings and pronounce other words. And everyone in the world has a chance of encountering someone whom he himself spoke out loud . . .”
    Marina Dyachenko, Vita Nostra
    tags: words

  • #18
    Philip Pullman
    “We are all subject to the fates. But we must all act as if we are not, or die of despair...death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...”
    Philip Pullman, The Golden Compass

  • #19
    Philip Pullman
    “I wish..." she said, and stopped. There was nothing that could be gained by wishing for it. A final deep shaky breath, and she was ready to go on.”
    Philip Pullman, The Golden Compass

  • #20
    R. Scott Bakker
    “Like many arrogant men, Proyas thought his insults an extension of his honesty.”
    R. Scott Bakker, The Darkness That Comes Before

  • #21
    R. Scott Bakker
    “To be ignorant and to be deceived are two different things. To be ignorant is to be a slave of the world. To be deceived is to be the slave of another man. The question will always be: Why, when all men are ignorant, and therefore already slaves, does this latter slavery sting us so?”
    R. Scott Bakker, The Darkness That Comes Before

  • #22
    R. Scott Bakker
    “The world has long ceased to be the author of your anguish.”
    R. Scott Bakker, The Darkness That Comes Before

  • #23
    Marina Dyachenko
    “To live is to be vulnerable. To love is to fear. And the one who is not afraid—that person is calm like a boa constrictor and cannot love.”
    Marina Dyachenko, Vita Nostra

  • #24
    Philip Pullman
    “Because Lyra now realized, if she hadn't done so before, that all the fear in her nature was drawn to Mrs. Coulter as a compass needle drawn to the Pole.”
    Philip Pullman, The Golden Compass

  • #25
    Philip Pullman
    “Being a practiced liar doesn't mean you have a powerful imagination. Many good liars have no imagination at all; it's that which gives their lies such wide-eyed conviction.”
    Philip Pullman, The Golden Compass

  • #27
    Philip Pullman
    “And when Rusakov discovered Dust, at last there was physical proof that something happened when innocence changed into experience.”
    Philip Pullman, The Golden Compass

  • #28
    Philip Pullman
    “I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier."
    "Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not."
    "We have no more choice in that than in whether or not to be born."
    "Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?"
    She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?"
    "Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again."
    "There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves."
    "I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling."
    "lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that."
    "You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?"
    "We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...”
    Philip Pullman, The Golden Compass

  • #28
    Philip Pullman
    “And that was how sin came into the world," he said, "sin and shame and death. It came the moment their daemons became fixed."

    "But..." Lyra struggled to find the words she wanted: "but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale."

    "The Cassington Scholarship is traditionally given to a freethinker; it's his function to challenge the faith of the Scholars. Naturally he'd say that. But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.

    "Anyway, it's what the Church has taught for thousands of years. And when Rusakov discovered Dust, at last there was a physical proof that something happened when innocence changed into experience.

    "Incidentally, the Bible gave us the name Dust as well. At first they were called Rusakov Particles, but soon someone pointed out a curious verse toward the end of the Third Chapter of Genesis, where God's cursing Adam for eating the fruit."

    He opened the Bible again and pointed it out to Lyra. She read:

    "In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return...."

    Lord Asriel said, "Church scholars have always puzzled over the translation of that verse. Some say it should read not 'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it really means that God's admitting his own nature to be partly sinful. No one agrees. No one can, because the text is corrupt. But it was too good a word to waste, and that's why the particles became known as Dust.”
    Philip Pullman, The Golden Compass

  • #29
    Philip Pullman
    “What is that other universe?" she said.

    "One of uncountable billions of parallel worlds. The witches have known about them for centuries, but the first theologians to prove their existence mathematically were excommunicated fifty or more years ago. However, it's true; there's no possible way of denying it.

    "But no one thought it would ever be possible to cross from one universe to another. That would violate fundamental laws, we thought. Well, we were wrong; we learned to see the world up there. If light can cross, so can we. And we had to learn to see it, Lyra, just as you learned to use the alethiometer.

    "Now that world, and every other universe, came about as a result of possibility. Take the example of tossing a coin: it can come down heads or tails, and we don't know before it lands which way it's going to fall. If it comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal.

    "But on another world, it does come down tails. And when that happens, the two worlds split apart. I'm using the example of tossing a coin to make it clearer. In fact, these possibility collapses happen at the level of elementary particles, but they happen in just the same way: one moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which they did happen.

    "And I'm going to that world beyond the Aurora," he said, "because I think that's where all the Dust in this universe comes from. You saw those slides I showed the Scholars in the retiring room. You saw Dust pouring into this world from the Aurora. You've seen that city yourself. If light can cross the barrier between the universes, if Dust can, if we can see that city, then we can build a bridge and cross. It needs a phenomenal burst of energy. But I can do it. Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it, Lyra. That's original sin. And I'm going to destroy it. Death is going to die.”
    Philip Pullman, The Golden Compass

  • #30
    Philip Pullman
    “The Aurora!"
    Her wonder was so strong that she had to clutch the rail to keep from falling.
    The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer. Lyra thought she could even hear them: a vast distant whispering swish. In the evanescent delicacy she felt something as profound as she'd felt close to the bear. She was moved by it: it was so beautiful it was almost holy; she felt tears prick her eyes, and the tears splintered the light even further into prismatic rainbows.”
    Philip Pullman, Northern Lights



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