Leeor > Leeor's Quotes

“Day 1,361 of My Captiv- Oh, Let Us Cut the Shit, Shall We? We Have a Ring to Retrieve.”
― Shelby Van Pelt, Remarkably Bright Creatures

“There is a time for any fledgling artist where one's taste exceeds one's abilities. The only way to get through this period is to make things anyway.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“It embarrassed her, her own reflection. She had strong ideas of beauty that she did not find in herself: how tender the face must be, how thick the hair. She had strong thoughts about what it meant, to care too much about beauty. To want it, to search for it in oneself. In another. They weren't nice thoughts.”
― Yael van der Wouden, The Safekeep

“Isabel wanted to not hear the words in the same way she could sometimes blur her eyes when looking at something - decide not to see it in full focus, decide to disengage.”
― Yael van der Wouden, The Safekeep

“Night is a time of rigor, but also of mercy. There are truths which one can see only when it’s dark”
― Isaac Bashevis Singer, Teibele and her demon

“You ever been to Israel? Women in the front line there too, and I wouldn’t want to put too many U.S. units up against the Israeli defenses, at least not if it was going to be critical who won.”
― Lee Child, Running Blind

“There are some books that reached through the noise of life to grab you by the collar and speak only of the truest things.”
― Jeffrey Eugenides, The Marriage Plot

“People don't save other people. People save themselves.”
― Jeffrey Eugenides, The Marriage Plot

“Love was not something, I realized, that came to you from outside. I had always thought that love was supposed to come from other people, and somehow, I was failing to catch the crumbs of it, failing to eat them, and I went around belly empty and desperate. I didn’t know that love was supposed to come from within me, and that as long as I loved others, the strength and warmth of that love would fill me, make me strong.”
― Rufi Thorpe, Margo's Got Money Troubles

“You are about to begin reading a new book, and to be honest, you are a little tense. The beginning of a novel is like a first date. You hope that from the first lines an urgent magic will take hold, and you will sink into the story like a hot bath, giving yourself over entirely. But this hope is tempered by the expectation that, in reality, you are about to have to learn a bunch of people's names and follow along politely like you are attending the baby shower of a woman you hardly know. And that's fine, goodness knows you've fallen in love with books that didn't grab you in the first paragraph. But that doesn't stop you from wishing they would, from wishing they would come right up to you in the dark of your mind and kiss you on the throat.”
― Rufi Thorpe, Margo's Got Money Troubles

“Because that's all art is, in the end. One person trying to get another person they have never met to fall in love with them.”
― Rufi Thorpe, Margo's Got Money Troubles

“And since she wanted to be good, she's always been careful not to care too much about money. Now she wondered if all those Disney movies were merely propaganda to keep poor people content with their lot. 'We may be poor, but we're the salt of the earth, we know what really matters. The rich are perverted by their hideous wealth - why, look at that Cruella de Vil!' But good or evil, even single dollar was power. Power to hire a lawyer, power to control how she spent her time, power to change her appearance, power to command respect. Power to be who she wanted to be.”
― Rufi Thorpe, Margo's Got Money Troubles

“I’m just saying,” Jinx said, seemingly more lucid now, “when you’re lost in the deep dark forest, the thing to do isn’t to get scared of the trees. You have to find your way out again.”
― Rufi Thorpe , Margo's Got Money Troubles

“I like getting to be the me now watching the past me. It's almost a way of loving myself. Stroking the cheek of that girl with my understanding. Smoothing her hair in my mind's eye.”
― Rufi Thorpe, Margo's Got Money Troubles

“Who cared about sex, really? When what you needed was someone to talk to in the dark.”
― Rufi Thorpe, Margo's Got Money Troubles

“You can't tell me that if it was men and a medical decision would result in their penis splitting open and them not being able to hold their pee for the rest of their life, they wouldn't think that should be their own decision.”
― Rufi Thorpe, Margo's Got Money Troubles

“And I knew something bad had happened, that his feelings had shifted. Normally, there was a cord of attachment between us that I could tug and feel him there on the other end. I suddenly had the horrifying sensation that it had been snipped off, and now I had a cord that led nowhere, that was just dangling in space.”
― Rufi Thorpe, Margo's Got Money Troubles

“When that grew boring, she scrolled Twitter, which was like being bathed in the dirty water of other people's thoughts. On Instagram, she was in a deep, deep ad loop.”
― Rufi Thorpe, Margo's Got Money Troubles

“It was fun: making things up, pulling each detail out of the dark of my mind like a rabbit from a hat.”
― Rufi Thorpe, Margo's Got Money Troubles

“Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.”
― Viktor E. Frankl, Man's Search for Meaning

“When we are no longer able to change a situation, we are challenged to change ourselves.”
― Viktor E. Frankl, Man's Search for Meaning

“Those who have a 'why' to live, can bear with almost any 'how'.”
― Viktor E. Frankl, Man's Search for Meaning

“Love is the only way to grasp another human being in the innermost core of his personality. No one can become fully aware of the very essence of another human being unless he loves him. By his love he is enabled to see the essential traits and features in the beloved person; and even more, he sees that which is potential in him, which is not yet actualized but yet ought to be actualized. Furthermore, by his love, the loving person enables the beloved person to actualize these potentialities. By making him aware of what he can be and of what he should become, he makes these potentialities come true.”
― Viktor E. Frankl, Man's Search for Meaning

“For the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth - that Love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.”
― Viktor E. Frankl, Man's Search for Meaning

“We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.

But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.

This book is about the possibility that Huxley, not Orwell, was right.”
― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

“What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions."

In 1984, Huxley added, "people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us".”
― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

“[M]ost of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action. (68).”
― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

“The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.”
― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

“What Huxley teaches is that in the age of advanced technology, spiritual devastation is more likely to come from an enemy with a smiling face than from one whose countenance exudes suspicion and hate. In the Huxleyan prophecy, Big Brother does not watch us, by his choice. We watch him, by ours. There is no need for wardens or gates or Ministries of Truth. When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk; a culture-death is a clear possibility.”
― Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

“For now she need not think of anybody. She could be herself, by herself. And that was what now she often felt the need of - to think; well not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others... and this self having shed its attachments was free for the strangest adventures.”
― Virginia Woolf, To the Lighthouse