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  • #1
    China Miéville
    “Art is something you choose to make... it's a bringing together of... of everything around you into something that makes you more human, more khepri, whatever. More of a person.”
    China Miéville, Perdido Street Station

  • #2
    China Miéville
    “Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.

    Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.

    It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept...

    ..I have danced with the spider. I have cut a caper with the dancing mad god.”
    China Miéville, Perdido Street Station

  • #3
    China Miéville
    “I wish that there was nothing to hold me here, that gravity was a suggestion I could ignore.”
    China Miéville, Perdido Street Station

  • #4
    China Miéville
    “The point is that you are an individual inasmuch as you exist in a social matrix of others who respect your individuality and your right to make choices. That's concrete individuality: an individuality that it owes its existence to a kind of communal respect on the part of all the other individualities, and that it had better therefore respect them similarly.”
    China Miéville, Perdido Street Station

  • #5
    China Miéville
    “She was intelligent enough to realize that her excitement was childish, but not mature enough to care.”
    China Miéville, Perdido Street Station

  • #6
    China Miéville
    “Isaac liked the idea of an inter-aspectual entity so enamored with knowledge that it just roamed from realm to realm in a bath, murmuring with interest at everything it came across.”
    China Miéville, Perdido Street Station

  • #7
    China Miéville
    “Andrej’s mind, like any sane human’s, … or other sentient being's, was a constantly convulsing dialectical unity of consciousness and subconsciousness, the battening down and channelling of dreams and desires, the recurring re-creation of the subliminal by the contradictory, the rational-capricious ego. And vice versa. The interaction of levels of consciousness into an unstable and permanently self-renewing whole. Anrej's mind was not like the cold ratiocination of the Council, nor the poetic dream conciousness of the Weaver ... but with underlying structure and subconcious flow, with calculating rationality and impulsive fancy, self-maximizing analysis and emotional flow, it was [the combination thereof].”
    China Miéville, Perdido Street Station

  • #8
    China Miéville
    “Your city institutions... Talking and talking of individuals... but crushing them in layers and hierarchies... until their choices might be between three kinds of squalor.”
    China Miéville, Perdido Street Station

  • #9
    China Miéville
    “To take the choice of another…to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to…for all we individuals to have…our choices. ”

    Kar’uchai shrugged and indicated the world around them vaguely. “Your city institutions…Talking and talking of individuals…but crushing them in layers and hierarchies…until their choices might be between three kinds of squalor.

    “We have far less, in the desert. We hunger, sometimes, and thirst. But we have all the choices that we can. Except when someone forgets themselves, forgets the reality of their companions, as if they were an individual alone…And steals food, and takes the choice of others to eat it, or lies about game, and takes the choice of others to hunt it; or grows angry and attacks without reason, and takes the choice of another not to be bruised or live in fear.

    “A child who steals the cloak of some beloved other, to smell at night…they take away the choice to wear the cloak, but with respect, with a surfeit of respect.

    “Other thefts, though, do not have even respect to mitigate them.

    “To kill…not in war or defence, but to…murder…is to have such disrespect, such utter disrespect, that you take not only the choice of whether to live or die that moment…but every other choice for all of time that might be made. Choices beget choices…if they had been allowed their choice to live, they might have chosen to hunt for fish in a salt-swamp, or to play dice, or to tan hides, to write poesy or cook stew…and all those choices are taken from them in that one theft.

    “That is choice-theft in the highest degree. But all choice-thefts steal from the future as well as the present.”
    China Miéville, Perdido Street Station

  • #10
    CrimethInc.
    “Where do you want to go, my heart?" "Anywhere - anywhere, out of this world.”
    CrimethInc., Days of War, Nights of Love: Crimethink For Beginners

  • #11
    CrimethInc.
    “Note: When reading dry political theory, such as the texts you will find on the following pages, it may be useful to apply the Exclamation Point Test from time to time, to determine if the material you are reading is actually relevant to your life. To apply this test, simply go through the text replacing all the punctuation marks at the ends of the sentences with exclamation points. If the results sound absurd when read aloud, then you know you're wasting your time.”
    CrimethInc., Days of War, Nights of Love: Crimethink For Beginners

  • #12
    CrimethInc.
    “Countless generations have set out convinced that they would succeed where other had failed – that's where lawyers and reporters come from, you know. They're the cynical corpses of idealistic young people who thought the system could be reformed.”
    CrimethInc., Days of War, Nights of Love: Crimethink For Beginners

  • #13
    CrimethInc.
    “Because I care about human beings, I want them to be free to do what is right for them. Isn't that more important than mere peace on earth? Isn't freedom, even dangerous freedom, preferable to the safest slavery, to peace bought with ignorance, cowardice, and submission?”
    CrimethInc., Days of War, Nights of Love: Crimethink For Beginners

  • #14
    “The queerest insurrection demands the weirdest, the most enmeshed in the unseen, the most in relationship wit all that teems just beyond the normative filter, a foot in each world.”
    Mary Nardini Gang, Be Gay Do Crime

  • #15
    “We must become bodies in revolt.”
    Mary Nardini Gang, Toward the Queerest Insurrection

  • #16
    “No one asks me why I hate, no one uses that word, they call me grumpy, not even angry, but grumpy, six letters, something inconsequential and self-inflicted, something powerless, insignificant, something small in a small person, not something that's about society, or about them, just something that means i'm ruining things for myself, something that's in the way of my potential as an object.”
    Jenny Hval, Girls Against God

  • #17
    “I don’t desire total freedom, or total misanthropy. Do you get that? I desire magic, the same alchemical reaction that transforms hatred to a new or strange form of love.”
    — Jenny Hval, Girls Against God”
    Jenny Hval, Girls Against God

  • #18
    “What is it we're lacking if we, in art and in life, just repeat and repeat and repair and repair versions of ancient hierarchies and rituals? What do we exclude? Can you hear it? What is it we're still not saying?”
    Jenny Hval, Girls Against God

  • #19
    Andrew Hussie
    “You understand reality while everyone else is running around confused and angry and upset because they think reality is something happening to them rather than something they are making every moment with every thought.”
    Andrew Hussie

  • #20
    Andrew Hussie
    “We will snatch purpose from the jaws of futility.”
    Andrew Hussie

  • #21
    Andrew Hussie
    “The streets are empty. Wind skims the voids keeping neighbors apart, as if grazing the hollow of a cut reed, or say, a plundered mailbox. A familiar note is produced. It's the one Desolation plays to keep its instrument in tune.”
    Andrew Hussie, Homestuck Book One

  • #22
    Andrew Hussie
    “You come to the sobering realization that things will never stop from keep happening constantly”
    Andrew Hussie, Homestuck

  • #23
    Andrew Hussie
    “You want her in every quadrant like a desperate fool.”
    Andrew Hussie

  • #24
    Andrew Hussie
    “TT: This session was never meant to bear fruit.
    TT: It's barren, so to speak.

    EB: that's a bit of a bummer!
    EB: i am still skeptical about that, though.

    TT: That's why you're our leader, John.

    EB: huh?

    TT: Optimism through stalwart skepticism is a defect not everyone is lucky enough to be cursed with.

    EB: that's stupid.
    EB: i'm not your leader, i am your FRIEND, there is a BIG difference!

    TT: Statements like that are also why you're our leader.”
    Andrew Hussie, Homestuck

  • #25
    Andrew Hussie
    “CG: I AM BEING PLEASANT AND AGREEABLE, AND I WILL GENTLY LOWER A MAGNIFICENT, CORUSCATING COLUMN OF HOT FUCK YOU DOWN THE PROTEIN CHUTE OF ANYONE WHO SAYS OTHERWISE.”
    Andrew Hussie, Homestuck

  • #26
    Andrew Hussie
    “AT: oKAYYYY, mY BROMO SAPIEN,
    AT: r U READY,
    AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE,
    AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING,
    AT: tROLLLLLLLLLLLLLLLLL,
    TG: dont care
    AT: oK, lET ME,
    AT: oRGANIZE MY NOTES HERE,
    AT: oKAYYY,
    AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,)
    AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK,
    AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY,
    AT: wHOSE,
    AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK
    AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY
    AT: gOOSE,
    AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS,
    AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND,
    AT: wOW, oK,
    AT: i AM GETTING OFF THE POINT, wHICH WAS,
    AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN,
    AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE,
    AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN,
    AT: (aND THEN GOT HANDED BACK TO YOU,)
    AT: cAUSE THAT'S HOW HUMANS GET SERVED,
    AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S,
    AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN,
    AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,)
    AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY,
    AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY,
    AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,)
    AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY,
    AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD,
    AT: cOMING AT YOU THROUGH TRAFFIC,
    AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED,
    AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC,
    AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,)
    AT: (aNYTHING SEXUAL,)
    AT: (eRR, wHOAAAAA,)
    AT: (nEVERMIND,)
    AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE,
    AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,)
    AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING,
    AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE,
    AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE,
    AT: i'M IN CHARGE, cAUSE i'M CHARGING IN,
    AT: yOUR CHINASHOP,
    AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW,
    AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT,
    AT: (fUCK,)
    AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT
    AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE,
    AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT,
    AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT,
    AT: sO, gIVEN THAT, lET ME BE THE FIRST,
    AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT,
    AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,”
    Andrew Hussie, Homestuck

  • #27
    Andrew Hussie
    “VRISKA: I only ever wanted to do the right thing no matter how it made people judge me, and I don't need a magic ring to do that.
    VRISKA: You don't have to 8e alive to make yourself relevant.
    VRISKA: And you don't have to 8e a good person to 8e a hero.
    VRISKA: You just have to know who you are and stay true to that.
    VRISKA: So I'm going to keep fighting for people the only way I ever knew how.
    VRISKA: 8y 8eing me.”
    Andrew Hussie, Homestuck

  • #28
    Selahattin Demirtaş
    “Devrimci hayat tam olarak nedir çözebilmiş değilim ama güzel bir şey sanırım. Yelda da halen çok güzel.”
    Selahattin Demirtaş, Devran

  • #29
    “A human being will rarely admit this to you, but they tend to be terrified of living forever. They were born and raised with the understanding that their lives would end. They've achieved everything they wanted to achieve, all the ills that plagued them.

    And now boredom is their only enemy. And they get up in the morning and fight it every day of their eternal lives. Recreation and play sustain them. Football sustains them. And if you find yourself in a football game that's such a gargantuan task, that seems undefeatable, that will claim eons of your time and your passion?

    I think that makes you one of the lucky ones.”
    Jon Bois, 17776: What football will look like in the future

  • #30
    “Now they are resting in a moment that will last until the end of time.”
    Jon Bois, 17776: What football will look like in the future



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