Sarah > Sarah's Quotes

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  • #1
    Nick Hornby
    “I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?”
    Nick Hornby, A Long Way Down

  • #2
    Stephen  King
    “Hearts can break. Yes, hearts can break. Sometimes I think it would be better if we died when they did, but we don't.”
    Stephen King, Hearts in Atlantis

  • #3
    Gabriel García Márquez
    “Perhaps this is what the stories meant when they called somebody heartsick. Your heart and your stomach and your whole insides felt empty and hollow and aching.”
    Gabriel García Márquez

  • #4
    Elizabeth Gilbert
    “Someday you're gonna look back on this moment of your life as such a sweet time of grieving. You'll see that you were in mourning and your heart was broken, but your life was changing...”
    Elizabeth Gilbert

  • #5
    Jodi Picoult
    “Once you had put the pieces back together, even though you may look intact, you were never quite the same as you'd been before the fall.”
    Jodi Picoult

  • #6
    Mark Twain
    “Never allow someone to be your priority while allowing yourself to be their option.”
    Mark Twain

  • #8
    Colleen Houck
    “Saying his name stabbed my heart, like someone had ripped through my carefully stitched up world and exposed the infected, pulsing red tissue that I thought was healing. ”
    Colleen Houck

  • #9
    “You can’t turn love on and off like a light switch, no matter how hard you try. All you can do is wall it off, one brick at a time, until you’ve created an impenetrable fortress around your emotions. And once that fortress is built, you camouflage it so well that even you can’t see it anymore.”
    Katherine Allred, The Sweet Gum Tree

  • #10
    Richelle Mead
    “In an undertone, I murmured, "This isn't over. I won't give up on you."
    "I've given up on you," he said back, voice also soft. "Love fades. Mine has.”
    Richelle Mead, Spirit Bound

  • #11
    Harriet Beecher Stowe
    “Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.

    The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:

    I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us."

    And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real.

    Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.”
    Harriet Beecher Stowe, Uncle Tom’s Cabin

  • #12
    Ani DiFranco
    “You broke me bodily.
    The heart ain't the half of it,
    And I'll never learn to laugh at it
    In my good natured way.
    In fact, I'm laughing less in general,
    But I learned a lot at my own funeral.
    And I knew you'd be the death of me,
    So I guess that's the price I pay.”
    Ani DiFranco

  • #13
    Kathryn Stockett
    “Stuart needs "space" and "time," as if this were physics and not a human relationship.”
    Kathryn Stockett, The Help

  • #14
    Brodi Ashton
    “If you're gonna leave, I wish you'd just leave. Why do you keep coming back if you're not going to stay? Because even when you're gone, you're never really gone... I won't get over it if you keep coming back. Losing you once was hard enough. And now you're here again and everything's coming back. I'm going to get screwed. And I can't do it again.”
    Brodi Ashton, Everneath

  • #15
    Samantha Bruce-Benjamin
    “It is a dull sensation, your heart breaking, like the sound of a pebble dropping on the sand. Not a shattering, not a tearing apart, there is nothing shrill or grandiose about the sensation. It is merely an internal realization that something treasured you never knew you had is leaving forever.”
    Samantha Bruce-Benjamin, The Art of Devotion

  • #16
    Kristan Higgins
    “I'll tell you something, Harpy," he said, his voice almost a whisper now. "It never even occurred to me that we wouldn't make it. And it never occurred to you that we would. You were just waiting for us to go down in flames. I thought we could get through anything.”
    Kristan Higgins, My One and Only

  • #17
    “i can not go through the ocean. i can not drive the streets at night. i can not wake up in the morning without you on my mind. and so your gone and im haunted i bet you are just fine. did i make it that easy to walk right in and out of my life.”
    A Fine Frenzy

  • #18
    Ted Michael
    “So here’s my question: when you lose the most important person to you in the entire world, where is all the love – love you never even knew you were capable of – supposed to go?”
    Ted Michael, Crash Test Love

  • #19
    Janette Rallison
    “Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands.

    But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain."

    Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.”
    Janette Rallison, My Fair Godmother

  • #20
    Jess Rothenberg
    “News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what
    you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their
    possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help.
    That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
    Believe me, I should know.”
    Jess Rothenberg, The Catastrophic History of You and Me

  • #21
    Jasinda Wilder
    “Hot heart-blood leaked from my face. From my eyes and my nose and my mouth. Not tears, because those would never stop. This was just liquid heartbreak seeping from my pores.”
    Jasinda Wilder, Falling Into You

  • #21
    “Home at last. Why was I not feeling relief? I turn in m bed thinking of the last time that I had laid my head on that pillow. Sadness took over me almost instantly. A pillow soaked in tears, the feeling of someone tearing a part of my chest out, it replayed in my head as if it had happened yesterday. I coculdn't believe that that girl was me. I was so much stronger than that, how had I allowed myself to become so vulnerable? I never thought that I would be the girl who'd get her heart broken. I never thought that he'd be the one to break it. But I was, and I know he did. I know, because, no one will ever know how much I cried that night.”
    Everance Caiser

  • #21
    The Script
    “What am I supposed to do when the best part of me was always you?
    And what am I supposed to say when I'm all choked up and you're ok?”
    The Script

  • #22
    Anthony Doerr
    “Don't tell me how to grieve. Don't tell me ghosts fade away eventually, like they do in movies, waving goodbye with see-through hands. Lots of things fade away but ghosts like these don't, heartbreak like these doesn't.”
    Anthony Doerr, Memory Wall

  • #23
    “No matter how many movies you watch, songs you listen to, and friends you talk to, you will never understand heartbreak. You want to disappear, crying feels like bleeding, the world is spinning. You watch a movie you have seen ten times, a song you’ve listened to a hundred times and a friend you’ve been talking to for a thousand days and suddenly it’s like your hearing everything for the first time. For the first time you’ve opened your heart and your mind, you want to listen, you want to heal others. For the first time you feel destroyed. The word pain cannot do what you are feeling justice. It is beyond pain, beyond fury, beyond sadness. You feel everything but nothing at once. Shocked. Numb. Empty. But I had also felt compassion that day, empathy for a heart that I had once broke. Love for all of those who had not broken my heart. Appreciation for all of those who had mended hearts. Happiness for all who had secured their hearts. The day that I first met heartbreak, the day that I got my heart snatched away from me, happens to be the day that I first found my heart as well.”
    Everance Caiser

  • #24
    Alma Katsu
    “She was telling me that I had a life of disappointment before me if I continued to love him as I did. A love that is too strong can turn poisonous and bring great unhappiness. And then, what is the remedy? Can you unlearn your heart's desire? Can you stop loving someone? Easier to drown yourself; easier to take the lover's leap.”
    Alma Katsu, The Taker

  • #25
    Kimberly Novosel
    “I threw his framed picture off my balcony just to hear my heart break.”
    Kimberly Novosel, Loved

  • #26
    Carol Oates
    “A broken heart is something even I can’t protect you from. I’ve been alone for so long, and believe me, all that does is provide a false sense of security. Being alone doesn’t erase the deep yearning that exists in all of us. We are not solitary creatures. You have to love and open your heart. If not, what is it we are trying to save? When it swallows you whole, remember it means you’ve lived.”
    Carol Oates, Iridescent

  • #27
    “What happens when someone breaks your heart?
    When someone breaks your heart, first you are shocked. Someone will say you are heartbroken and you examine the words break and heart and heartbroken and you immediately decide that it's inaccurate. You feel pain in the region of your heart and you think it's your heart breaking but one's heart doesn't really break, something else does - faith. You stop believing.”
    M.D. Balangue, Mr. Write

  • #28
    Jen Violi
    “My heart broke when he died, split in half and fell down into my stomach or somewhere deep and muddy, and I'm still not sure where it is now. I hear it beating sometimes in my ears, or feel its fast pulse in my neck, like I do now; but in my chest, where it should be, it mostly just feels empty.”
    Jen Violi, Putting Makeup on Dead People

  • #29
    V.C. Andrews
    “Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.”
    V.C. Andrews, Heart Song



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