Egle > Egle's Quotes

“If you feel exhausted by people, it’s because you’re willingly playing the martyr to make them like you. It’s your problem, not theirs.”
― Dolly Alderton, Everything I Know About Love

“But it would be a lie to say I think I will ever be entirely free of what happened in that time [...] You can restore your physical being to health; you can develop a ratinal, balanced, caring attitude [...] You can try as hard as you can to block it out, but sometimes, on very difficult days, it feels like you’ll never be as euphoric as that ten-year-old licking lurid jam off her fingertips, not ever again.”
― Dolly Alderton, Everything I Know About Love

“I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
― Jacqueline Harpman, I Who Have Never Known Men

“They will call you hysterical no matter how much dignity you have. So you might as well do whatever the hell you want.”
― Jessica Knoll, Bright Young Women

“Law enforcement would rather we remember a dull man as brilliant than take a good hard look at the role they played in this absolute sideshow, and I am sick to death of watching them in their pressed shirts and cowboy boots, in their comfortable leather interview chairs, in hugely successful and critically acclaimed crime documentaries, talking about the intelligence and charm and wiliness of an ordinary misogynist. This story is not that. The story is not that.”
― Jessica Knoll, Bright Young Women

“Time does not heal all wounds. Grief is just like a sink full of dirty dishes or a pile of soiled laundry. Grief is a chore you have to do and it's a messy one at that.”
― Jessica Knoll, Bright Young Women

“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
― Donna Tartt, The Secret History

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.”
― Patti Smith, Just Kids

“We used to laugh at our small selves, saying that I was a bad girl trying to be good and that he was a good boy trying to be bad. Through the years these roles would reverse, then reverse again, until we came to accept our dual natures. We contained opposing principles, light and dark.”
― Patti Smith, Just Kids

“Both of them were ahead of their time, but they didn't live long enough to see the time they were ahead of.”
― Patti Smith, Just Kids

“Whenever someone does something nice for me, I feel intensely aware of how strange and sad it is to know someone.”
― Emily R. Austin, Everyone in This Room Will Someday Be Dead

“I find it so bizarre that I occupy space, and that I am seen by other people.”
― Emily R. Austin, Everyone in This Room Will Someday Be Dead

“Everything matters so much and so little; it is disgusting.”
― Emily R. Austin, Everyone in This Room Will Someday Be Dead

“My mother had a baby, and her mother had a baby, and her mother had a baby. Every woman in my family before me lived to have a baby—just so that baby could grow up to have another baby. If I don’t have a baby, then all of those women reproduced just so that I could exist. I am the final product. I am the final baby.”
― Emily R. Austin, Everyone in This Room Will Someday Be Dead

“Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?”
― Emily R. Austin, Everyone in This Room Will Someday Be Dead