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  • #1
    Samuel Beckett
    “If there is one question I dread, to which I have never been able to invent a satisfactory reply, it is the question what am I doing.”
    Samuel Beckett, Molloy

  • #2
    Samuel Beckett
    “For in me there have always been two fools, among others, one asking nothing better than to stay where he is and the other imagining that life might be slightly less horrible a little further on.”
    Samuel Beckett, Molloy

  • #3
    Samuel Beckett
    “Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition.”
    Samuel Beckett, Molloy

  • #4
    Samuel Beckett
    “It's so nice to know where you're going, in the early stages. It almost rids you of the wish to go there.”
    Samuel Beckett, Molloy

  • #5
    Samuel Beckett
    “And truly it little matters what I say, this or that or any other thing. Saying is inventing. Wrong, very rightly wrong. You invent nothing, you think you are inventing, you think you are escaping, and all you do is stammer out your lesson, the remnants of a pensum one day got by heart and long forgotten, life without tears, as it is wept. ”
    Samuel Beckett, Molloy (Palabra en el tiempo / Word in the Time)

  • #6
    William Faulkner
    “...I give you the mausoleum of all hope and desire...I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.”
    William Faulkner, The Sound and the Fury

  • #7
    William Faulkner
    “A man is the sum of his misfortunes. One day you'd think misfortune would get tired but then time is your misfortune”
    William Faulkner, The Sound and the Fury

  • #8
    William Faulkner
    “It's not when you realise that nothing can help you - religion, pride, anything - it's when you realise that you don't need any aid.”
    William Faulkner, The Sound and the Fury
    tags: help

  • #9
    William Faulkner
    “She loved him not only in spite of but because he himself was incapable of love.”
    William Faulkner, The Sound and the Fury

  • #10
    Percival Everett
    “At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them, sounding them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.”
    Percival Everett, James

  • #11
    Percival Everett
    “I can tell you that I am a man who is cognizant of his world, a man who has a family, who loves a family, who has been torn from his family, a man who can read and write, a man who will not let his story be self-related, but self-written.”
    Percival Everett, James

  • #12
    Murasaki Shikibu
    “No art or learning is to be pursued halfheartedly...and any art worth learning will certainly reward more or less generously the effort made to study it.”
    Murasaki Shikibu, The Tale of Genji

  • #13
    John  Williams
    “He had come to that moment in his age when there occurred to him, with increasing intensity, a question of such overwhelming simplicity that he had no means to face it. He found himself wondering if his life were worth the living; if it had ever been. It was a question, he suspected, that came to all men at one time or another; he wondered if it came to them with such impersonal force as it came to him. The question brought with it a sadness, but it was a general sadness which (he thought) had little to do with himself or with his particular fate; he was not even sure that the question sprang from the most immediate and obvious causes, from what his own life had become. It came, he believed, from the accretion of his years, from the density of accident and circumstance, and from what he had come to understand of them. He took a grim and ironic pleasure from the possibility that what little learning he had managed to acquire had led him to this knowledge: that in the long run all things, even the learning that let him know this, were futile and empty, and at last diminished into a nothingness they did not alter.”
    John Williams, Stoner

  • #14
    Virginia Woolf
    “There was a star riding through clouds one night, & I said to the star, 'Consume me'.”
    Virginia Woolf, The Waves

  • #15
    Virginia Woolf
    “How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here for ever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.”
    Virginia Woolf, The Waves

  • #16
    Virginia Woolf
    “I am made and remade continually. Different people draw different words from me.”
    Virginia Woolf, The Waves

  • #17
    Joan Didion
    “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”
    Joan Didion, Slouching Towards Bethlehem

  • #18
    Joan Didion
    “Character — the willingness to accept responsibility for one's own life — is the source from which self-respect springs.”
    Joan Didion, On Self-Respect

  • #19
    Ocean Vuong
    “Let no one mistake us for the fruit of violence - but that violence, having passed through the fruit, failed to spoil it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #20
    Joan Didion
    “[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.”
    Joan Didion, Slouching Towards Bethlehem

  • #21
    Joan Didion
    “Of course we would all like to "believe" in something, like to assuage our private guilts in public causes, like to lose our tiresome selves; like, perhaps, to transform the white flag of defeat at home into the brave white banner of battle away from home. And of course it is all right to do that; that is how, immemorially, thing have gotten done. But I think it is all right only so long as we do not delude ourselves about what we are doing, and why. It is all right only so long as we remember that all the ad hoc committees, all the picket lines, all the brave signatures in The New York Times, all the tools of agitprop straight across the spectrum, do not confer upon anyone any ipso facto virtue. It is all right only so long as we recognize that the end may or may not be expedient, may or may not be a good idea, but in any case has nothing to do with "morality." Because when we start deceiving ourselves into thinking not that we want something or need something, not that it is a pragmatic necessity for us to have it, but that it is a moral imperative that we have it, then is when we join the fashionable madmen, and then is when the thin whine of hysteria is heard in the land, and then is when we are in bad trouble. And I suspect we are already there.”
    Joan Didion, Slouching Towards Bethlehem

  • #22
    Toni Morrison
    “Like any artist without an art form, she became dangerous.”
    Toni Morrison, Sula
    tags: art

  • #23
    Toni Morrison
    “It was a fine cry - loud and long - but it had no bottom and it had no top, just circles and circles of sorrow.”
    Toni Morrison, Sula

  • #24
    Toni Morrison
    “You wanna fly, you got to give up the shit that weighs you down.”
    Toni Morrison, Song of Solomon

  • #25
    Toni Morrison
    “At some point in life the world's beauty becomes enough. You don't need to photograph, paint, or even remember it. It is enough.”
    Toni Morrison

  • #26
    Toni Morrison
    “Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.”
    Toni Morrison, The Nobel Lecture In Literature, 1993

  • #27
    Toni Morrison
    “You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.”
    Toni Morrison, Song of Solomon

  • #28
    Toni Morrison
    “She had been looking all along for a friend, and it took her a while to discover that a lover was not a comrade and could never be - for a woman. And that no one would ever be that version of herself which she sought to reach out to and touch with an ungloved hand. There was only her own mood and whim, and if that was all there was, she decided to turn the naked hand toward it, discover it and let others become as intimate with their own selves as she was.”
    Toni Morrison, Sula

  • #29
    Thomas Pynchon
    “Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.”
    Thomas Pynchon, V.

  • #30
    Thomas Pynchon
    “Life's single lesson: that there is more accident to it than a man can ever admit to in a lifetime and stay sane.”
    Thomas Pynchon, V.



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