Gaspar > Gaspar's Quotes

“Violence, naked force, has settled more issues in history than has any other factor.”
― Robert A. Heinlein, Starship Troopers

“A classic is a book that has never finished saying what it has to say.”
― Italo Calvino, The Uses of Literature

“You're the sort of person who, on principle, no longer expects anything of anything. There are plenty, younger than you or less young, who live in the expectation of extraordinary experiences: from books, from people, from journeys, from events, from what tomorrow has in store. But not you. You know that the best you can expect is to avoid the worst.”
― Italo Calvino, If on a Winter’s Night a Traveler

“The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.”
― Italo Calvino

“It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.”
― Italo Calvino, If on a Winter’s Night a Traveler

“If you think about it, reading is a necessarily individual act, far more than writing. If we assume that writing manages to go beyond the limitations of the author, it will continue to have a meaning only when it is read by a single person and passes through his mental circuits. Only the ability to be read by a given individual proves that what is written shares in the power of writing, a power based on something that goes beyond the individual. The universe will express itself as long as somebody will be able to say, "I read, therefore it writes.”
― Italo Calvino, If on a Winter’s Night a Traveler

“Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen."

And who gains by it, in the end?"

It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization."

The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks.

But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us."

Fake or real?"

Fake, certainly, but I don't know whether it belongs to the police or to us.”
― Italo Calvino, If on a Winter’s Night a Traveler

“I expect readers to read in my books something I didn't know, but I can expect it only from those who expect to read something they didn't know.”
― Italo Calvino, If on a Winter’s Night a Traveler

“Ã noite, depois do chá, refugiava-me no oratório, como numa fortaleza de santidade, embebia os meus olhos no corpo de ouro de Jesus, pregado na sua linda cruz de pau preto. Mas então o brilho fulvo do metal precioso ia, pouco a pouco, embaciando, tomava uma alva cor de carne, quente e tenra; a magreza de Messias triste, mostrando os ossos, arredondava-se em formas divinamente cheias e belas; por entre a coroa de espinhos, desenrolavam-se lascivos anéis de cabelos crespos e negros; no peito, sobre as duas chagas, levantavam-se, rijos, direitos, dous esplêndidos seios de mulher, com um botãozinho de rosa na ponta; e era ela, a minha Adélia, que assim estava no alto da cruz, nua, soberba, risonha, vitoriosa, profanando o altar, com os braços abertos para mim!”
― Eça de Queirós, A Relíquia

“Uma noite, cedo, fui experimentar se o céu escutara tão valiosas preces. Cheguei à porta da Adélia; e bati, tremendo todo, uma argoladinha humilde. O Senhor Adelino assomou à janela, em mangas de camisa.
- Sou eu, Senhor Adelino - murmurei abjetamente e tirando o chapéu. - Queria falar à Adeliazinha.
Ele rosnou para dentro, para a alcova, o meu nome. Creio mesmo que disse o carola. E lá do fundo, dentre os cortinados, onde eu a pressentia toda desalinhada e formosa, a minha Adélia gritou com furor:
- Atira-lhe para cima dos lombos o balde da água suja!
Fugi.”
― Eça de Queirós, A Relíquia

“To permit irresponsible authority is to sell disaster.”
― Robert A. Heinlein, Starship Troopers

“I pity the poverty of your wealth.”
― Robert A. Heinlein, Starship Troopers

“What we obtain too cheap, we esteem too lightly . . .”
― Robert A. Heinlein, Starship Troopers

“In marriage the greatest hatred that is possible between human beings can be generated, perhaps because of the constant proximity, perhaps because once there was love. The intimacy is still there, even though the love element has disappeared. So a will to power, a struggle for domination, comes into being.”
― Philip K. Dick, Now Wait For Last Year

“Human has always striven to retain the past, to keep it convincing; there's nothing wicked in that. Without it we have no continuity; we have only the moment. And, deprived of the past, the moment - the present - has little meaning, if any.”
― Philip K. Dick, Now Wait for Last Year

“The most horrid sound in the world, that of the once-was: alive in the past, perishing in the present, a corpse made of dust in the future.”
― Philip K. Dick, Now Wait For Last Year

“But an artist, he realized. Or rather so-called artist. Bohemian. That's closer to it. The artistic life without the talent.”
― Philip K. Dick, The Three Stigmata of Palmer Eldritch

“Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.”
― Thomas Mann, Death in Venice and Other Tales

“Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge.”
― Thomas Mann, Death in Venice and Other Tales

“Nothing gladdens a writer more than a thought that can become pure feeling and a feeling that can become pure thought.”
― Thomas Mann, Death in Venice

“Men who read a lot have a more sensitive disposition, added Fowler. [...]

I did not know what to say to this.

Maybe reading is a sort of curse is all I mean, concluded Fowler. Maybe it's better for a man to stay inside his own mind.

Amen, I felt like saying, although I do not know why.”
― Dan Simmons, The Terror

“I remember that day in early May after Le Vesconte's and Private Pilkington's brief joint burial service, one of the men suggested that we name the small spur of land where they were buried "Le Vesconte Point," but Captain Crozier vetoed that idea, saying that if we named every place where one of us might end up buried after the dead person there, we'd run out of land before we ran out of names.”
― Dan Simmons, The Terror

“Unfortunately, gentlemen, Crozier had told the boys during their first day aboard—the captain had been more than usually drunk that day—if you look around, you’ll notice that while Terror and Erebus were both built as bombardment ships, gentlemen, neither has a single gun between them. We are, young volunteers from Excellent—unless one counts the Marines’ muskets and the shotguns secured in the Spirit Room—as gunless as a newborn babe. As gunless as fucking Adam in his fucking birthday suit. In other words, gentlemen, you gunnery experts are about as useful to this expedition as teats would be on a boar.”
― Dan Simmons, The Terror

“The steward had been more circumspect after that. He had learned - as Odysseus had learned after a certain number of years of his wanderings - that his guile was no match for the world and that hubris would always be punished by the gods.”
― Dan Simmons, The Terror

“Thomas Blanky wondered if he had been an instrument of evil — or perhaps just of folly — when he had used his more than three decades of ice-master skills to get 126 men the impossible 250 miles through ice to this place where all they could do was die”
― Dan Simmons, The Terror

“We are of opinion that instead of letting books grow moldy behind an iron grating, far from the vulgar gaze, it is better to let them wear out by being read.”
― Jules Verne, Journey to the Center of the Earth

“The cyclist is immunized against all dangers: One may call him a scoundrel, parasite, swindler, profiteer, it all runs off him like water off a raincoat. But hit him with your car and you will be astonished at how he recoils, how injured he is, how he suddenly shrinks back: "I've been runover!”
― Jeremy Clarkson

“Good manners are an admission that everybody is so tender that they have to be handled with gloves. Now, human respect—you don't call a man a coward or a liar lightly, but if you spend your life sparing people's feelings and feeding their vanity, you get so you can't distinguish what should be respected in them.”
― F. Scott Fitzgerald, Tender Is the Night

“Most people think everybody feels about them much more violently than they actually do; they think other people's opinions of them swing through great arcs of approval or disapproval.”
― F. Scott Fitzgerald, Tender Is the Night

“McKisco's contacts with the princely classes in America had impressed upon him their uncertain and fumbling snobbery, their delight in ignorance and their deliberate rudeness, all lifted from the English with no regard paid to factors that make English philistinism and rudeness purposeful, and applied in a land where a little knowledge and civility buy more than they do anywhere else - an attitude which reached its apogee in the "Harvard manner" of about 1900.”
― F. Scott Fitzgerald, Tender Is the Night