Aaron Pecht > Aaron's Quotes

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  • #1
    “But that never happened and I moved on, and I think that’s all we can do at this point…”
    Cade Mengler, The Companions

  • #2
    Michael              Parker
    “Gentlemen,” he said. “I give you The Eagle’s Covenant.”
    Michael Parker, The Eagle's Covenant

  • #3
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #4
    “But when people talk about it they call it The Zombie Room.”
    R.D. Ronald, The Zombie Room

  • #5
    Michael Wyndham Thomas
    “After that, nothing was the same. The very notion of my having a family turned vague, hard to credit, even weirdly jokey.”
    Michael Wyndham Thomas, The Erkeley Shadows

  • #6
    Andri E. Elia
    “Is it still a fish cart when there’s no fish in it? When its false bottom is filled with children?”
    Andri E. Elia, Borealis: A Worldmaker of Yand Novel

  • #7
    Tina Traverse
    “We Are brothers, tied by blood, in our veins, what we spill. But it is a deadly secret that will forever bind us.”
    Tina Traverse, Destiny of the Vampire

  • #8
    “the universe was not kind to auggie pullman. what did the little kid ever do to deserve his sentence? what did the parents do? or olivia? she once mentioned that some doctor told her parents that he odds of someone getting the same combination of syndromes that came together to make auggie's face was like one in four million. so doesn't that make the universe a giant lottery, then? you purchase a ticket when you're born. it's all just random whether you get a good ticket or a bad ticket. it's all just luck.”
    R.J. Palacio

  • #9
    Mary Ann Shaffer
    “I, too, have felt that the war goes on and on. When my son, Ian, died at El Alamein-- side by side with... visitors offering their condolences, thinking to comfort me, said, "Life goes on." What nonsense, I thought, of course it doesn't. It's death that goes on; Ian is dead now and will be dead tomorrow and nexe year and forever. There's no end to that. But perhaps there will be an end to the sorrow of it. ”
    Mary Ann Shaffer, The Guernsey Literary and Potato Peel Pie Society

  • #10
    Rhonda Byrne
    “Echte zekerheid is weten dat je geen zekerheid hebt, want dan zorg je er wel voor dat je elke dag alles uit het leven haalt.”
    Rhonda Byrne, Hero

  • #11
    Virgil
    “Just as, all too often, some huge crowd is seized by a vast uprising, the rabble runs amok, all slaves to passion, rocks, firebrands flying. Rage finds them arms but then, if they chance to see a man among them, one whose devotion and public service lend him weight, they stand there, stock-still with their ears alert as he rules their furor with words and calms their passion.”
    Virgil

  • #12
    Lionel Shriver
    “Yet Irina had once tucked away, she wasn't sure when or why, that happiness is almost definitionally a condition of which you are not aware at the time. To inhabit your own contentment is to be wholly present, with no orbiting satellite to take clinical readings of the state of the planet. Conventionally, you grow conscious of happiness at the very point that it begins to elude you. When not misused to talk yourself into something - when not a lie - the h-word is a classification applied in retrospect. It is a bracketing assessment, a label only decisively pasted onto an era once it is over.”
    Lionel Shriver, The Post-Birthday World



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